The World Is Big and Salvation Lurks Around the Corner (2008)

This 2008 film by Stefan Komandarev, a loose adaptation of a novel by Ilija Trojanow, is both a heartwarming family tale and a biting critique of Communist-era Bulgaria. Alexander "Sashko" Georgiev (Carlo Ljubek), who was born in Bulgaria and came to Germany as a child, is the sole survivor of a car crash that kills his parents. Due to the trauma, he initially cannot recall anything of his former life. His grandfather, Bai Dan (Miki Manojlović), visits from Bulgaria and, with the help of some tough love, tries to get him out of his funk and reawaken his memories. Bai Dan is a larger-than-life character, one of those wild, freespirited guys who somehow managed to survive here and there in Eastern Europe in spite of the greyness of society and the endless hassles by the authorities. Bai Dan is also an obsessive backgammon player who believes the game very directly relates to our lives. As Bai Dan and Sashko set off east from Germany, on a tandem bicycle back towards the old family home in Bulgaria, Sashko starts to remember, and the audience discovers in flashbacks the dramatic events that led his family to flee Bulgaria under Communism.This is an enjoyable little film. The political subtext adds some depth to the film and its scenes of a refugee camp and the frustrated aspirations of ordinary, hardworking people are especially relevant as I write this review. But that political touch is never heavy-handed, and what will strike most viewers is the common humanity of this family that lovingly stayed together through thick and thin. A remarkable thing is that neither of the main actors are themselves Bulgarians. Miki Manojlović has been a mainstay of Yugoslav and Serbian cinema for decades (Western audiences are most likely to know him from Kusturica's UNDERGROUND), but he learned Bulgarian well enough to pass as one of them. Similarly, Carlo Ljubek was born in Germany to Croatian immigrants.In spite of being worthwhile on one viewing, it is hard to rate this film more than average due to some peculiar aspects of the story. A romantic interest is written in, but she comes too late and Bai Dan's motivations in pushing Sashko to pursue her just baffle. The characters' actions were strange enough that I started to wonder if there was originally more material here, but Komandarev had to cut it out to achieve his 145-minute running time. Still, worth a try for anyone open to Central and Eastern European cinema, and Bai Dan is certainly the grandfather everyone wishes they had.

Pros: Very natural film. Very good reproduction of the communist Bulgaria and the lives of people who tried to survive that time outside and inside Bulgaria. The emotions go through the whole film without breaks. Excellent acting, excellent cinematography by inter-twisting the past and the present without losing the pace of emotions. Very simple and strong plot. Another confirmation that the perfection is actually in simplicity.Cons: One mark on the leading actor Carlo Ljubec...his accent made it difficult to go deep in the role. As if he was struggling with speaking out his lines in Bulgarian which was not an advantage but Miki Manolovic play was so strong that balanced this.

As soon as the movie meets the audience (especially a particular group of generations) it feels like classics. Inspired by auto-biog novel of Ilija Trojanov published in 1996 and directed in 2008 by Stephan Komandarev (coevals born in the middle of Communist era in Sofia, Bulgaria) this move is devoted to the people that were rendered "enemies of the nation" in their own country. Bai Dan is a real Bulgarian (it is worth noting that the role is played by the Serbian, Miki Manojlovic - Underground (1995)) which everyone will agree had met at least once in his life. He is a dice master who knows how to deal with the chances in life, he is brave, he is wild and yet he is naturally wise and humble Christian. Now it is time to play he's most important game - he have to help his grandson to find his lost soul. The personage's character is really admirable and like everything else in the move is marked by the natural charisma of the intelligent masterpiece. There are a lot of background symbols throughout the script and as the movie answers a lot, it inevitably opens the Pandora's box defining the post-communist societies in Eastern Europe. Political issues are presented in a skillful adjunct with the personal drama and doesn't bother with details and references more than necessary while standing in the heat zone. Perfect camera, astonishing sight-seeings - this move is a real advertisement and an open invitation for the artists and the common EU travelers.

Been from Bulgaria, knowing the country, the traditions, the mentality of the people I can tell, that it was great and honest acting - just as you could meet the people and their spirit in the streets.To my luck, I live in Germany and can also identity and totally understand and even see some of my own experience, feelings and everything the characters are going through on the silver screen as I did myself in the most realistic, authentic and beautifully possible way by settling to an other country. Not only having this background - and even the same name, as the main character Alex - this movie can touch your heart.Knowing some current Bulgarian movies - in my opinion - this is definitely THE best movie of the past few years. Honestly, I cannot remember anything more touching form any country for some past time. I had wet eyes during some scenes - either it was from laughing or from really deep emotion.This movie deserves watching.