Puccini for Beginners (2006)

I liked this film from the outset because of the screwball/Woody Allenish style of it but it really kicked in for me with the following paraphrased quote: Allegra: Phillip Roth is a misogynist...I'll buy the first round if you don't tell anyone about Martha Stewart.Philip: I'll buy the second round if you can think of something more original to say about Phillip Roth.The word "misogynist" is overused and misused by some women and it was nice to hear it dealt with so easily.This film has a potential to be misandrist/women-empowering but it never really goes there which is GREAT. Quoting Allegra: "Just because I love women doesn't mean I hate men." "Puccini" points out a lot of irritating female behavior by having Allegra play the man-stereotype (who happens to be a woman), thereby vindicating men of some of their "flaws". Reaser WAS "like a man" but an interesting, good, CHARMing man with some of his more understandable flaws, like fear of commitment and romantic curiosity. I've never seen Elizabeth Reaser before but I loved her choices and acting style in this film. She was cool, understated and charming and she made nice underwear choices. She was the constantly-criticized man with women and the irritatingly instructive but inconsistent woman with a man. Following are two quotes from her character to Philip: "When a woman runs out of a restaurant that's your cue to run after her." "Phillip, when a woman says she has to leave a restaurant you have to let her leave." I liked the sushi commentators and the lonely lesbians drinking their coffee in unison. When Allegra vomits on Philip's shoes, the sound-effect is masterful. Gretchen Mol is charming and I liked the absurdity of the battling men in the background while she is mouthing the usual, boring, general complaints about men. I appreciate that Allegra gently disagrees with her. At the closing party, while Allegra is talking to Philip and looking for her coat, a mating couple wanders in. Samantha's fiancée was entertainingly stupid. Nell, the ex-girlfriend, was magnifico. "Puccini" had a lot of nice comic touches.Allegra's character arc follows Redford's in "Out Of Africa", without the lions, but Reaser has the humor that Redford needed. She is unwilling to commit for reasons that are less idealistic and more vague but, in the end, comes around to the idea that commitment has it's charms when it's the right person. She IS a commitment-phobe but, like Redford's character, for most of the right reasons. She's not stupid enough to LOOK for commitment but she's not inhuman enough to live without romance and passion.Maria Maggenti has created something fresh, classic and modern here. (She seems to know a few things about women). "Puccini For Beginners" does away with a lot of feminist cliché and propaganda which is refreshing as hell.

Yes, we get it. Lesbianism is in. It's way cool and hip.Thing is, it doesn't make for good movies. And when an entire film is centered upon a self-absorbed lesbian's facile and pointless introspection on her lesbianism, it takes the reasonably intelligent viewer about fifteen seconds to know that spending even another fifteen seconds upon the movie is fifteen seconds wasted. The characters are the typical Manhattanite stereotypes, are acted amateurishly, and aren't the least bit interesting.Rubbish - pretentious and insulting rubbish. Steer way clear unless you like to watch trash films just for the sake of watching trash films.

Nice NYC comic romp with a fatal flaw: central character just isn't likable. She's cheating, she's lying, she's whining, she only talks about herself -- so why is everyone falling all over her, aside from sex...Ms. Mol was a true bright spot in this film. Central character needed some of her charm and warmth -- both in writing and delivery.This was Closing Night film of a very successful 11th Seattle Lesbian and Gay Film Festival with director and star Justin Kirk in attendance. It received a very warm reception.Filmed in 18 days 9/05 and doesn't look nearly as low budget as it was.

I saw this film at Sundance and can't wait for it to get distribution so that I can see it again and again! This is the kind of film that doesn't really get made anymore: witty, fun, intelligent, truly entertaining, reminiscent of classic Hollywood screwball comedy. Wonderful use of New York City as a set, sparkling script, winning performances. Even the smaller roles are wonderfully cast and written. Every detail of the film is beautifully executed. This is how film-making should be, and as an audience member, how experiencing a film should be. The late-night audience at Sundance LOVED this film, gave a standing ovation for the director. I am hoping nationwide audiences will soon have the same opportunity to enjoy this delightful film.