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Counterblast

Counterblast (1948)

May. 18,1948
|
6
| Drama Action Thriller

An escaped World War 2 Nazi doctor impersonates a murdered English doctor so he can work on a vaccination to protect the Germans in their planned germ warfare.

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Bezenby
1948/05/18

If you were an escaped Nazi criminal on the run in England, what would you do? Go deep underground? Try and Swim the channel? Or murder an emigrating scientist, take over his laboratory, and continue the unholy germ warfare experiments that you were doing back there during the war whilst pretending to be British and restraining yourself from screaming "Mein Furher!" As he was sort of brought up in England as a child his British accent is flawless, but the Nazi criminal is such an arrogant, ill-tempered, moaning bastard that he immediately attracts suspicion from everyone around him! It doesn't help that he's got a dead body in a trunk, won't let anyone into his secret germ warfare lab, shouts at the help, and falls in love with the daughter of the murdered scientist friend when he should have probably killed her instead (he was going to!).Our Nazi scientist also spends a lot of time avoiding a woman who knew the guy he killed, replacing his house staff with suspicious teutonic accented women, and preventing the girl he didn't kill from falling in love with his assistant (who's is highly suspicious mainly due to a set of golf clubs).This all sounds jolly exciting, but it kind of isn't for the most part. It's hilarious watching this guy barely restraining his Nazi tendencies (he even 'puts down' a German for decrying the Third Reich!) whilst trying to be a jovial Englishman, but a lot of this drags a bit, especially the ironic ending, which surely would have had many a surviving Jewish person saying "Er...too soon." Still....etc.

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talisencrw
1948/05/19

I have to admit that one of my greatest cinematic guilty pleasures is the horror of the Nazi film (unfortunately, certain political trends recently in my neighbour to the south, the United States, make me unfortunately feel that similar ways of thinking have yet to be eradicated). Thankfully, being born as I was in the late 60's, I didn't have to experience such terror firsthand, but it's fascinating to see, through the wonders of cinema, examples of that fascist type of thinking, carried out to its fruition (some of my favourites in this area are quite controversial films, like 'Salo, or the 120 Days of Sodom', 'The Night Porter' and 'Dr. Strangelove'). At least in my estimation, I have no idea how I would have acted in either polarity of the situation: either being a German and told to act accordingly, or being a concentration camp inmate. I am simply thankful I didn't have to experience either horrific scenario.This film was an unexpected pleasure. Though no star power is behind it, or budget to speak of, and though there is suspense and a good script, it could have been a lot better handled, both in terms of direction and cinematography (it has 'British 40's B-picture' written all over it, while it's crying out for a capable helmer such as Sir Carol Reed, Sir Alfred Hitchcock, or The Archers, each of which would have made a minor masterpiece out of it). I am very thankful that it was included in my Mill Creek 'Nightmare Worlds' 50-film pack, or honestly I would have never heard of it. Now my main ambition is to get all of their sets, and see what other cinematic hidden treasures I can discover!

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malcolmgsw
1948/05/20

If in 1949 you were casting for a German leading part whom would you chose if it were not a German actor?Maybe Anton Walbrook or Curt Jurgens but not Mervyn Johns.It is bad enough that this escaped German POW has a Welsh accent,but he then kills an Australian doctor but still has the same voice.At a dance he meets the commander of the POW camp from where he escaped but is still not recognised.He is helped throughout by this Nazi cell which somehow exists in London despite the war having been over for 4 years.At ever twist and turn the illogicality of the plot hits you squarely in the face.The ending of course is pure irony.However at 99 minutes the film is far too long for one to give it the benefit of the doubt.Little wonder that it has not been shown on TV here.

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MartinHafer
1948/05/21

A Nazi scientist escapes from a British POW camp. Instead of rushing back to Germany, he oddly sets up a lab in London and assumes the identity of an Australian researcher. There, he works on a biological warfare experiment. However, when the murdered Australian guy's niece arrives, the Nazi's plans could be in jeopardy.The biggest problem I had with this film was the ill-explained lack of a German accent in the Nazi (Mervyn Johns). He sounds 100% British. Had they said he had escaped to the UK from Nazi Occupied Europe it would have made a lot more sense. On the other hand, it is odd that "Counterblast" (also known as "Devil's Plot") is included in a cheap 20 DVD pack from Mill Creek, as this film is way too competently made. The acting (aside from the missing accent) is quite good and the story isn't bad. Well worth seeing and quite original.

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