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Kid Vengeance

Kid Vengeance (1977)

August. 01,1977
|
4.9
|
R
| Western

One of Cannon Films' two 1976 Italian-Israeli co-productions starring Lee Van Cleef and Leif Garrett (Gianfranco Parolini's Pistola di Dio was the other), this spaghetti western was actually shot in the Middle East by American director Joseph Manduke. Pop star Garrett plays Tom, a teenager who teams with a black gunfighter named Isaac (Jim Brown) to avenge his family. The culprit was McClain (Van Cleef), a sadistic outlaw who carried out the brutal rape-massacre, but his role is minor, as most of the film deals with Tom's maturation and coming to terms with his feelings. Omnipresent 1970s character actors Glynnis O'Connor and John Marley co-star. If there is anything remarkable about Kid Vengeance, it is Francesco Masi's fine musical score, but the film is otherwise anemic.

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Scott LeBrun
1977/08/01

The story of vengeance here is pretty standard stuff, as a stubborn protagonist determines to get back at the scummy outlaws who raped / murdered his mom, murdered his dad, and made off with his sister. The twist here is that the protagonist is a young teen, Tom Thurston (Leif Garrett). Tom actually does a pretty good, and needless to say, very amusing job on his own, but ultimately he will team up with a gunslinger named Isaac (Jim Brown), a man with a highly coveted stash of gold, in order to save his sibling. Not only do they have to contend with the main outlaws, led by a truly devilish Lee Van Cleef, playing McClain (and sporting a bandanna instead of a hat), but a bumbling secondary group, including characters like Grover (Matt Clark) and Ned (Timothy Scott). Reasonably enjoyable but also forgettable, "Kid Vengeance" is just offbeat and surreal - and humorous - enough to give it entertainment value, in addition to the solid cast. Confusing at times, as if there might be a scene or two missing, and it also plods a little too much. An early production for Menahem Golan and Yoram Globus, before they formed the Cannon Group that cranked out many great genre movies of the 1980's, it's not as exploitative as one might think, and in fact it has some good moments where the feisty sister, Lisa (Glynnis O'Connor) tries to stand up to McClain. Van Cleef clearly has fun with his part, and John Marley is likewise a total hoot as his accomplice Jesus. Brown plays a role of quiet strength and does it well, and Garrett isn't bad as the kid. Clark and Scott are funny in the comedy roles. However, the tone of this movie is mostly serious (the opening scene actually looks believable), with a rather dark ending, and Garrett's Tom, who's been taught the difference between hunting and killing by his dad, figures out which of the two he's doing by following and eliminating the villains. The movie is mainly worth watching to see the commanding performances by Van Cleef and Brown, who'd also done "Take a Hard Ride" and "The Condor" together. They give it an extra point, along with the typically fine music by Francesco De Masi. While not without interest, it's not likely to stick in the mind for long after it's over. Six out of 10.

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wes-connors
1977/08/02

In the American west, long-haired young Leif Garrett (as Tom Thurston) learns the difference between hunting and killing from his father. Later, while the lad is off communing with nature, a gang of cutthroats led by sleazy Lee Van Cleef (as McClain) attacks Garrett's peace-loving family. The kid arrives to witness his mother raped, parents murdered, and big sister Glynnis O'Connor (as Lisa) kidnapped. Garrett keeps his distance, then trails Mr. Van Cleef's outlaw gang, administering "Kid Vengeance" along the way. After being robbed and left to die, noble Jim Brown (as Isaac) joins forces with Garrett. The highlight is watching Matt Clark (as Grover) and Timothy Scott (as Ned) have some fun with their roles.*** Kid Vengeance (5/13/77) Joseph Manduke ~ Leif Garrett, Lee Van Cleef, Jim Brown, Glynnis O'Connor

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merklekranz
1977/08/03

Seek this one out if you are looking for a different kind of Lee Van Cleef "spaghetti-type western". Definitely on a par with his lesser westerns like "Death Rides a Horse", but inferior to "The Big Gundown", this revenge story has quite a few unusual aspects. The surviving massacred family member is a young boy, who proves quite resourceful in his vendetta against Van Cleef and his gang. Lee is definitely not a sympathetic character, and his evil presence is perhaps only surpassed by "Angel Eyes" in "The Good, the Bad, and the Ugly". The quality of the DVD is inferior, with the sound badly out of sync. Nevertheless, I enjoyed this unique "pseudo-spaghetti western". - MERK

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madsagittarian
1977/08/04

I may be the only person in the universe that actually likes this movie. Of course the last time I saw this, I was 16, and not yet force-fed twaddle like Resnais, and being conditioned as to what to appreciate in cinema. Even so, this film was enough to make the great Lee Van Cleef hang up his six-guns forever, with the exception of riffing his cowboy image for Cheetos and Midas Muffler commercials. He is superbly slimy in this one, nonetheless-- with a big earring, bandana and goatee, his character McLain is outlandish, but in a good way. Despite the exploitative nature of the material, much of the film is otherworldly- the violence and the characters. Shot in orange hues and dreamy soft focus, Leif Garrett (yes... Leif Garrett) rides the trail of vengeance after Van Cleef's gang of slimeballs after they murder his family. He gets an ally in Jim Brown, who shares his thirst for revenge after Lee rips off his mine. The fact that some of the violence is ludicrous actually works- take for instance the scene with the scorpion, or when an outlaw has rocks dropped on his head in slow motion. The last half of this revenge western has a dream-like quality; perhaps it was meant to accentuate the state of mind of Garrett's character, and of a child at that. Dealing with such a loss and seeking retribution for it puts one in a strange state of consciousness-- how often have we felt after the death of a loved one that we are dreaming. or hoping that we will wake up soon? But at least, because this film is so bizarre, it is not your average revenge oater. It at least makes you think about you are watching. Isn't that what cinema art is supposed to do?

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