Sherlock Holmes and the Secret Weapon (1942)

Another chapter with Basil Rathbone and Nigel Bruce as Holmes and Watson. Lionel Atwill is the evil Moriarty. Holmes and Watson are protecting the valuable Swiss scientist Dr. Tobel ( William Post), but he is a difficult person to protect. Not only is Tobel snatched, but Holmes walks into a trap himself. Twice! This claims to be a U.S. film (Universal), but since Scotland Yard is involved, clearly the story takes place in England. It's a little complicated, but Dr. Watson is less bumbling than usual in this one, and comes to the rescue several times. and this COULD be the one where they finally catch Moriarty. Some WW II intrigue. It's quite good! I hadn't found this one before. On the Roku Classics channel. Moves right along.

Holmes is very much in his guise as World War II spy agent, which sees him and Watson attempt to keep alive Doctor Tobel, an engineer who's developed a new and vital weapon.Created for the audience of the time, the characters seem a little removed from Conan Doyle's creations. In deed the only scraps visible are a reference to the dancing men and an appearance from his Nemesis Professor Moriarty. It has a cheaper feel to it somehow, very much the b movie it was made as.Not a huge deal of character work for Rathbone or Bruce to work with, but they're fun enough. Lionel Atwill's Moriarty I hate to say for me doesn't work at all, not a fan of the character he brought. It's clunky somehow, the camera work seems a bit slow and clunky.It's not hugely engaging by any means, but it's a watch for Sherlock fans, 7/10

SHERLOCK HOLMES AND THE SECRET WEAPON (Universal, 1942), directed by Roy William Neil, the second in the newly formatted series by the studio, makes this the fourth in the series to star Basil Rathbone and Nigel Bruce in their now legendary screen roles. Based on Arthur Conan Doyle's story, "The Dancing Men," the film is far from being one about an all male chorus being murdered one by one in some music hall, but a series of drawn figures on a piece of paper believed to be some sort of clue for Sherlock Holmes to figure out in his latest caper. Aside from Neil's initial assignment as its series director, SECRET WEAPON also introduces Dennis Hoey as Inspector Lestrade and the return of Holmes' arch rival, Professor Moriarty, in the figure of Lionel Atwill (minus his mustache), a role previously enacted to perfection and nearly stolen by George Zucco in the gas lit London 1890s setting edition of THE ADVENTURES OF SHERLOCK HOLMES (20th-Fox, 1939).For Sherlock Holmes latest adventure some fifty years later, SECRET WEAPON opens in Switzerland where Holmes (Basil Rathbone), the master of disguises and deductive reasoning, is seen as an white haired old man entering a pub coming to the table to interest Braum (Robert O. Davis) and Jacob Mueller (Paul Fix), on some old books he wants to sell, while, in actuality, is posing as a Nazi spy pretending to expose information on a Doctor Franz Tobel (William Post Jr.), a scientist who's secretly engineered a new bomb sight. Because his life is in constant danger, Holmes, secretly hired to protect Tobel, arranges for decoys to be followed by members of the Gestapo while he and the doctor drive down the road to an airplane bound for London awaiting them. Now a house guest and under close watch by both Holmes and his associate, Doctor Watson (Nigel Bruce) at his 221-B Baker Street apartment, Tobel manages to sneak away during the midnight hours to visit with his fiancée, Charlotte Eberly (Kaaren Verne), at her residence. Unknownst to him, Tobel's being followed by a mysterious figure. Suspecting something's going happen to him before his demonstration is to be met with Sir Reginald Bailey (Holmes Herbert), Tobel entrusts a sealed enveloped containing an alphabet substitution code of dancing men to Charlotte to give to Holmes, which she does, following his sudden disappearance. After Holmes opens the envelope, he finds Tobel's code gone and replaced with a message reading, "We meet again, Mr. Holmes!" which means only one thing, that Tobel was abducted, or possibly killed, by England's most sinister mastermind, Professor Moriarty (Lionel Atwill). Holmes, Watson and Inspector Lestrade (Dennis Hoey) race against time preventing the "secret weapon" from reaching the Nazis, or worse, Moriarty, as he attempts to figure out Tobel's "dancing men" message code.Others appearing in the cast include Philip Van Zandt (Kurt); Henry Victor (Frederick Hoffner); Michael Marke (George); Harry Cording (Jack Brady, one of Moriarty's men); and of course, Mary Gordon as Mrs. Hudson, Holmes' landlady.An slight improvement over its previous installment, SHERLOCK HOLMES AND THE VOICE OF TERROR, with the writers resuming its London blitz World War II setting once again as its basic theme source, once again borrowing portions from Conan Doyle's original story. Unlike THE ADVENTURES OF SHERLOCK HOLMES where Moriarty was the central secondary character, SECRET WEAPON gives Moriarty a chance to shine (and rise from the dead) 38 minutes into the story, thus, holding his own, and Holmes as well, once together again, face-to-face, eye to eye, for some very tense moments. Under Moriarty's orders to his associates, Holmes falls victim to some death facing death experiences. Two that come to mind: Holmes bound and gagged inside a sea chest to be thrown from a carrier ship to the bottom of the ocean; Holmes strapped helplessly on an operating table to have his blood drained slowly from his body. Rathbone and Atwill, having worked together in earlier film projects as SON OF FRANKENSTEIN (Universal, 1939), and THE HOUND OF THE BASKERVILLES (20th-Fox, 1939), that latter that introduced Rathbone to Sherlock Holmes, make a fine pair, but nothing compared to Rathbone's screen partnership with Nigel Bruce. They're definitely one of a kind.Along with other movie detectives from that period, Charlie Chan being amongst them, this latest addition of "Sherlock Holmes" is standardly good 68 minutes material. The Rathbone-Bruce Universal editions would achieve greater popularity in later years when sold to television as part of its "Sherlock Holmes Theater" package. By the 1980s, SECRET WEAPON, along with few others in the series, have fallen to public domain (minus the Universal opening and closing logo), and placed on video cassette in the 1980s through various distributors. SECRET WEAPON was also broadcast on numerous public broadcast stations and cable channels (sometimes in colorized format), and sometime later on Turner Classic Movies (TCM premiere: March 8, 2004) and RetroPlex. Currently available on DVD in clearer prints, this and other Holmes and Watson mysteries continue to have an impact with each new generation awaiting what's in store from this and their next assignment of SHERLOCK HOLMES IN WASHINGTON (1943) (**1/2)

Sherlock Holmes and the Secret Weapon (1943)Is there any point to a film as flimsy as this formulaic quickie? Maybe. It's rather plump as a quasi-propaganda piece, prototypical in several ways, a sliver of light onto the day-to-day home front of WWII London.Maybe we do really need to be reminded of the subtle infiltration of Nazis of all colors into everyday British life since enemies will be among us in any war. How do you distinguish? Who do you trust? We might prefer Sam Spade or Peter Falk, for style (or a CSI team for results), but that's only because we Americans don't really own Sherlock Holmes. Never mind that Holmes worked half a century before the SS started gassing morphine users. Who in the whole world would make a better Nazi-hunter? Basil Rathbone does it reasonable justice, made only more cunning by the glaring contrast of Nigel Bruce as his bumbling and necessarily lovable sidekick, Dr. Watson. (Why do you think touring rock bands use local acts as warm-ups?)For Sherlockians (or whatever they are called), there is the problem of transplanting the sleuth from the smoky, opium-glazed, romanticized London that we depend on. It's some comfort to see the old Victorian mechanical tricks (secret doors), elegant revelations (water spilling on the cipher and revealing its key), and good old disguises (three). Because this really is Holmes all over again. And guess who wins? The English, specifically. And guess who disappears to an apparent but unconfirmed death? Yes, Professor Moriarty himself.This is the middle of three Holmes WWII adaptations. The first, Sherlock Holmes and the Voice of Terror (1942), is also set in London (great mood throughout). The third, Sherlock Holmes in Washington (1943), is a throwaway. There were fourteen movies made for the standard Rathbone/Holmes oeuvre from 1939 to 1946. Not one of them is a masterpiece, but some of them, Hound of the Baskervilles for starters, are distracting in the best way. In the eerie calm after the Blitz, Secret Weapon was surely transparent and glib, and rather fun, and not really propaganda at all. Today, it remains transparent and glib, and rather fun. I miss Mycroft.