Sand Storm (2016)

Sand Storm may not be a masterpiece of world cinema. Perhaps more distinctive art films claim their place on that stage. This movie takes a naturalistic approach to its story, depicting development in a straightforward way without auteur splashes. It offers a big dose of realism about a tough subject and tough circumstances. Perhaps that doesn't appeal to a more casual audience.But this is absolutely a perfect movie. How is it perfect? First of all, every moment, every scene, every line of dialogue propels the story forward in a meaningful, forceful, convincing, and deeply human way. Deeply human? Yes. The characters are thoroughly human and complex, fully imagined and developed, both in the writing and the excellent performances. The story itself is constructed in a highly economical, brilliant way. For example, the reversal in dynamism between 'stern mother' and 'indulgent father' is not only interesting in terms of development; those shifts are utterly convincing as they arise organically from dynamics internal to the story and to the (highly difficult) circumstances each character finds her or himself in. It's impressive to witness the artistry of these shifts, how well though out, convincing, and how inspired it all is. The major characters are all in deep conflict with each other, and enough is given to us to understand and sympathize with each of their positions. That's uncommon in stories, in any story, whether novels or movies. This is an admirable achievement.The climactic moment, the moment of momentous decision for the daughter Layla, this is fantastic: she drives the family truck as her means of breaking away from her father's demands, but it is precisely in driving this truck where we first saw how her father fostered her independence and self-sufficiency in ways unseemly for a young woman in their village society. The 'vehicle' by which he helped give her independence of spirit is the very vehicle by which she flees his (or his society's) oppression. Wow.While it's not showy, it's a deeply inspired film, full of artistry and moving, human meaning.

This film depicts a Bedouin family on the brink of changing traditions.When the father of the family takes a second wife, and the daughter finds herself in love with a boy from college. Each character must make decisions that will change the outcome of the family. Although a main theme is about woman living in world of strict traditions I think it is mainly about a family trying to make the right decisions for each other.Throughout the film the director will turn you against the adults, and then give you a window of insight that will allow you to sympathize with them. I was constantly urging the characters to do something, on the end of the seat, and although the film left me a little sad you must look beyond the film, to what it is trying to hint the future may hold, not just for the protagonists, but all woman around the world.I will certainly be thinking about Layla, her sister and what life has in hold for them, for a while.

This was an interesting movie, because things turned out differently than expected. Layla, one of the main characters in the film lives in a Bedouin community with her mother and siblings, and they start having a hard time coping to life, when their father introduces his new wife. Layla goes to college outside of the territory, and she starts falling in love with a student in the school. This becomes an issue, when he is introduced to her dad Suliman, because he is not part of the Bedouin community. Layla has to marry an old guy, whom her father has arranged for her, and at the end she ends up marrying him. Towards the end of the film, I was very surprised, because when Layla was in her car on her way to see Anwar, she turned off the engine of the car, and went back to her family. I did not expect this to happen, because Layla did not want to marry a random guy whom she was arranged to marry, and her mother started excepting her choice to leave, but she decided to act otherwise. I did not like Layla's dad in the film, because once his new wife came along, he abandoned his children, and left them in a rotten house, while he lived in a newly built one, he took away their electric power, and they were left with nothing. Layla's mother was upset when this happened to her and her children, that she decided to stay with her parents, Layla was taking care of herself and her siblings, but dropped them off to their mother, when she wanted to run off. Overall I would give this film a 4 out of 5.

I saw this movie after it has received the Ofir award for best movie- the Israeli Oscar, which will make it the Israeli submission for the foreign language Academy award. I think it is a good movie in its novelty. The movie depict Bedouin life in modern Israel, although there is no sign really that this is the country where this story takes place, as the language is only Arabic and only an Israeli plate on the father's car indicates that the country is Israel. Much is already known about the treatment of women in Arab society, but here the father seems to be progressive: he sends his daughter Layla to school, and even considers university...she drives and believes that her father is different than other Bedouin fathers. To her dismay she finds that he isn't. On one hand the movie deals with the issue of polygamy, but is actually deals with all the issues affecting women in Arab society: the power of a husband to ban his wife and send her to her parents, the position of the father of daughters in the Bedouin society, the "do" and "don't" when it comes to family life. The movie revolves around the "must" issues. The father feels that the society expects from him to behave in a certain way, where the women in his life expect him to be different. The father might be willing to allow his daughter to drive and to study, but this seems to be the limit of his openness to Western values, to the huge disappointment of Layla.