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The Silent World

The Silent World (1956)

February. 15,1956
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7
| Adventure Documentary

The Silent World is noted as one of the first films to use underwater cinematography to show the ocean depths in color. Its title derives from Cousteau's 1953 book The Silent World: A Story of Undersea Discovery and Adventure. The film was shot aboard the ship Calypso. A team of divers shot 25 kilometers of film over two years in the Mediterranean Sea, the Persian Gulf, the Red Sea and the Indian Ocean, of which 2.5 kilometers were included in the finished documentary.

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mben111
1956/02/15

This visually stunning masterpiece by the great undersea explorer, and co-directed by a young Louis Malle, is one of the most gorgeous films ever made. With his revolutionary equipment, Cousteau was able to capture the eerie majesty of the ocean and its mysterious inhabitants with vibrant, dazzling color. It's no wonder to me how this film won the Palm d'Or and an Oscar because it is probably the best filmed documentary ever.The focus on the new technology and the lives of the shipmates was even more fascinating than the nature, particularly the more violent scenes like the butchering of the sharks by the sailors or the dynamite in the water, used to discover the diversity of fish in the area. It is for this reason, I would guess, that this film has been forgotten and the animal rights movements of today would likely shun the film. Still, I hope for a resurgence of "The Silent World", and all Cousteau films for that matter.

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Mike Roman
1956/02/16

Both Le Monde du Silence and Le Monde Sans Soleil are remarkable documents of the underwater world. At this time, during the fifties, very little was known about coral reefs, sea creatures, and the sheer profusion of life beneath the ocean's surface. Cousteau and his crew go a long way (indeed dedicated their lives) to allowing us a glimpse of this fascinating world. Yet, there are scenes in both films which seem to pride themselves upon this human mastery over other creatures, and the destruction of their habitat. Whether sledge hammering at coral walls, or tormenting fish by enclosing them within a glass box, or dispersing chemicals in the sea as 'harmless waste', or simply killing a wide variety of creatures in the least humane way possible (appal to appeal), all in the name of learning, there comes a point when I simply switch off and think to myself: Were scientists really that dumb in the fifties? How can anyone watch this and think Cousteau (and his cronies) great pioneers of 'knowing' (science)? Of course, not all scientists were that dumb. But there are always exceptions. Recently, we could see this, at least televisually, with the Australian 'tormentor of beasts' Steve Irwin who, when his karmic credit finally ran out, was stung to death by a manta ray he was attempting to toy with for the sake of his Channel 5 program.It's curious, more than slightly ironic, that the following year the best documentary award was handed to Jerome Hill for his moving portrait of the Alsatian polymath Albert Schweitzer. Cousteau, irrespective of how he popularised the underwater world (I shall not enumerate the crimes that have been carried out under the pretext of 'scientific endeavour'), would have done well to have been acquainted with Schweitzer's work, and above all the 'ethics' that Schweitzer extolled. "A man is truly ethical only when he obeys the compulsion to help all life which he is able to assist, and shrinks from injuring anything that lives." When science (and exploration) 'shrinks' from ethics, when it just becomes an excuse to gain more knowledge and 'better understanding' (does understanding even come in degrees?) that will invariably rationalise post-factum the deeds we have done, it has already debased itself and become the way forward for a race of people who have lost their entitlement to the nomenclature 'human'.

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Badge
1956/02/17

I was looking forward to finally catching up with this old documentary and was saddened to see that despite the advances in underwater photography (in 1955), which brought the undersea life vividly to the screen, that every other aspect of the film was embarrassingly dated. I am referring specifically to the appalling behavior of the crew of the Calypso who bear scant resemblance to any naturalists and scientists we know of today, without an ounce of respect for the animals they encounter. Who in their right mind would set off dynamite in a lagoon, destroying coral reef and killing countless numbers of fish?? The only wildlife that gets off unscathed are the dolphins in the early part of the film – otherwise, everything else that gets in the path of the "explorers" is eaten, tormented, or killed outright: when they see a whale they rush on deck to harpoon it; when sharks start to work on the whale carcass, the men haul shark after shark on deck and feverishly beat them to death under the (highly scientific) rationale that "everybody hates sharks"; when they find a giant sea turtle they clutch on to it for a ride without any concern that it is struggling to the surface to breathe; when they find a group of tortoises on an island their only thoughts are to first stand on them and then use them for stools while they have lunch. Even good old Cousteau gets into the spirit of things by bringing his rifle on deck and shooting a whale in the head (well, it was probably suffering after they ran over it with the boat and then later harpooned it).These guys would be up on criminal charges if they'd made this film today. Worth watching only as a historical curio to see how unenlightened people were back then.

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mulvenna
1956/02/18

I remember seeing this first Cousteau documentary when it came out and being totally enthralled. No one had shown use of aqualungs before, and compared to the previously used helmets with air hoses and cables, the amount of freedom allowed the divers was amazing. It opened up a whole new exotic world and made trips to the beach a lot more exciting. Compare this to the old Lloyd Bridges Sea Hunt TV show and there is no comparison - what can you do with those old cables and hoses attached? And besides, Cousteau was a master. I hope the Cousteau Society comes out with DVDs of this and other early works in my lifetime. English or subtitled. Fifty years is a long time to wait for a second viewing.

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