Blackmail (1939)

I think this film -- MGM instead of Warner Bros. (I assume he was out on loan?) is one of Edward G. Robinson's better films, although definitely not one of his best. Frankly, as much as I liked Robinson, the Warner pics of this genre began to meld together after a while. MGM gave this film a slightly different feel, and for me, it worked.As I child traveling in the south, I remember seeing chain gangs, but I never realized how depressing their lives were. This film shows you that.Some feel this film has an unreal story line. Yes, it does. Just about as unreal as most of the Warner-type gangster films. But here it's done up with slightly better production values and some decent acting. Edward G. Robinson is fine as the wrongfully convicted oil man. Ruth Hussey, an often underestimated actress, is fine here as the wife. Gene Lockhart is surprisingly effective as the blackmailing villain. Thank god...we got through one film with child actor Bobs Watkins WITHOUT a crying scene (but I kept waiting for it). I never saw the attraction to sidekick Guinn Williams...and still don't.Some have criticized the ending. I thought it was satisfactory...perhaps could have been handled a bit better...but was as plausible as most Hollywood endings of the day.A rather satisfying film. Perhaps not quite a "A" picture, but better than your typical "B" picture.

Edward G. Robinson departs from his more notorious bad-guy roles to play the wronged man in BLACKMAIL, a film that is something of a distant relative of what would come to be THE FUGITIVE which would star Harrison Ford more than sixty years later.John Ingram is a man who is trying to support his wife (played by Ruth Hussey right before her second-tier stardom) until his past comes in the form of William Rainey (Gene Lockhart) who not only is aware of Ingram's past in a chain-gang from which he escaped, but was also the man responsible for getting him there in the first place. He comes with a proposal to "clear Ingram's name" but this in turn lands Ingram back in the chain-gang with one motive: escape and revenge.A simple story, one which never tries to go beyond it's apparent B-movie status despite the actors involved in it, BLACKMAIL does not seem like an MGM product but more Warner Bros. The sparse scenes, the unglamorous vibe throughout, the grittiness that pervades throughout add to its credence. Though some plot inconsistencies are present, it's a quick moving story and gets to the point pretty fast without asking too much analysis.

Fun Edward G Robinson vehicle to pass the time with, in which he plays a respectable family man, John Ingram, an oil industry fire fighter, with a dark secret, only to be blackmailed by his original nemesis, sent back to a chain gang prison for a crime he didn't commit, and eventually escaping once more, seeking vengeance.Gene Lockart steals the film as Robinson's enemy, Bill Ramey, a slimy piece of work on a mission to ruin Ingram's life, and if you add hideous performances from Guin Williams, as a moronic family friend called Moose, yes I kid you not, and Bobs Watson playing the most nauseating brat of all time, as Ingrams son, you have the perfect B movie.Loved the boiled egg and toast gag in the opening sequence!

Poor title for what is a movie patterned on "I Was A Fugitive From A Chain Gang." It would appear that some of the shots were either taken from that masterpiece or re-done virtually identically with new cast. Edward G. Robinson is presented in the Paul Muni role but this time the hero has been willfully framed -- not wrongfully convicted. This framing is necessary for the rest of the story line and the plot unfolds as believable. Gene Lockhart steals the show in his portrayal of the villain. Robinson never looks as gaunt as Muni and is less convincing as someone who has suffered on the chain gang. Watching Robinson's rotund body run through the swamps just doesn't hack it. If given a choice, see the Muni movie but this one will serve for those who prefer a different ending. A better title might have been "Vengeance."