Greaser's Palace (1972)

I saw this movie after midnight on a movie-channel, in a dark room. I really wasn't expecting much but somehow this strange and surreal film has a mood to it that very few movies have. Don't try to make sense of it ( I don't know if there is any ) Just relax, and take it in, and you'll see what I mean.Nothing in this movie is spelled out. It is a mystery. It's very funny, and it just leaves you with a feeling of having seen something very important and meaningful about life and death, but you're not sure what...My favourite spot in the movie is when "our" man is asked to give something to the followers, upon which he starts to hum a continuous tone. The "disiples" soon catches on and sings the tone to. He then leaves them, and they dare not stop this gift they have been given. Throughout the rest of the movie you can always hear them in the background or nearby, off camera, as the movie goes on with other things!And the closing scene with the setting sun, and the music/sound just had me mesmerized!I saw it only once, in 1986, and even today I often think about it. I wish I could buy it, but I haven't seen it anywhere. I really want to see it one more time.A MUST see !

The unexpected box office success of 'Easy Rider' at the end of the 1960s opened all kinds of doors for all kinds of people. Suddenly there was a new "youth market" to be exploited. Thousands of hip kids were getting stoned and watching the likes of '2001' and 'Easy Rider'... mmm, what might they want to groove behind next? The old school film execs were baffled for the most part, and this allowed De Palma, Coppola, Altman, Scorsese, Ashby and Bogdanovich and others to get their big breaks. This period has been discussed a lot recently in books and documentaries, but what about the freaks who didn't become household names? What about say Robert Downey Sr and 'Greaser's Palace'?? Look I've seen some weird movies in my time, but 'Greaser's Palace' could well be the weirdest American movie of the 1970s! I have no idea whether Downey was familiar with 'El Topo' or not, and Hollywood had already dabbled in hippie Westerns with 'Zachariah' the previous year. Maybe these movies were some kind of influence on him, I don't know, maybe it was synchronicity. Even trying to describe this film makes it hard to believe it ever got made, watching it is even more bizarre. See, it's kind of a stoner's parable about Christ. Allan Arbus (who subsequently had a recurring role on 'MASH' the TV series and played the baddie in Jack Hill's blaxploitation classic 'Coffy') is Jessie, a zoot suit wearing fellow who parachutes into a wacked out town in the Old West. The town is run by Seaweedhead Greaser (Albert Henderson). His daughter Cholero (Luana Anders) is a burlesque performer, his son Lamy Homo (Michael Sullivan), well I don't know what he is exactly but he keeps getting killed and comes back from the dead describing his visions of the afterlife ("I was swimming in a rainbow with millions of babies... ...and they was naked......and then all of the sudden I turned into a perfect smile!"). Jessy just wants to sing and dance and get to Jerusalem where "the Agent Morris" awaits him, but he becomes a messiah figure for many of the townsfolk, which irks Cholero no end. Then you've got a topless Indian girl (Toni Basil), a gay midget (Herve Villeechaize), and a guy walking around wearing a sheet who I assume is the Holy Ghost (Ronald Nealy). Making sense? Maybe if you smoke as much weed as seemingly went into making it! Arbus is terrific throughout and it's always cool to see Luana Anders. She was one of the most interesting actresses of the period, appearing in cult favourites 'The Pit And The Pendulum', 'Night Tide', 'Dementia 13', 'The Trip', 'Easy Rider', 'Evil Roy Slade' and 'The Last Detail', and working with key figures Roger Corman, Francis Ford Coppola, Robert Altman, Hal Ashby, Dennis Hopper and Jack Nicholson. If you like weird movies then 'Greaser's Palace' is a must see!

not half as good as PUTNEY SWOPE or POUND. But, here is Downey on a budget: widescreen and in color too! Intensely dry humor starts this western off to a weird start. By the end of the first half hour, I started to "get it", but then the film shifted gears to Jodowroski territory with Allan Arbus in a zoot suit shuffling across the plains of the Old West, performing miracles along the way. The film completely falls short of anything near the more hardcore Jodowrosky stuff (real profound symbolism, artsy fartsy-ism, etc.), but it does entertain the terminally stoned mind. Which is not a bad thing.Cinema fans schooled in the post-blockbuster world will no doubt be bored to tears. There's no buzz editing and explosions. Fans of indie films from the 60s and 70s will only note this for it's historical significance. Worth watching for that alone, but not much else.

This movie is incredibly strange and one of my all-time favorites. It reminds me very much of the surrealism of Bunuel, eg. Exterminating Angel or Discreet Charm of the Bourgoise. Greaser's Palace is well worth visiting.