Girls on Probation (1938)

Director: WILLIAM C. McGANN. Screenplay: Crane Wilbur. Photography: Arthur L. Todd. Film editor: Frederick Richards. Art director: Hugh Reticker. Costumes designed by Howard Shoup. Music: Howard Jackson. Dialogue director: Harry Seymour. Sound recording: Leslie G. Hewitt. Producer: Bryan Foy.Copyright 3 August 1938 by Warner Brothers Pictures, Inc. A Warner Brothers-First National Picture. New York opening at the Criterion: 19 October 1938. U.S. release: 22 October 1938. 7 reels. 63 minutes.SYNOPSIS: Innocent girl becomes involved in a bank robbery.COMMENT: Early film of Susan Hayward (not her first, however, that was Hollywood Hotel) proves of more than passing interest even to non-Hayward fans. (She has two great scenes, looks terrific, and is her usual fiery, argumentative self). The lead role (despite the billing in the ads for the 1956 re-release) is most skilfully and very sympathetically rendered by Jane Bryan, with an able assist from Sheila Bromley as the no-good Hilda. Ronald Reagan comes over ably enough, though he disappears from the action for long spells and his role is really no more than a support for the Bryan-Bromley plot. Some fine character studies are provided by Rumann (a believable tyrant) and Risdon (her farewell scene at the bus staion is quite touching), Dale and Peterson. McGann has directed with plenty of pace and verve. All told, a fast-movingly suspenseful 63 minutes.

With a slippery friend like Hilda, a dad like a steaming pot, plus a Cinderella dress that could send her to jail, what's poor sweet Connie to do. Well, we find out over a rather mild 60-minutes. It's a 1930's crime programmer from WB, with the usual WB elements-- a brassy blonde (Hilda), gunplay action, and a righteous hand of the law. Here, however, the sweetness of actress Bryan's Connie overshadows these gritty parts. The likable girl's caught up in a vortex of connivance and plain bad luck, that lands her in jail. At the same time, Connie's radiant close-ups, even at the worst moments, amount to a personal showcase that focuses away from the storyline. Anyway, my favorite part is the women's jail. There's real spark in those scenes, and note how similar the girls look, all slim, young, and attractive, like the result of a casting call.Frankly, the storyline's a big stretch, particularly Hilda and Connie's enduring relationship, and that's despite Hilda's frequent betrayals. In fact, the relationship even overshadows Connie's clichéd romance with amiable attorney Neil (Reagan). (Catch Reagan's 1938 film credits-I'm surprised he ever slept.) All in all, the flick's pretty loosely put together, the elements too wobbly to achieve real impact. Nonetheless, probation comes off looking like a pretty humane idea, which I guess is the movie's main purpose.

The only significance that Girls On Probation has in cinema history is that it was the first role of significance for Susan Hayward who plays Ronald Reagan's date at a party. Susan was dropped by Warner Brothers after this film and her contract picked up with Paramount who saw what Jack Warner missed. Despite Girls On Probation Hayward went on to a great career.The subject of the film however is Jane Bryan who borrows a dress that friend Sheila Bromley who 'borrowed' it from the dry cleaner she works at. Fine, but at the party that Bryan goes to Hayward spots the dress and identifies it as her's and Bryan is arrested. She tells her story, but no one believes her but Reagan who is taken with Bryan. He's a lawyer and defends her and she's let off with a first offense.Not good enough for her strict father Sig Ruman who throws her out of the house. She moves to another town, but who does she run into but Bromley and gets whisked into a getaway car from a bank robbery driven by Bromley's boyfriend Anthony Averill. They all get arrested and Jane's now in a real jackpot.The girl just can't catch a break until a sympathetic probation officer Dorothy Peterson convinces Judge Henry O'Neill to grant her probation. Back she goes to her home town and takes up with Reagan who is now an Assistant District Attorney.Of course trouble follows and I won't say more because the story gets more clichéd as it goes on. Let's say it all conveniently works out in the end.Two things connected with this film. Jane met and later wed Justin Dart of Rexall Drugs and retired from the screen. When Ronald Reagan started a political career she got her husband behind him and he became part of the unofficial Reagan kitchen cabinet.Also when Susan Hayward was at the height of her career in the mid Fifties, Warner Brothers re-released Girls On Probation to take advantage of that. It was inflicted on the public again after Hayward scored in I'll Cry Tomorrow, an infinitely better film than this. I'm not sure she appreciated Warner Brothers gesture.She survived Girls On Probation and if you see you will too.

An interesting example of the fast-paced low-budget melodramas the Warner Bros. "B" picture unit run by producer Bryan Foy churned out by the dozens back in the thirties, this film features the pre-presidential Ronny Reagan as a do-good handsome DA who falls for and protects the very likable Jane Bryan. (In later years Bryan's millionaire husband was to become one of the future president's kitchen cabinet.) Reagan played many dreamboat roles like this one in his Warner Bros. contract days and rarely got a chance to show that he possessed real dramatic talent. At the beginning of the film, the 21 one year old Susan Hayward, at the start of her long career, has a small but very noticeable role. Not only was she remarkably beautiful but she could act! Fans of the great German comic actor, Sig Rumann, ("To Be or Not to Be") will enjoy his transformation from Jane's stern Teutonic father to the proud future father-in-law of Reagan.