Escape in the Fog (1945)

I'm surprised this film hasn't received a higher rating. Maybe old folks need to think back to when they were kids and rode their bikes downtown on Saturday afternoon to watch a string of second run "B" pictures at the cheap theater.Or perhaps some caught this in later decades when these old films were shown on TV late night on weekends. In any event, enjoy this for what it is. Don't expect Shakespeare and you won't be disappointed. As a typical WWII film this one will keep you entertained. As a bonus, Nina Foch has never looked lovelier.My son and I have never called these WWII Spy Thrillers, Propaganda Films, or whatever. To us they've always been and always will be, "Nazi Scum" Movies. We've amassed a large collection. This is one of them ... and one of our favorites. It reeks of the surrealistic cheapie back lot films that seem both unreal and real simultaneously.

Escape in the Fog (1945) ** (out of 4) Early film for director Boetticher has a former Army nurse (Nina Foch) dreaming about her walking through the fog when they witness two men trying to kill another. She screams in fear and wakes up from the dream only to have the man (William Wright) who was about to be killed enter her room. The two hit it off but what she doesn't know is that he's spy who might actually have people out to kill him. This is a pretty bland "B" movie that doesn't have too much going for it. It's certainly not a horrid movie and it might be a good way to kill 65-minutes if you enjoy watching this type of stuff in the early mornings on TCM but the director would certainly go onto much better movies. This is the type of movie that might keep you entertained while watching it but a couple minutes after the end credits you've pretty much forgotten everything you've seen. While there's nothing overly bad here, there's really nothing good either. Boetticher's direction is pretty hit and miss. He keeps the film moving at a good pace, which is a good thing but the movie goes for psychological thrills but never really grasps this. The use of premonitions play a big part in the film yet they never really come off eerie, creepy or overly realistic. Foch is easy to look at but her performance is also rather hit and miss. Wright brings some charm to his character but Otto Kruger is wasted in his role. The second half of the film deals with an important package that must be tracked down but it's just not very interesting. On a side note, the action takes place on the Golden Gate bridge with one character asking Noch's if she is thinking of killing herself. It's interesting to note that the 2006 documentary delt with suicides off this bridge so apparently they were well known back when this was filmed as well.

The film begins with a fight on a bridge, as evil men are attempting to kill someone. However, it all turns out to be a dream by Eileen (Nina Foch). But, if it is just a dream, why is Barry (William Wright) in the dream being attacked and who are the other men? Is this a dream or perhaps a pre-cognition--some psychic situation where Eileen can see the future? It turns out that Barry is an agent for the US government and his job is to coordinate the underground in an assault on the Japanese (the war is still on). His boss (Paul--played by Otto Kruger) briefs him on his mission, but only moments later a Nazi agent sneaks into the home and removes a recording device--and now the enemy knows many of the details of his mission.Just after Barry is taken prisoner, Eileen is run over by a passing car. While she's not seriously injured, she once again has one of those weird dreams. When she awakens, she goes to see Paul, but he acts as if he has no idea who Barry is or what her concerns are. Of course, considering he's on a secret mission, it's not surprising that he doesn't acknowledge more--plus what stock can you put in a woman's odd dreams or visions.When Paul won't listen, Eileen rushes to the same bridge where she saw the evil men trying to kill Barry in her first dream. That's because she hopes to rescue him--and that's EXACTLY what happens! So, there is SOMETHING to her crazy dreams--she can see the future! The only negative is that as the men try to kill Barry, he loses a very important package over the side of the bridge that they were trying to toss him over in order to kill him. Oops.Much of the rest of the film concerns both trying to recover the package as well as stopping the evil Nazi spies. And, to make matters worse, these evil dogs now have captured Eileen, so it's up to the good guys to find her, capture the spies and make the world safe.Towards the end, Eileen and Barry are captured and locked in a room. The bad guys then open up the gas valve and lock them in to die. The only problem is that they didn't tie Barry up and there was nothing stopping him from just closing the valve! Instead, he comes up with a scheme to get help! A very silly and obvious mistake in the film.Overall, a silly premise for a film, but considering that it's a cheap B-movie propaganda film, it is still not too bad and pretty watchable today. In fact, the actors tried hard and did decent work but the script was the biggest problem--too many goofy holes or bizarre plot ideas.

In 1945, Dutch-born actress Nina Foch had the good fortune to star in a pair of economical, satisfying thrillers. She was a damsel in distress in Joseph H. Lewis' My Name Is Julia Ross, an updated Gothic set in England. In Budd (then ‘Oscar') Boettischer's wartime espionage drama Escape In The Fog, she's a dame in distress in the city by the bay.It opens in a nightmare she's having. Walking one fog-bound night on the Golden Gate Bridge, she sees three men piling out of a taxi trying to kill a fourth. She screams – and the screams bring to her room in Ye Rustic Dell Inn other guests running to her aid. One of them is the intended victim in her dream (William Wright), whom she's never before laid eyes on. They hit it off, though, and he persuades her to join him for a few days in San Francisco. Their fling seems destined to be a short one, however, as Wright's a government agent who receives orders from his operator Otto Kruger to courier top-secret documents to Hong Kong. But he's waylaid by agents of the Axis powers, led by Konstantin Shayne. Luckily, Foch believes that her nightmare was in fact a premonition, and rushes off to the Golden Gate Bridge, this time for real....It's not an especially memorable movie, but it's clever and atmospheric. If its ingenuity at times seems a bit stretched, it's stretched in the (pop)corny way of Saturday matinee serials of the era. There's of course the obligatory dose of wartime rhetoric, with much derision of `Japs,' while the Germans all speak in the most guttural tones they can reach without doing irreparable damage to the larynxes. Still, Boettischer keeps those fog machines churning, and there's plenty of skullduggery in Chinatown at Midnight. Not a bad way to while away an hour-plus.