Five Days (1954)

Dane Clark was one of the actors who went to England and made these films for Hammer, Kit Parker Films, etc.Here he stars in "Paid to Kill," a 1954 film also starring Anthony Forwood, Paul Carpenter, and Cecile Chevreau.Clark plays a businessman out of options when an important deal falls through. Desiring security for his wife, whom he adores, he arranges for someone to kill him.We've seen this before, though it does contain a twist. However, it's pretty routine.Clark was a John Garfield wannabe who had a prolific, if not spectacular career in films and television for nearly five decades.Anthony Forwood, a tall, handsome Brit, was married to Glynis Johns before he became the manager and long-time companion of Dirk Bogarde. He actually made a few films in the '50s before working behind the scenes.I like these black and white British mystery/suspense films. Some are better than others, but they manage to be entertaining.

Hammer Studios was Yet to Find its Niche and Managed to Make B-Films of Different American Genres in Their Pre-Horror Boom. The Studio's Late Entries Into the Noir Cycle were Not Bad but Still a Day Late and a Dollar Short.Even the American Born Genre of Film-Noir was Showing Signs of "Evolving" or "Devolving" into More Palatable Pictures in that More Optimistic and Eisenhower Friendly "Crime Dramas" and All but Abandoned the Cynicism and Dark Undertones of the Best of the Noris.Here there are a Couple of Scenes that Remind of What those Dark Films Offered, Like a Nightmre Alley with a Killer on the Loose and a Claustrophobic Greenhouse Finale that Highlight. Dane Clark does a Fine Job as a Fate Gone Wrong Businessman and Shows Some Range. The Supporting Cast Not So Much as Most of the Characters are Shallow and Purely Pedestrian.Worth a Watch for Hammer Completest and B-Movie Crime Fans, but by 1954 Film-Noir was Turning into Something Different and This One was Caught on the Edge of the Transition and While Nothing Special, it is One More that Can Be Put on that List of Film-Noirs that have Many Entries that Simply Seem to Fit Arguably and Not Comfortably.

After his London-based "Amalgamated Industries" suffers a devastating loss, American businessman Dane Clark (as James "Jim" Nevill) decides to end it all. This is going to be a strange suicide, however. In order for his wife to benefit from a life insurance policy, Mr. Clark asks an old friend to commit the murder. At first, sleazy hit-man Paul Carpenter (as Paul Kirby) refuses. But Clark makes Mr. Carpenter mad during a fight, and threatens blackmail, too. Finally, Carpenter agrees to kill Clark, within five days. Once the deal is set, Clark's failed business deal reverses. Now, he must stop himself from being murdered...Writer Paul Tabori adds a couple of surprises to this formulaic story. You can make accurate predictions, but you'll need to revise them. Director Montgomery Tully does well in dark alleys and seedy diners. Second-billed secretary Cecile Chevreau (as Joan Peterson) sends out the right signals, indicating she's interested in her boss. Clark is faithful to pretty wife Thea Gregory (as Andrea), however. Not seen as often as partner (spouse equivalent) Dirk Bogarde, tall blond Anthony Forwood (as Peter Glanville) is impressive. British players shine in small, uncredited roles.****** Paid to Kill (6/25/54) Montgomery Tully ~ Dane Clark, Cecile Chevreau, Paul Carpenter, Anthony Forwood

Taking advantage of arrangements favoured by the UK's Eady levy (a state film subsidy established after the war) in 1950, American producer Robert Lippert formed a business alliance with Hammer studios. Under the agreement, Lippert would provide American acting talent - frequently shop-worn stars or just supporting actors who fancied a profitable trip out of the country - while Hammer would supply the rest of the cast and the production facilities. Together they would split the profits. Famous for his concern with the bottom line, Lippert produced over 140 films between 1946 and 1955, characteristically genre pieces such as I Shot Jesse James or Rocketship XM. For the British deal, most of the films were noir-ish thrillers -including 5 DAYS/ PAID TO KILL.Dane Clark appeared several times under the production arrangement, but makes one of his most successful entries here as a man in a jam, with a plan, and a dame. Possessing a characteristic persecuted look, Clark is eminently suited to the role of businessman James Nevill who - fearing that a big deal has gone sour - pays a friend to kill him, to secure insurance money for his unsuspecting wife. Nevill abruptly needs to change his murderous instructions when matters change for the better, but cannot find his unreliable friend. He finds the repeated attempts on his life - whoever it is making them - too close for comfort. Says a business acquaintance of Nevill's business style that: "it's okay for cutthroat and adventure - but not for the City of London." Such a contrast exists elsewhere in a film containing one or two jarring, humorous scenes, featuring Charles Hawtrey (a non-speaking part) partnering Nevill's troublesome, truculent investor. Away from these distractions the film is much stronger, notably in the understated love for Nevill shown by his secretary Joan (Cecile Chavreau), which is played subtly. Although for many the film's final twist is telegraphed someway in advance, 5 Days/Paid To Kill is reasonably suspenseful and largely successful on its own terms, efficiently directed by Tully.