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Crime Wave

Crime Wave (1985)

September. 11,1985
|
6.8
|
PG-13
| Comedy Crime

A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"

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smilingzipper
1985/09/11

I only saw this movie once on CBC years ago so it's fuzzy, but the scene with the cowboy and the main character has stuck with me because it has the kind of creepiness that leaves the mouth dry.Okay, Lynch may not have "ripped" the scene from this movie but when I saw the scene in Mulholland Drive with the cowboy I only took me a fraction of a second to drag out this little scene from Crime Wave which was lost somewhere in my memory banks. I think this is a good thing, because how else could I have reclaimed my interest in Piazs' film, introducing it to you now and maybe even getting you to be interested in it too?Both scenes have similar settings, a failing light from above, and both involve a meeting with a menacing character in a cowboy hat. When I saw Mulholland Dr. I just KNEW Lynch had to have seen this movie too. Anyways, you all inspire me: Maddin, Paizs, Lynch, Georges Melies, Miranda July, Godard...

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highcog
1985/09/12

"The Top! One man made it!"John Paizs's "Crime Wave" is one of the most original film produced. Although I'm sure you've heard that before about countless other movies, unless you've seen this film you likely can't imagine just how unique it is.Writer/director John Paizs pulls triple duty by starring as Steven Penny, a "quiet man" who is intent on creating the perfect version of what he hopes will be the best color crime movie ever: Crime Wave. For this reason, he is often re-writing his script and changing the lead characters for his future film. However, he suffers from an inability to write the middles to any of his (somewhat) different versions of Crime Wave.Steven lives in the apartment over a family's garage. Their daughter Kim is excited to have him living there, and strikes up a friendship with Steven. Kim is excited to have a "real movie person" living in her garage, and does her best to support Steven during his struggle to write his movie. He reciprocates by teaching her how color crime movies work, and by showing her his stuff.When Steven loses hope, Kim finds an ad in "Colour Crime Quarterly" placed by Dr. C. Jolly. Dr. Jolly, the ad states, is seeking fresh young talent to collaborate on a script. She secretly send Dr. Jolly a letter and the unfinished middles to Crime Wave, and he responds by sending a bus ticket to Kansas and expense money so that Steven can meet with him.The movie gets quite odd at this point.Now, the plotline to John Paizs's "Crime Wave" (not Steven Penny's film of the same name) doesn't sound all that different. It's when you couple it with all the other pieces of the puzzle, however, that you notice that a film like this hasn't been made before or since:Though he is one of the main characters, Steven Penny has no lines of dialogue in the film; it is narrated entirely by his friend Kim. Also, aside from writing (which he only does at night by streetlight), Steven hardly seems to actually do anything when other people aren't around. One scene has Kim going up to visit Steven, and we see that prior to her arrival he was doing nothing but standing motionless in the center of his suite.John Paizs's acting, though wordless, is very expressive yet perfectly subtle. You can tell exactly what his character is thinking at all times, or if his character is thinking at all. Eva Kovacs (Kim) also turns in a great performance that completely fits into the world of this film. There are some cast members whose acting is a little on the weak side, but for some reason it all seems to fit in with the film and wouldn't work if it were otherwise. And of course, Neal Lawrie's Dr. Jolly is absolutely one of the most riveting performances I've seen. Ever.It's a shame this film wasn't distributed better, as it would definitely show up on a lot more lists of cult classics. However, it does tend to make Crime Wave seem even more special when you finally end up owning a copy. If you would like to locate this movie, don't worry -- it CAN be done! After combing through all the video stores in your area, you may try finding this title on various internet auction sites. It appears that many video rental outlets will liquidate stock this way. Also, there are admirers of this film who will provide you with a copy (don't ask me - I'm not one of them). Since all of the companies that distributed this movie are now defunct, I would imagine that this is the only method of obtaining a new copy until it is (hopefully) re-released.Also, Canada's CBC television network will broadcast this movie -- usually in a 2:00am or similar time slot. This is how I became aware of Crime Wave, incidentally.So if this film sounds interesting, get hold of it at any price you feel comfortable with. I guarantee you will not be disappointed with it no matter what you paid.

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jz1360
1985/09/13

I happened to catch part of Crime Wave on CBC late one night in the 80s and I was hypnotized by it's underground feel and truly offbeat humor. Then I didn't think about it again for about fifteen years until I came across a used copy in a video store that was going out of business. I have watched it a few times and each time my eyes widen like a little child. John Paizs as Steven Penny is a deadpan delight, future anchorwoman Eva Covacs is perfect as the precocious Kim. And of course there's Dr. Jolly. The cornfield scene is probably the weirdest scene of any film I've ever seen.Overall if you appreciate low-budget comedy miracles, this is a prototype.

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Joe Blevins
1985/09/14

I don't want to spoil anything in this fantastic movie, so I'll just say: SEEK IT OUT. The CBC runs it every now and again, which is where I saw it. If you are a fan of David Lynch, John Waters, or just bizarre filmmaking in general, you will *love* this flick. It is often uproarious and occasionally poignant. One of my all-time favorites. Viva Steven Penny!

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