Malaya (1949)

I am so surprised that this movie was made in 1949. It plays much like war propaganda films made during the war. The story of the rubber shortage during the beginning of the war and some Americans and others getting involved to steal rubber in Malaysia. Spencer Tracy does some fine acting here. He also punches out several people and somehow it seems like he actually does. Valentina Cortese is the leading woman, she is even shorter than Tracy. James Stewart has a different type of role here as a brother trying to get revenge with the Japanese after his brother is killed in the war. Sydney Greenstreet is a bad guy whose playing both sides. Lionel Barrymore has a brief role early in the film. John Hodiak is featured as Kellar.For some reason, when the film ends, it has the feel of what might have been a war propaganda film. This might be because the story was written by Manchester Boddy who wrote a film called "Mr. Blabbermouth" which was one of those films. Frank Fenton converted it for the screen as he did other films often in the 1950's.

This is a good action-adventure picture based on the true account of how very necessary rubber was gotten out of Malaya, under the nose of the Japanese, for the Allied war effort in World War Two.Spencer Tracy and James Stewart are teamed as a two-fisted con (sprung from Alcatraz for the job) and a hard-bitten reporter recruited by American intelligence (represented by John Hodiak). There's some action, some atmosphere, some romance. The premise of the film is unusual enough to hold your interest. Like some other MGM films of the time, the entire foreign locale has been recreated on the back lot and the sound stages of the studio. You may recognize the river area and other locations from earlier films.The direction by Richard Thorpe is, as usual, competent. If you're a fan of masculine-oriented action-adventure films from that era, this one has good acting, writing, and a touch of intelligence. The fine cast includes Sydney Greenstreet, Valentina Cortesa, Gilbert Roland, and Lionel Barrymore.

Someone had the wits to make a 1940's patriotic war movie in the style of film noir. Is it hokey? Of course it is!! But when it's done like this, you have a sense of watching a war film at its best. Part of it is a literate script that goes far beyond the usual patriotic hoo-ha and gives a sense of real urgency to the war in Asia. Part of it is some totally professional acting by Stewart, Tracy, Greenstreet and, not least, John Hodiak in the role of an FBI agent. If you're bored, as I am, by the John Wayne, flag-waving nonsense that proliferated during the war, try this on. It manages to be improbable and believable at the same time.

If this movie did not have Jimmy Stewart and Spencer Tracy, the film wouldn't have even merited a score of five. It was a very uninspiring and forgettable wartime film made several years after the war actually ended. It just seemed like all the energy was missing from the film. In fact, about the only energy came from Sidney Greenstreet's pet bird--now that bird can act! Another problem with the film is the idea of casting Spencer Tracy in the role of a selfish, devil-may-care smuggler in Alcatraz at the beginning of the film. The believability of the performance didn't improve once he made it to Malaya. This is actually the sort of role I might have expected for Clark Gable or maybe even Errol Flynn (yes, I know he was with a different studio), but for Tracy, an actor who often was cast as the priest or nice guy, it just wasn't terribly convincing. Plus, he just acted too nice to be as seedy as they described him as being.In the end, the only interesting thing about this film is how so much money was spent on the cast and so little bang was achieved for MGM's buck. This is purely a time-passer or film for those devotees of Stewart or Tracy.