Very Important Person (1961)

While this film offers some mildly (very mildly) humorous scenes, I would not characterize it as a comedy--more like a drama with comedic overtones. This isn't a complaint--I just don't want to viewer to expect too much from this film.It starts off in the present day. James Robertson Justice's character is being honored on the British version of "You Bet Your Life" and this leads to a flashback that comprises most of the rest of the film.Apparently, Justice was a big-shot during WWII. During a special mission over German territory, he is accidentally sucked out of a gaping hole blown into the Halifax bomber. And, not surprisingly, he's placed in a POW camp filled with British soldiers. However, he's so important that word makes it to the prisoners that he MUST escape at all costs. In the meantime, Justice is incredibly brusque and dismissive of everyone. It's obvious he hates everyone--showing no respect or willingness to socialize with anyone--British or even German. So, the prisoners are forced to help someone no one really likes--nor should they like him! Much of the film the viewer ponders whether Justice's character is truly hateful or if it's all an act, of sorts. See it and then you decide for yourself. It's an enjoyable little film--nothing great, but well done....and Justice is very good as usual.

Very Important Person combines elements of the Carry On films, The Great Escape and Hogan's Heroes to produce a lighthearted low budget British Comedy that is surprisingly effective. Many of the stalwarts from this era are here with John Le Mesurier, Stanley Baxter, Eric Sykes in supporting roles. I wouldn't have been at all surprised to see Sid James turning up somewhere.James Roberson Justice is excellent in his role as the cantankerous Very Important Person. There are lots of stiff upper lips and "tickety boos" from the British and the German officers are typically cast as foolish buffoons. This must have all been an inspiration for Hogan's Heroes but a very long way from the reality of prisoner of war camps.Overall, VIP is a fine example of British Comedy from the 60s and is well worth a look.

I've seen a few James Robertson Justice/Leslie Phillips/Stanley Baxter films recently (thanks, Amazon Rental!), such as THE FAST LADY and FATHER CAME TOO, and compared with such absurd and dated fluff this works well. The 'This is Your Life' framing device is simple but neat; Annakin keeps thing moving, without allowing any of his cast to go over the top, even James R-J's role has more depth and less bluster than usual; various comedy stalwarts (Eric Sykes, Richard Wattis, John Le Mesurier) do their thing in ways that make sense in plot terms; Baxter's dual role is brilliantly handled, with tiny adjustments in gait and expression making it quite clear which is which when they appear in the same scenes. Even Leslie Phillips (with the possible exception of Kenneth Connor the most annoying of all the British comic actors of the 50s & 60s) brings something to the party this time. In some ways it stands up better than 'serious' POW stuff like THE WOODEN HORSE.

James Robertson-Justice plays (Sir Ernest Pease.) an important scientist sent on a bombing mission to see how a raid goes. As we can all guess, the plane is attacked and he parachutes to safety only to be sent to a pow camp,where he takes on the alias of Lt Farrow. When the senior British officer learns who he is, Farrow is helped to escape.The film is held together by Robertson-Justice, whose performance lifts the film out of the ordinary.