Goodnight, My Love (1972)

Back in the 1970s, some young directors really believed it was possible to make movies for television, rather than "TV movies" (one-episode 90 minute TV shows or the longer, even less cinematic soap opera 'miniseries'). The best known of these efforts was Spielberg's "Duel," but there were good films appearing now and again all the way up 'till about 1983, which saw the "Day After" phenomenon, following which Republicans put such pressure on TV producers, they never attempted anything risky on broadcast TV again.This movie may very well be Peter Hyam's best. It certainly boasts the best later performance by Richard Boone as a washed-out detective and a knock-down performance by Michael Dunne as his side-kick. The camera-work, the pacing, the dialog, are all low-key, but need to be - this is an homage to the noir films of the forties, not a "Chinatown" attempt to resurrect them. Consequently there's a great deal of gentle humor here, but it never gets campy, and doesn't get in the way of a tight little mystery that is doomed to end badly for everyone - the detectives succeed in the end only because they live to be able to tell the tale (and are smart enough to know not to waste their breath telling it). There's a general feeling of 'life happens" pervading the film - as was also the case for the noir films toward the end of that genre as it faded after WWII. Despite the low-key approach, the film is highly memorable for its atmosphere and characterizations. I haven't seen it for years and I still think of seeing it with pleasure. Probably a lost film (although I suppose you can find anything on the internet), this could be well worth the research to rediscover.

This may have started out as a light-hearted take-off on 40's film noir but ends up being just as good if not better than any of those classic films. One of the greatest casts ever assembled for any movie! All but Barabara Bain are gone now and we should mourn their passing. Richard Boone, Michael Dunn make such a pair I wish this had been picked up as series. I doubt they could have maintained such quality on a weekly basis. The background music, photography, writing, acting are all excellent. The way they evoke the 1940's really puts you in the mood. The story is a bit predictable and you'll spot the bad guy at first glance but it's all fun. Great Movie!

L.A. 1946 Richard Boone and Michael Dunn play a pair of world-weary private detectives in this superb television movie. The two are down to their last nickel and wondering where their next meal is coming from. There is a knock at the door and in strolls Barbara Bain."Would it be possible to hire you?" It seems her husband to be, Gianni Russo, is missing and Bain wants to find out why. A quick cash advance and Boone and partner are on the job. They head for the missing groom's rooms where not two steps inside, Boone's head is on the receiving end of a pistol butt.Once Boone has recovered, they pay a return visit to Miss Bain. While a simple case of finding a man is OK, a pistol whipping is not what they signed up for. They quit! Bain doubles their fee and back on the job the two go. A little digging and they find that Gianni is mixed up with mobbed up club owner, Victor Buono.Buono pulls out all stops as he gives a great Sydney Greenstreet imitation. Someone has bumped off a mob courier and helped himself to a suitcase with $400,000. And it seems that Bain's missing beau is the prime suspect.The mob is not amused and has put out a contract on Gianni. Boone and Dunn find that double cross on top of double cross is the order of the day with this bunch. Buono is short of cash due to some large gambling losses. He hires Gianni to bump off the courier with the suitcase and then return it to him. Gianni instead takes the suitcase and goes into hiding.Every time Boone gets close to finding Gianni, he finds himself on the wrong end of various fists, boots and gun barrels. Boone is not amused. When the boys do find Gianni, it is after he has taken a six story fall off a roof. Witnesses describe a woman who sounds a lot like Bain leaving the area just after her now ex's failed flight.Now it all comes clear to Boone. Bain was in on the scam with Gianni. Buono crosses the mob, Gianni crosses Buono, then Bain crosses Gianni. The only problem for Bain is that the suitcase was empty. Buono, assuming that he was going to get the suitcase back had given the mob courier an empty suitcase. When Gianni returned, Buono had intended to dispose of him, then use the cash he had kept to pay down his gambling debts. Buono's perfect plan goes all to hell because of a dame.Needless to say the mob soon figures this out as well. Soon Bain is added to the body count and the mob comes looking for Buono. He is next on the list for the long sleep. Boone and Dunne return to their office to wait for the next fool to walk in.This is one great film! The dialogue is superb with the back and forth between Boone and Dunn being utterly priceless.Directed by Peter Hyams whose work includes, Outland, Time Cop, Sudden Death, Narrow Margin, (the remake) and the strange P.I. film Peeper.

I saw this movie when it first aired back in 1972 on ABC movie of the week and I'm trying to get a copy of it as I write this. Just about everyone in the cast is dead except for Barbara Bain. I was hoping it was going to get picked up as a show but like so many good pilots from that time period it fell by the waste side. If you haven't seen it, try to check it out. It's a well above average detective TV movie With a great cast. Back in the 70's There was a lot of movies being made about that time period. Even Robert Mitchum Played a Philip Marlow in 1974 in Farewell My Lovely. Tony Curtis did Lepkie and so on. I think when Re-runs of the untouchables surfaced it started a wave on that subject matter. To bad there not making more films like that now.