They Drive by Night (1938)
“Shorty” Matthews having recently been released from prison visits his girlfriend in London only to discover her murdered. Fearing he will be wrongly accused of being the culprit he disappears amongst the long-distance lorry driving community. Meanwhile, the real killer, unassuming ex-schoolteacher Walter Hoover, continues to prey on London women. As Shorty had feared he has become the main suspect. He returns to London with old flame Molly to prove his innocence.
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What i like about THEY DRIVE BY NIGHT is the authentic british dialogue.it wasnt rewritten to make it comprehensible to american audiences. thats its charm.
I saw this movie for the first time a few days ago and I was glued to my seat for the entire period by its pace and photography which though low-key is extremely moody and effective. The pace is electric but due to low budgeting as all British movies of the period dampens the viewing a little. What the film lacks in production value it makes up amply in its narrativeEmlyn Williams captures all the emotions of a Wrong Man syndrome a la Hitchcock.The psychopathic Professor chills with his menacing looks. The only flaw is that the film starts with something to talk about the lorry drivers (which is incidentally the title) but strays away.Quite surely WB had this pictorial gem cleared from their lists to provide better promotional value to their film of the same name made in the US with George Raft.
Taut British noir. set mostly after dark and indoors, about an innocent man on the run for a crime he did not commit (Emlyn Williams), the girl who helps him (Anna Konstam with a blonde perm), not quite a tart but with a heart of gold, and a creepy serial killer (Ernest Thesiger). Interesting for its inversion of the usual values of 1930s British films, in which the lower classes tend to be either comic or villainous or both. Here the murderer has the accent, the education, the aesthetic taste and the comfortable house while virtually all the other characters share the camaraderie of the working class, which includes a disinclination to say too much to the police.A number of similarities with Hitchcock films of the period, in particular "Young And Innocent", which also has a falsely accused man and a girl who believes in him trying to find the real murderer in a transport café and a dance hall.
Nice crime thriller that almost seems like a lost Hitchcock film. Moody lighting contributes to the noirish atmoshpere. Ernest Thesiger turns in one of his creepiest performances.