Sound City (2013)

The first half of the movie is great. It documents a slummy old studio that produced some of the greatest music ever, in part because of a finely crafted analog audio mixer. Director Dave Grohl interviews some big names, who have great stories from this little studio. This is what the entire film should have been.But maybe halfway through, everything changes. Suddenly Grohl goes from interviewer (often times on camera conducting the interviews) to the interviewee. He's the director, so is he interviewing himself? Usually in documentaries, the crew documents something without getting involved. Here, he's feeding himself soundbites for the movie he's making. Keanu Reeve's role in Side By Side, about digital filmmaking, is a good example of how it's supposed to be done. This just seems like as a filmmaker, he decided he's not getting what he needed, so he jumped in front of the camera to do it himself.The last half hour forgets about Sound City and just becomes Grohl making a movie about himself looking good and recording music. He buys the soundboard from Sound City and starts his own studio, where he and his bandmates bring in big names and play with them (are you required to play with Grohl if you record at his studio?). One song cuts between Grohl rocking out on guitar, and Grohl behind the glass banging his head to what's being recorded. The song ends with him declaring, "That was f'ing awesome. That was so f'ing beautiful." He might as well write his own reviews for the film too.This documentary starts out strong, but slowly rolls downhill into one big Dave Grohl self-congratulation. If you're interested in the history of Sound City and the evolution from analog to digital music recording, there is some good info in here. You just have to separate it from all the times Grohl is telling you how great he is.

The best thing about this documentary is how the studio Sound City gained a legendary status: it took two crucial, million-selling records. Fleetwood Mac, looking for a studio, heard the recording of singing couple Bukingham and Nicks. Not only were they sure they found the right place, but also the right people to complete the band. The album called Rumours is where it all gets together. The second album is of course Nevermind by Nirvana, through which Sound City survived its demise in the digital eighties. Unfortunately, the studio is closed now. Luckily Dave Grohl got the mix board, and made a film about it.Made out of love for music, sound,and analogue, this rockumentary is highly entertaining, and not just for music aficionados. Read the entire review and others on: casparsongs.blogspot.com.

It does not get any better than this. Musicians are not magical creatures, they do not have superpowers, they cannot fly.But man, can they use their creative brains and considerable chops to do things nobody thought you could do. An improbable bunch of "professionals", semi-pros, amateurs, hangers-on and gut-trusting people made this place and this music. Dave Grohl will be given rock sainthood for having the brains and guts to tell this story and save that desk. Bottom line - you trust your instincts, every so often take a winger, and go with what works. I am floored by this and will be watching it again to get the little in-between things that make this work and are often the difference between grinding out formula music and "blowing the roof off the dump" as they say.

Perhaps at times a bit self-indulgent, Dave Grohl's movie, Sound City, should be of interest, as well as entertainment, to those who grew up with music in the seventies/eighties. The viewer witnesses the heart-felt awe Grohl has experienced as a world-wide appreciated musician which points back to what happened when Nirvana's producer Butch Vig decided to use Sound City to record Nirvana's first major label release.The viewer gets to meet the three integral men, the original owner, the financial group bail-out guy whose wisdom (he kept the original owner) and vision (he ordered at the time the most expensive mixing console perhaps extant), and the house producer who enabled the tremendous successes to follow. Like in most of life there was a woman behind the great men, in this case two who "kept the train on the track" and it's nice to see their contributions deemed of tremendous importance.After the studio's first modest success when Neil Young decided to use it for a complete re-recording of vocals on his Everyone Knows This Is Nowhere release things kind of stalled. Enter the Neve mixing console. Knowing that Sound City's room and collection of microphones needed the perfect foil the owners took a chance and spent what in today's dollars would be more than a "half-a-mil" and commissioned Rupert Neve to build a worthy mixing board. The first album recorded on it was "Buckingham Nicks" by the then unknown Lindsey Buckingham and Stevi Nicks. An amazing album, it did absolutely nothing...Except in central Alabama (the duo's last concert was fittingly in Alabama). The song "Frozen Love" was the most requested song for Birmingham Alabama's burgeoning progressive FM station WJLN. It spread to The University of Alabama's student station and created a firestorm of popularity that the artists couldn't quite comprehend and Polydor failed to be able to satisfy. I mention this because I was one of those Birmingham listeners fortunate enough to get a copy. The failure of Buckingham Nicks set up one of the most serendipitous unions, that of the definitive Fleetwood Mac, cementing Sound City's success. This isn't to downplay another strange brick in the house though, that would be Rick Springfield. If there are three artists whose recording at Sound City paved many years of success it would include Rick at the start and, when it seemed the dream was over, Nirvana in the early nineties. Three more diverse platinum artists would be harder to imagine. The phrase "What A Long Strange Trip It's Been" comes to mind and strangely The Grateful Dead recorded Terrapin Station there too. The bands gave Sound City clout, but the star was the Studio A room and the Neve board. No matter what technology came and went there simply wasn't a better live drum sound on planet earth and the board just made everything sound so much better the studio had legs long past it's prime. This in spite of it's ever widening lack of comfort and amenities as Sound City remained a hair north of a dump. Finally, the rise of a gazillion home studios and refinement of digital recording (still stinks more than it should) made a 2011 closing eminent. While sad as the end of an era this movie rightfully celebrates the fact Sound City had only a few less than nine lives leaving a joyous recorded legacy.All is not lost, when a door closes another often opens and Dave Grohl turned the knob on this one. Dave, not a filmmaker by his own admission, believes Sound City paved his destiny and the Neve was the biggest reason...Dave is now a filmmaker in addition to his other talents. Grohl bought the board and installed it in his Sound City inspired studio. All in all, this movie is for music fans and musicians, but it has a heart at it's core, as a result "Sound City" is a plain good human-interest story too. If something said here sparks with you, by all means make the effort to see "Sound City". There's some magic in music bringing people together and the film is a very genuine love letter to it.