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The Unguarded Hour

The Unguarded Hour (1936)

April. 10,1936
|
6.6
| Crime

A blackmailer tries to stop a woman from revealing evidence that could save a condemned man.

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analogdino
1936/04/10

Most entertaining movie. Watched recently on TCM. Good innovative plot, if a bit convoluted. Some fine acting... Never a dull moment... Very good court scenes with good dialogue. London of the 1930'a well captured, particularly the cars, streets and traffic, also very good house interiors. Recommended for a step back in time....

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bkoganbing
1936/04/11

Loretta Young was borrowed from 20th Century Fox to appear opposite Franchot Tone in this British based drama about a rising young and titled attorney played by Tone who is expecting an appointment from the Crown as a new attorney general. Of course that will happen upon conclusion of the case he is prosecuting now of Dudley Digges accused of murdering his wife.In the meantime Tone's wife gets an intrusive visit at a dinner party by Henry Daniell. It seems as though he's in possession of some letters that Tone wrote to his wife indicating a nasty affair. But in the tradition of the old badger game Daniell at his sneering best is willing to take a payoff.What happens is that the wife of Daniell winds up dead and it's Tone looking good for it because he can't come up with an alibi. This strangely parallels the situation Tone has in court with Digges who cannot confirm his own alibi when his own wife is killed.The blend of British and American players seem to work well here as people like Tone and Lewis Stone who plays the Scotland Yard Inspector with their classical training fit well with the players of Hollywood's British colony. This could have been a lot better though. The Unguarded Hour seems poised to jump into comedy especially when Roland Young is on the screen. But it never quite makes it. Still Young gets a few droll lines in as everybody's favorite house guest.Fans of the stars and some of the most well known character players from Hollywood's golden age should approve.

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misctidsandbits
1936/04/12

Just watched this one, though I've had it a while. Was surprised and pleased. It's interesting to see Ms. Young with this group of contract players, on loan from her home studio. Makes we wonder what MGM would have done with her had she been contracted there. As it is, she is her soft and sincere persona here, doing well enough with Tone. As for the plot line, I'm glad by reading other reviews to find that I'm not the only one left scratching my head at the rather abrupt wrap-up. The quick introduction of a trap at the 11th hour brought maybe a too swift resolution to this rather complex embroilment. As soon as milady misidentified the picture, I got lost and basically stayed that way. One viewer clue came when hubby requested to talk with his wife alone after his official confrontation, but one had to think back to that later trying to map out the circuitous route. Just too much came too fast and too pat. But, even Dame Agatha threw you a loop now and again; but not to the extent of this one. However, as it goes along, there's a prime treat in Roland Young, playing the impish, pleasingly inappropriate friend of the lead couple. He was so much fun.

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F Gwynplaine MacIntyre
1936/04/13

'The Unguarded Hour' takes its title from the existentialist premise (expounded in this film's dialogue) that every man's life contains an interval in which circumstances conspire to deprive him of all his defences, leaving him a pawn of fate. How true, how true.I'm a great fan of the films of Sam Wood, a craftsman who remains sadly underrated. Even film historian William K Everson insisted on knocking Wood and calling him untalented. Contemporary reports indicate that Wood was a racist and an unpleasant man who founded some very dubious political causes, yet his films consistently show solid proficiency and some subtle symbolism. Regrettably, 'The Unguarded Hour' contains some howlingly unlikely plot twists, a few extra-long coincidences and some very implausible motivations, including one plot twist at the end that's fatally contrived.SPOILERS COMING. Sir Alan Dearden is a promising young barrister, of whom great things are expected. He is currently prosecuting Samuel Metford, a meek little man charged with pushing his wife off the white cliffs of Dover. Oddly, the trial drags on for many days even though there are no witnesses. Metford's pathetic defence is that he warned his wife to keep away from the cliff's edge, and an unidentified woman passed by as he said this. But the woman can't be located, so Metford has no witness. Sir Alan confides all this to his beautiful wife Lady Helen.The unknown woman is in fact Lady Helen. Sir Alan has been blackmailed by Lewis, a scoundrel who possesses letters written to the oddly named Diana Roggers ten years before he married Lady Helen. If those letters were to resurface now, the embarrassment would put paid to Sir Alan's career. When Lady Helen passed the Metfords, she was en route to paying Lewis £2,000 for the letters. Now she daren't come forward, lest the information come out. (Amazingly, she won't even tell her husband!) Matters get worse when extremely contrived circumstances make Sir Alan a suspect in a new murder. Lady Helen wants to clear him but she can't. Then, at the end, Sir Alan is cleared by the unlikeliest person in this film, the one who has the most to gain if Sir Alan is *not* cleared.'The Unguarded Hour' is entertainingly told but is a complete load of cobblers. If Loretta Young weren't so beautiful, I would never have sat through this rubbish. The film boasts some excellent production values, and quite a few of those great supporting actors from Hollywood's golden age. Henry Daniell is especially hissable as the blackmailer. But this is implausible rubbish. I'll rate 'The Unguarded Hour' 3 points out of 10.

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