The Tom and Jerry Cartoon Kit (1962)

Though that is not saying much, this cartoon is mediocre. However, along with Tall in the Trap and Calypso Cat it is one of the more tolerable Tom and Jerry cartoons that Gene Dietch made, I can't stand the rest. The animation is not great but it is better than the animation in the likes of Switchin' Kitten and Sorry Safari, as the colours are not as flat and the backgrounds not quite as static. The story is also an improvement, it is standard, but it is not non-existent or disturbing. And Tom and Jerry themselves are at least okay. However, the music is still rather creepy, the pace is uneven often feeling rushed and the sound effects are bizarre. While I raised a smile a few times, there was nothing I would deem as hilarious. Overall, this is not saying much but for me when it comes to Gene Dietch this is one of the better ones. 5/10 Bethany Cox

Okay so it's pretty far out there, but it isn't as bad as the safari one or the one where the same guy is barbecuing. Those are really, really wretched. Almost as bad as the series where Tom and Jerry are actually friends. I don't know maybe I just appreciate weird, but I thought there were a few cool moments in this one.

Fans claim that Chuck Jones' Tom and Jerry cartoons were the worst, but for my money the theatrical lowpoint for the cat and mouse were when MGM contracted Gene Deitch and William L. Snyder to direct and produce a series of low-budget, low-quality Czech-animated adventures. "Landing Stripling," "Switchin' Kitten," "Sorry Safari," "Buddies...Thicker Than Water," "Down And Outing," "Dicky Moe," "Calypso Cat" ... painful to behold, all. (Although they're still better than Filmation's horrid "The Tom And Jerry Comedy Show.")Only two of them are halfway watchable, "Tall In The Trap" and this one, "The Tom and Jerry Cartoon Kit" (any relation to Bob Godfrey's "Do-it-Yourself Cartoon Kit"?), which supplies animators with a mouse, a cat, and assorted deadly weapons ("The coffee and cigarettes are for the cartoonist"), and leaves them alone to muck about for a few minutes. Basically, this is Metro-Goldwyn-Mayer admitting that anyone could do better than the lot they had under contract, and while it's not very clever and as sloppily animated by Vaclav Bedrich and company as ever, it passes the time less painfully than the others.You should still take the ones made before the 1960s, though. We all should.

When I saw this cartoon on Cartoon Network, I saw the credits the dreaded words "directed by Gene Deitch" - I thought, this was going to be another stupid Deitch T&J short.Actually, it's a somewhat UNDERSTANDABLE toon that is the best of the Deitch era of T&J - and that's saying something.Sure the Eastern European animation is not up to par with the Hanna-Barbera era (watch a scene set in judo school), but the bizarre sound effects used in the other Deitch T&J's that can put any sane toon nut insane are barely noticed. The storyline is actually good. It's too bad that the other Deitch shorts were full of bad stories and bizarre sound effects, which led to MGM dismissing him after only thirteen shorts.Still I prefer the Hanna-Barbera days of T&J.