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Illusion

Illusion (2004)

October. 25,2004
|
7.2
|
PG-13
| Drama Romance

A once-powerful, but now ailing movie director nears the end of his life. As he awaits death, he slips into a "dream" and is shown three "snippets" of the movie of his son's life. At first suspicious, then curious, and ultimately captivated, he watches his son's growth from mid-teens to mid-thirties as the son pursues his life-long love, Isabelle. The two constants through these snippets are his pursuit of Isabelle and the imagined voice of his father, telling him that he is worthless and unwanted. It is not until the story reaches its conclusion, that the old man discovers the surprising truth about his son and himself.

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Reviews

xxmrsqueenxx-92-157965
2004/10/25

What a wonderful movie. I loved it so much that I never want to see it again, but I know that eventually I will pick this movie back up and watch it again. I know what you're thinking, She's crazy what's she talking about? What I am talking about is simply this, the movie made me laugh, it made me cry and it made me think all about the things that I did in life up until now. It made me think about those I left behind and or whom left me behind. It made me feel things that I did not want to feel, that I thought I had l gotten over. I do not think that I could handle watching this movie again, but I know eventually I will give it another watch or two, or three because it was that great. I loved it.

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Raquel Diaz
2004/10/26

If you were disappointed with 'Pride and Prejudice', fell asleep during 'The New World' and tried to get your money back from watching 'Elizabethtown' then you will be very well entertained by illusion. I was hooked about seven minutes into it when Mr. Baines (Douglas) reveals his notion of what romance is in film and literature. 'Illusion' only continues deliver. There are nougats of wisdom spread throughout an aesthetically rich canvas. Whenever there is a brief moment where you feel a line is too cinematically familiar there will be this raw emotion spilling out and for the first time you believe the words, because you feel the pain. The film is thick with visual and auditory nuances that make this movie a must-see-again, (i. e. notice how Cristopher always carries that same wallet in the same pocket and his pants will always be more worn in the same corner). There are mini-movies inside the movie each so different from the other yet with reoccurring themes. Plus, the soundtrack was awesome, even though I didn't recognize any of the songs. Oh, and also Christopher aged seamlessly. Lately it seems as though American film has had yearning for the extreme. As if the only ones worthy of their story being told on screen are those uncommonly brave in extraordinarily difficult situations who decide to take the difficult route. This is a film about average people who are in coincidental but plausible circumstances and who take the easy way out most of the time. These are things we all do. This is a story we have all lived; what makes this story special is that it was told by a spectacular cast and overseen by an incredible director with a vision of where American Cinema should be heading.

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aishteruima
2004/10/27

This is one of those stories that just adds up. I saw this at the Palm Springs film festival and was of course impressed by Kirk's performance but was impressed even more so by the nature of the story. Based on a french play, the conceit of the piece is clever and resonant. We would all like the opportunity to rewrite something about our lives, this takes that idea and the idea of love showing itself regardless of distance or time to a new level.I think this is a great piece for families. While the audience I was with was rather old there is nothing in this that would not appeal to anyone who has a father, with whom they might have a difficult relationship or for that matter anyone with a child.

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mgroder
2004/10/28

I was privileged to see this film. Centered on the balcony scene from Romeo and Juliet, showing the poignancy of love held at a distance by circumstance, choice and fate, Baines [KD] and his son Christopher [MG] are trapped in a perfect play all taking place in one afternoon; a lifetime taking place in a canned film tragedy. Nonetheless, the other filmic choice, comedy, is also refused. No one ends as a clown, fool, nor failure. The film maker holds us in a limnal [threshold] space between tragedy and ultimate loss and comedy and a happy ending by allowing the healing connection to release one hero [KD] into Death and one [MG] into Life and Love. Although, this is a film about a film maker, the actors live their parts, rather then play them, so as Renee says, bring tissues. This film is a guy weepie that speaks to the painful gulf between fathers and sons, and also, the gulf men create when they cannot find their way in the world and find love at the same time. Yet, Love finds all. See it.

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