Zaytoun (2012)

Eran Riklis likes stories in which a long, picturesque trip is paralleled by an inner journey of discovering the past, or the self. In Zeytoun, the trip is from Beirut across the border into Israel, and although I'm an Israeli who's never been to Lebanon, an aerial stock shot or two of Beirut was enough to sell me on the Lebaneseness of the locations seen in the first part of the movie, which were actually well-chosen sites in Israel. Unlike another viewer here on IMDb, I had little trouble accepting Stephen Dorff as an Israeli. Israelis come in all colors and sizes. Granted, his English was too good, but so was the Arab kid's. A brief sequence showing kids learning English verbs at school didn't really solve the problem. One makes allowances, though, when the visuals look realistic and the situation depicted is compelling, as here. My problem, and perhaps the problem of the Israeli public (which did not flock to see this movie), was that the audience is invited, a bit heavy-handedly, to sympathize with the Arab family's desire for repatriation to Israel without any balanced mention of the context in which such families found themselves outside Israel in the first place.

Well intended small storied movie with backdrop of war between Israel and Lebanon. Well cast and shot in exotic places. From the Hollywood actor of 'Brake' fame and the director of 'Lemon Tree' joined hands together for this project. A couple of years ago I saw 'Lemon Tree', this director is really a master rendering movies with complicated theme. From characters to concept and emotions it was well balanced. The second half is what gives more depth in human emotions than the conflict between two people. Definitely it is not a masterpiece, but where it takes place and what it deals were much reasonable to praise.It is set in 1982 in war torn Lebanon. An Israeli pilot Yoni, who crash land in Beirut is taken captive by Palestine Liberation Organization. There he meets a 12 year old boy Fahed whose father was recently killed in an Israeli air strike. He knows that he's not him, but the boy raged with full of anger to take revenge. For the reason he must give up it and should cope with the prisoner to fulfil his father's wish. So they make a deal before teaming up and try to escape from there. The rest of the story is a journey that happens on the road to their freedom.The title represents an olive plant that carried all the time by the boy in the movie. As it an Arabic title of an Israeli movie, various languages spoken throughout. For me everything was just same because I was depended on a subtitle. The movie won my heart for the reason that the main two characters considered as enemies to each other, but the time being they begin to understand. Theirs journey on a dangerous path against all the human created boundary was really touched me. Better than I expected, kinda partially rare movie should be recognised in vastly.

Zaytoun is the newest film by Israeli director Eran Riklis, easily one of the most significant directors these days when it comes to depicting Israeli characters (and like here also occasionally Palestinean influence). I watched his movie Playoff earlier this year. It's already from 2011, but it took so long to get here and I liked that one quite a bit mostly thanks to Danny Huston very fine portrayal, so I was curious about Riklis' newest work. "Zaytoun" centers around an Israeli soldier taken into captivity by Palestinians and how his relationship to a young boy, one of his captors, changes both their lives.The soldier is played by known Hollywood actor Stephen Dorff and the boy is played by Abdallah El Akal, a talented child actor with quite an impressive body of work for a 15-year-old. His character here is initially an Israeli-hating mini-terrorist participating willingly in the psychological torture that is exacted on Dorff's character. When not much later, however, his close friend is killed and he sees the Israeli soldier show compassion, he starts questioning his ideals. That is certainly a bit of an understatement as he almost makes a 180 and decides to flee with the Israeli. This was one of the moments I couldn't fully understand. Another was when the Israeli soldier is hurt by a bullet and looks almost like he's about to die, the little boy out of nowhere performs a difficult surgery and only hours later the Israeli soldier is physically great again although he looked earlier like he'll at least need a week of rest in a hospital. There's certainly flaws in the script here and there and you could probably still find some more, but as a whole it's nonetheless, especially since the exquisite acting an interesting movie with historic significance and occasionally also a couple moments that make you smile, mostly in the interaction between the boy and the man. An obvious attempt at humor was the greedy taxi driver who enjoys listening to Bee Gees. They clearly tried with him some comic relief from the heavy material, but I didn't really like him at all and he also didn't make me laugh. Of course, there's also very shocking stuff, like that scene where the woman is shot while lying on the ground. You could certainly argue that it had no relevance to the story whatsoever, but was just there for shock value. Or you could argue that these things really happen and happen randomly which justifies their inclusion. I personally was moved a lot by it and it was the only time my eyes got kinda wet, especially as this may also have been the fate of the little boy's mother and all he still has from her is that photo.In contrast to the taxi driver, there were, however, supporting players I liked. They all didn't have too much screen time as probably 90% of the film were the soldier and the little boy, but I enjoyed the boy's grandpa in the few scenes he had even if he didn't talk. He had a very warm presence. And so did the female UN worker played by Alice Taglioni. All in all, the film is certainly worth a watch if you can take it for what it is. Don't expect any great solution of the Israel-Palestine conflict or any huge impact on the peace process only because it's two people from the opposite sites bonding. Take it for an entertaining slightly under two hours with some quality moments in terms of drama, humor and really just two people making a connection and you may like it. After all, terrorism-related road movies are a bit of a rarity.

This story takes place in 1982, and is about the young boy, Fahed (Abdallah El Akal), whose family has suffered a lot because of the war in Beirut. One day, an Israeli fighter pilot, Yoni (Stephen Dorff), is captured by the local forces, and Fahed sees and opportunity to free the pilot, so he can take him back to his former home, where his father wanted to plant the family's olive-tree, but never had the chance to do so, because of the war.At first, the two are mortal enemies, only working together because they need each other to reach their individual goals: Fahed wants to return back to his old family home, and Yoni wants to escape from prison, where he is bound to be tortured and interrogated, before he is used politically to exchange prisoners from the Israelis.But along the way, the two form a tight friendship, where they both save each others lives on numerous occasions, until they (hopefully) reach their goals. It just goes to show, that even during the worst situations, friendships can arise when you are able to look past ones differences, and instead focus on common interests and dreams.This is the newest movie from director Eran Riklis (Etz Limon, The Syrian Bride), and he still manages to make very interesting movies on highly debated subjects about the situation in Israel and the middle east in general. The acting from the leading actors is very impressive as well, especially from the young El Akal, who should have a long career ahead of him. It is also a quite interesting turn from the otherwise rather mainstream actor, Stephen Dorff, who most people probably know best from action-films like "Blade", "Public Enemies" and "Felon".A highly recommended film, which also can be used for educational purposes. 8/10.