Lady Killer (1933)

James Cagney has a Field Day with this Crime-Comedy Appearing in Various Costumes (French Dandy, Indian Chief) as He Goes From Petty Crime to Movie Star in this Odd but Entertaining Pre-Code Movie that has some Racy Dialog Mixed in with a Whole Lot of Fun.It's Not a Great Movie but Mae Clarke Adds Some Spice and the Whole Cast is In On the Joke as Things Go Wildly From Hither to Yon as Nothing but Pure Entertainment. It's a Hoot of a Hollywood Self-Parody and Cagney Fans will Love it.Overall, Others May Find it Dated and be Slightly Offended by Some Political Incorrectness. Animal Abuse and Some Rough Treatment of the Weaker Sex. But the Snappy Dialog and the Sheer Absurdness to it All Make it a Must See for Film Buffs and those that Like Their Movies Breezy and Bawdy.

Look out, world! Jimmy Cagney's coming to Hollywood and whether they use bullets or make-up the con artists haven't got a chance, in this raucous send-up featuring a New York crime boss who lands himself where the real action is – on a theater marquee.Cagney is a wise guy named Dan Quigley who can't make it as a movie usher, so he raises his sights from lavatory dice games to breaking into rich folks' homes with the help of a nasty gang. When that goes bad and the gang leaves him flat, Quigley finds a new line in Hollywood, first as an extra, soon after as a "Famous He-Man of the Screen." But what will happen when the old gang shows up for a piece of the action?The marquee in lights near the start of the film advertises someone called "The Prince Of Pep." He might as well be Cagney in this streamlined star vehicle, written entirely to showcase his fast patter and easy charm. Cagney's so good they don't even bother to build a coherent film around his character, and it hardly matters.If you want to see a great Cagney film, there are perhaps a couple dozen better candidates. But if you want to see why the guy clicked so hard in the days of early sound, and still packs a punch 80 years later, this should be on your short list.Cagney's lines here are priceless. To a dog being held by a theater manager who just fired him: "Listen, Fido, this guy's got a wooden leg. Try it sometime!"To a group of card sharps who just cleaned him out: "I think I'll stick to checkers."To the same group, after he's figured out their scam: "You kick back with my fifty bucks, or I'll fold your joint like an accordion!"Just seconds later, he proposes a partnership. "You got a sweet racket here. Maybe I can show you a few new wrinkles.""Lady Killer" was made just before the Hays Code was seriously enforced, which makes for interesting viewing. Reviewers here have already pointed out a scene when we see Quigley sneak Mae Clarke's character Myra a peck on the breast. The film takes even greater advantage of the liberal mores then still in effect by letting Quigley get away with his crimes. Sure, he goes straight, sort of, but only because he finds a better racket than potentially homicidal B&Es. There's no moment of Quigley coming to regret his wicked past, as censors would have required just months later.That makes for a more entertaining Cagney vehicle, but a somewhat disjointed film. Director Roy Del Ruth keeps things moving quick, but in odd directions in tone, turning "Lady Killer" from a semi-serious gangster story to a genially goofy Hollywood satire. In his DVD commentary, Drew Casper calls "Lady Killer" a "shyster satire." It might also be called a "crooked comedy;" no one is on the level, whichever side of the law they're on.So in Hollywood, we see Quigley break big after really slugging an extra in a mock prison break scene, and further his path toward stardom by faking fan letters. It's shallow stuff, but fun, especially as it all plays so fast. Other than the star, pacing is "Lady Killer's" ace in the hole.Clarke should have graduated from the grapefruit league with this performance. She and Cagney resume their fireworks from "Public Enemy," this time with even more outrageous stunts, but Clarke, here the first- billed female, does wise work making sure we enjoy her comeuppance. Even her catty asides to Cagney, or the way she shamelessly plays with her hair while shaking him down for (more) dough, is on par with Barbara Stanwyck's star-making wickedness.But make no mistake, "Lady Killer" is Cagney's baby, and he makes it work, despite the tone shifts and the odd title (Quigley's not a killer himself, and doesn't play with women's affections). You root for the guy despite his crookedness, and that's all that matters in the end.

Lady Killer (1933)I love these multi-part stories, where one set of scenes shifts to a whole new set, and then they eventually intertwine. And I also love movies that show the inside of Hollywood, with actual recreations of movie sets and movie shoots.Lady Killer has both, and James Cagney, too. It's fast, furious, funny, and shot with a bright, glinting intelligence. Not quite a gangster film, it does have crime and some crooked thugs. And not quite a comedy, it pulls out quite a few laughs, mostly because Cagney is a card. There are two fabulous first ladies (and they naturally must view for our man), Mae Clark and Margaret Lindsay, and a slew of second men who hold up their characters with caricature. In all, there is no Warner message here, except maybe the virtue can sometimes prevail. It's just a lot of great scenes, witty dialog, and a play of good guys against bad guys. Look for some stunning rain scenes in California (yeah, I know), and for a huge range of interior and exterior set ups, fairly elaborate for Warner Bros. budgets. For Cagney fans, it's a riot to see him take on, briefly, a series of roles as Indian chief, Italian lover, and prisoner on work detail. The latter, of course, is close to the real roles that made him famous, and his role here is actually a little lighter than that, a bad guy who is all wisecracks and cheerfulness. Look for some insider jokes, like the poster (and mention) of the Edward G. Robinson film, and the movie ushers wearing hats all with the Warner Brothers logo on it.Great stuff. I loved it even as I knew it wasn't quite a masterpiece. Oh, and the new (2010) Warner DVD is sparkling, a first rate print!

Thought I had seen all of James Cagney's films, but this film was a complete surprise to me and I enjoyed the unbelievable talents of Cagney in this film which is filled with comedy and drama. Cagney plays the role as Dan Quigley who is an usher in a movie house and gets himself fired for not abiding by the rules. Dan meets up with a bunch of con-men who try to cheat him out of fifty bucks and he discovers their racket and then decides to join them in other crooked adventures. Dan decides to go to Los Angeles, California and is soon discovered by a Hollywood producer who needs a person who looks like a crook and so Dan starts getting some bit parts in films and begins to be discovered as a great actor. Dan also meets up with Myra Gale, (Mae Clarke) who is a big film star and they get along just great until Lois Underwood, (Margaret Lindsay) is found in his bedroom by Myra and the relationship cools off rather quickly. This is a very entertaining film and Cagney is at his very best as far as I am concerned.