Stolen Identity (1953)

When I hear about Turhan Bey, I remember the various movies (mostly B-pictures) he appeared in during the 40s and 50s. When I turned on "Stolen Identity" I was rather shocked to see that this actor produced this film. Interesting.The story is about a murder. A very jealous and cold husband, Claude Manelli (Francis Lederer), has reason to be jealous as his wife is cheating on him. So, he murders the guy in some poor sap's cab. The cabbie, Toni (Donald Buka) is in a bind. He could tell the police-- and he even tries once. But he is an illegal alien and doesn't want to be deported. Plus, the dead man in his cab has a passport! On impulse, Toni steals the passport and assumes the dead man's identity. This is a problem...especially when the dead man's lover meets Toni!! What's next?The best thing about the film is the originality of the plot. So much of it is new and unusual. Plus, the film ended very well and was very satisfying to watch. This is a real plus--especially since the film wasn't very expensive to make and has few big stars (Lederer being the biggest star in the cast). Well worth seeing.

Over the opening credits, a train delivers someone mysterious to Vienna. The mysterious American man sends a telegram to coolly attractive Joan Camden (as Karen), which is secretively picked up by her maid. The unhappy wife of successful concert pianist Francis Lederer (as Claude Manelli), Ms. Camden is expecting the telegram. Alas, it is intercepted and delivered to Mr. Lederer. He wants to keep his wife and believes getting rid of the mysterious man would prevent Camden from running away to the United States. Meanwhile, handsome immigrant Donald Buka (as Toni Sponer) finds an older friend drunk and agrees to drive his taxicab on New Year's Eve. Down-on-his-luck, Mr. Buka would like to go back to America, but he can't get a passport due to illegally selling cigarettes. Driving his drunk friend's taxi, Buka crosses paths with Lederer...This relatively unknown classic was produced by actor Turhan Bey and is his only credit in that category. More active in other capacities, Gunther von Fritsch directed only four feature films, beginning with "Curse of the Cat People" (1944). He guides his cast and photographer Helmut Ashley very effectively. Nearly every camera shot and actor's gesture is substantive. The director fully engages during the long sequence wherein Buka loses track of his taxi passenger, from the construction worker and busy traffic to the drunken man with his balloon, then body disposal. Earlier, note the way best supporting actress-worthy Inge Konradi (as Marie) looks at Buka in their first scene together; she's not the leading lady, but we know she would like Buka to drive her cab. The minor flaw is an ending that reaches for something that really wasn't there.********Stolen Identity (1953-04-03) Gunther von Fritsch ~ Donald Buka, Joan Camden, Francis Lederer, Inge Konradi

Its a good film set in Vienna about a cab driver, Toni (Donald Buka), who steals a passenger's identity when the passenger is shot whilst sitting in the back of his cab. This gives him an identity as he is an illegal immigrant, but he needs to play out the role of the victim until he catches a flight to the U.S. with a ticket in the victim's name. Mrs Manelli (Joan Camden) rumbles him but she is accused of having mental problems by her husband, Claude (Francis Lederer), a concert pianist. As a result, Toni is let off the hook. Claude does not want to part from his wife, but she runs away from him. There are several plot twists and eventually both Toni and Mrs Manelli make a run for it together - they are both trying to escape from their lives in Vienna. There is a tense, exciting build-up to the finale. Are they going to get away.....??...Unfortunately, the picture quality isn't fantastic and there is a line that runs down the middle of the picture for a while. The cast are all very good in their roles, especially Francis Lederer's portrayal of Claude. Also important to the story are Heinth (Manfred Inger) as the cab company owner, Marie (Inge Konradi) as Toni's hometown girlfriend and the inspector (Hermann Erhardt). Its a good film.

A quick paced and entertaining noir set in Vienna just after W.W.11. Donald Buka is a refugee who can't find legal work because he does not have any papers. No papers means no work permit, which means no way to get a passport. He survives by driving a friend's cab at night. If he gets caught, it means three months in jail.One night he picks up a fare at a big hotel and drives the man to an airline office. Buka takes the man's luggage in and returns to the car. There, he finds his customer has acquired an unneeded hole in the back of his head. What to do? Call the police? Without a work permit they will put the grab on him real quick. No, he needs time to think this out.He drives to a secluded spot, empties the man's pockets and hides the body. He now has an American passport and plenty of cash! He drops by an underworld contact to have the passport photo changed. Now he just needs to go to the man's hotel and collect the man's plane ticket. His ticket to freedom! Needless to say that would be too simple.Waiting at the hotel, is the dead man's mistress, Joan Camden. Camden is on the run from her rather nasty husband, Francis Lederer, Lederer is of course the swine who had bumped off the man in Buka's cab. Camden calls the police since she believes Buka has robbed her lover. Buka shows his new passport to the Police and manages to talk his way out of the mess.Camden breaks down when hubby Lederer shows up at the police station. Lederer convinces the police Camden has suffered a mental breakdown and she is released to him. She escapes again, finds Buka, and the two decide to flee the country together.Lederer again puts in an appearance and Buka must decide if helping Camden is worth his freedom. This film is much better than I'm making it sound. Buka is best known as the low-life cop killer in 1950's "Between Midnight and Dawn". The film was produced by actor Turhan Bey.