Wake of the Red Witch (1948)

WAKE OF THE RED WITCH is an unusual outing for John Wayne and a far cry from the typical western pictures that he's best known for. Here he plays a grizzled sea captain who hunts for a hidden fortune, fights with powerful rivals, and romances a girl in exotic climes. The story is slightly episodic and unusually downbeat, with harsh characterisation and an emphasis on conflict throughout, but it also feels quite fresh and engaging and the change of scenery for the star works well. It also has the inimitable scene of Wayne battling a giant octopus, which is worth the admission price alone.

. . . of its 2001 Artisan "John Wayne Collection" DVD release could not even keep the main facts straight themselves on their WAKE OF THE RED WITCH jewel case. Angelique, the brunette flashback chick, is the NIECE--not the "daughter"--of Evil Island Commissioner Desiax. First Mate Rosen's blonde chick of the present, Teleia, also is only the niece--not the daughter--of Angelique and Captain Sidneye. Where the parents are of all these nieces running around underfoot in this story NEVER is explained; nor is the alleged existence of Angelique's daughter ever fleshed out. (Sometimes it might be wise to spring a few bucks and cast a few "extras" to make plot points a little more plausible.) Maybe one should not be too harsh in blaming the Artisan copy writers, as this flick is NOT close-captioned, preventing them from rechecking anything on the nonexistent subtitles, and the sound of many scenes has NOT been digitally restored, leaving it virtually inaudible (and forcing the poor Artisans to work under "garbage in, garbage out" conditions). John Wayne fans may wish to skip this picture, as the Duke's character "Capt. Ralls" is a drunken loser who flogs his sailors on capricious whims and destroys a Native Islander religion and deity. Capt. Ralls loses a pearl, loses his girl, loses his ship, loses ANOTHER ship, loses a cargo of gold bars, and loses his life. The final scene shows explicitly that this man is better off dead.

This will provide a treat for those nostalgic for the kind of 'character' and 'supporting' actors that once fleshed out every film that came out of Tinsel Town. For me the attraction was Luther Adler, scion of a great acting family (father, Jacob, sister Stella) who did sterling work with the Group Theatre but made only a handful of films. Here he is cast as the type of 'heavy' played around the same period by the likes of George MacReady, Elliot Sloane, etc. Also on hand is Paul Fix, Jeff Corey and third featured male Gig Young, a good ten years before he evolved into 'friend of the leading man', in the shapes of Rock Hudson, James Garner etc. The plot is more or less Wuthering Heights with seaweed and in the Heathcliff role Duke Wayne acquits himself reasonably well whilst Gail Russell trades heavily on her fragile beauty and lacks the spine of a Cathy Earnshaw. Nevertheless it's an entertaining romp from Republic and worth a look.

I have just sat through this black and white fable whilst trying to do other work. Why John Wayne owed anyone the Pearls or the Gold was totally beyond me or even why he died if he actually did. Or why Gail Russell became the love of his life after a couple of glances or why she let her father publicly engage her to another but still chose him and then pushed him aside because her father tripped and fell into a bonfire supposedly stoked up by a single octopus eye. or why she died on seeing him the second time. I suspect that a lot of the plot was made up as they went along depending on where they were and how much was in the kitty. To suggest that it was anywhere near to being one of John Wayne's best suggests that his full repertoire had not been seen or viewed with sufficient care. Unless you have something else to do at the same time my advice is don't bother.