Cover (2007)

Cover is a little known treat that is surprisingly suspenseful and enlightening. It tackles the highly pervasive yet equally controversial materials like homosexuality and "down-low" in the Black American community. Few movies have dared venture there and make a case for acceptance amongst Christians.When her husband gets promoted, Valerie Mass's life begins to fall apart. Aunjanue Ellis plays Valerie Mass, an unassuming "God-fearing" church woman, who relocates to a new city with her husband. Razaaq Adoti is Dutch, Valerie's husband. Dutch's social life goes on the fast lane. He soon befriends Ryan Chambers (Leon from the movie Capers), a known womanizer, and starts acting more aloof. Neglected by her husband, Valerie turns to a church prayer group where she meets a sickly woman. The truth she will uncover is worse than anything she could have imagined. When Ryan turns up dead on New Year's Eve, she becomes the most likely suspect.Aside for Vivica Fox and Leon, the cast is low on the mainstream acting radar. Nevertheless, it delivers decent performances. Black American movies are not without the religious idiosyncrasies but none of that detract from the serious subject matter or a solid plot.Producers Bill Duke and Kenneth Dixon teamed up to create a complex tale of faith and redemption. The plot is quite simple but, somehow, they manage to keep a tight leash on it, keeping you guessing until the very end.Leon delivers sex and edge without fail. Few actors in Hollywood command the screen the way this man can. Leon brings charisma and magneticism in every role he plays. Vivica Fox plays her "trademark hood" affectation, which I find annoying. Her role, essentially, brings nothing to this movie. This is a movie with a lot of twists. So, don't expect action.This is a new recipe for Black films and I look forward to seeing more like it. I definitely recommending renting the DVD and watching it on a girls' night-in.

I really was surprised by this movie. It kept my attention. I kept wanting to know what was going to happen next. THis movie deals very closely to a social issue that is harming the black community. even though some parts were kind of off the wall it still turned out the be a good film. I thought that it was well acted. I kept trying to figure out who the husband was cheating with and was completely surprised by who the person turned out to be. I enjoyed the film. The other wife who tried to kill herself was just foolish but I can't say that there is not a person who would put up with what she did from her husband. I wouldn't have ever guessed that most of the black male characters in the movie were down low, but it is happening. I think that this movie was an accurate portrayal of what is going on in today's society.

Church going house wife is arrested and charged with murder. Things become complicated as her neat little life begins to unravel and when its clear the Assistant District Attorney prosecuting the case doesn't care if she's guilty since he's looking to win the up coming election. Weakest film directed by actor turned director Bill Duke. Feeling more like a Tyler Perry wannabe thriller then the realistic and often gritty films that Duke usually turns out, this film seems more intent on being about something other than the mystery at hand. The film has a weak script which has too many "dark secrets" that the good cast can't really turn into anything truly worth watching. It just misses...and whats worse you can see it going whizzing by...

Bill Duke's "Cover" is like an urbanized, African-American version of "Brokeback Mountain" - only this time told from the viewpoint of the initially clueless spouse rather than the two male lovers. Aunjanue Ellis plays a deeply religious woman whose life and marriage fall apart when she discovers that her husband (Razaaq Adoti) is actually a closeted homosexual. This leads to a great deal of emotional trauma for both the wife and the husband - as well as to a patently absurd and wholly unnecessary murder subplot that's used to frame the story.There's no question that this is a well-meaning and well-intentioned film, but its attempt to deal honestly with a serious social issue all too often falls victim to slickery and overwrought melodramatics. Many a scene will have you rolling your eyes in incredulity and disbelief, even while conceding that some of the points the movie is making are indeed insightful and valid. And, commendably, the movie does give a fair hearing to each of its genuinely torn and conflicted characters. But an overall air of amateurishness - both in the performances (even from such acting stalwarts as Louis Gossett Jr. and "Amen"'s Clifton Davis) and in the direction - keeps it from having the impact it clearly wishes to have.All in all, a missed opportunity.