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The Black Stallion Returns

The Black Stallion Returns (1983)

March. 25,1983
|
5.9
|
PG
| Adventure Family

"Black" is a stunning fire-and-silk stallion celebrated the world over. But to his young American owner, Alec Ramsay, he's much more. So, when the amazing animal is stolen, Alec will stop at nothing to get him back. Alec finally unravels the mystery of Black's theft...only to discover that he must overcome even greater odds to reclaim his beloved horse.

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Reviews

moon_creature
1983/03/25

I am giving this movie a 1 although I haven't gotten done watching the whole thing yet. *Spoiler* --> I paused to read up on the film, to see if there were any comments on animal cruelty. The point where I stopped the film was when numerous ropes were thrown around the horse's neck (toward the end). While watching this, I could not help but think how extremely stressed out this horse was. When I looked up the IMDb info, I saw that this particular beautiful horse died of colic during the making of the film. I am not surprised, as this horse is put into so many highly stressful situations.... and that makes me very sad, and disgusted. If you do watch the film, you will see an amazingly intelligent horse, gorgeous. I would give this film 0 for considering welfare of El Mokhtar. There is no reason why any animal should die during a shoot. And, filming in and of itself is so stressful with numerous takes & "big egos". I can't imagine what this horse went through: Desert, stress, and it neighed/screamed a lot during the film. :'(

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si4abetterworld
1983/03/26

A great family film, about a boy from the U.S.A. and a horse from Arabia. The boy meets and befriends Arabs and Muslims and rides the horse in a grueling Arab marathon horse race.What is most important about this film is that it is that rare gem: a Hollywood film that shows Arabs and Muslims realistically: as human beings, instead of depicting them as terrorists or fanatics, which is what Hollywood usually does (see the documentary "Reel Bad Arabs" for more about that topic). After all, the reality is that most Muslims are not terrorists or fanatics.This film helps people to appreciate ethnic diversity, instead of hating what is different... therefore, unlike many media portrayals of Arabs and Muslims, the film helps to increase peace and harmony in the world.

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keithfox
1983/03/27

For some unknown reason those whose profession it is to write reviews didn't think highly of this picture, but I found it amazingly well done. Kelly Reno was superb in his portrayal of a teenager who travels from New York all the way to the desert in Morocco in an attempt to retrieve his horse, kidnapped in New York and taken to Morocco. While the story is implausible, the ACTION and the filming and music are superb. See it, if you can.

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latsblaster
1983/03/28

"The Black Stallion Returns" is shot in 1.85:1, and I saw it in 1.33:1 because of the TV-network cut it down as usual. "The Black Stallion Returns" is a cinema-movie, you should see this on the big screen but after all, this should be done in 2.35:1 instead. This doesn't mean that the movie is bad because of the wrong format, but it would be more powerful in a wider one, as long as the cinematographer would handle it together with the director (I think they would). One of the reasons why it is shot in 1.85:1 might be that the first film was in that format too.The story is faster and the film is shorter than it could be. After a standard opening, all gets better. And soon Alec, the main character reaches the desert, which is the reason why I wanted to see this movie. This isn't "Lawrence of Arabia" by David Lean, I know that, but the desert scenes are beautiful. And it is because of this scenes I like this movie. Everything started with photos from this film that I saw as a kid. The impression was that the desert was beautiful, or could be shown as beautiful. I should have seen "Lawrence of Arabia" already when I was younger, maybe I would have liked it even more than. For me, "The Black Stallion Returns" could have more and also slower desert scenes than it has, without getting a bit boring."The Black Stallion Returns" is actually shot in Morocco, North Africa. The cinematography is not poor, far from. But some of the characters could be better done. The choice of Woody Strode as Meslar was perfect, but he isn't used as good as I hoped. Alan Garfield doesn't amuse as Kurr, a villain, I had hoped that Kurr would be cooler and more menacing. Kelly Reno is a bit weak but at least okay as Alec, but Vincent Spano is cool as the Arabian prince.The music by Georges Delerue is a bit unequal but at times very good.The best parts of this movie are without doubts the desert scenes, including the horse race in the end (even if I think it should have been even better).If you hate horses (why should you?) you can't like this, but otherwise it isn't that hard to enjoy this movie, even if it gets very emotional and describe the relationship between Alec and Black as close as a relation can be, which is booth fascinating and perhaps irritating. Here the direction shows what it really wants to show: emotions, admiration, love, friendship and almost worship from Alec to the Black. In that chase, the director (Robert Dalva) has succeeded."The Black Stallion Returns" is first of all a movie for a younger audience than me. That is why I see so many ways how it could have been even better, a more "hard core" movie with a harder, more action-filled tune and an even stronger adventure-feeling in style with perhaps my favorite from this time; "Conan the Barbarian". This would be a movie that was perhaps fitting a wider audience, or at least another.I saw "The Black Stallion Returns" before I saw 'The Black Stallion', I think that is the best way to enjoy this sequel (it is somehow rather independent from the first one).(Goofs:) Couldn't Kurr's Uruk men have killed the stallion instead of letting it survive or did they want it to survive? This is not clearly explained.Rating: 6 of 10.

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