42 Up (1999)

I loved the Up series, despite having seen only 35up & 42up. For the uninitiated, this series was a pet "anthropological" cinematic project undertaken by director Michael Apted. In this series, he would revisit a group of British men and women and make a documentary film about their lives, every 7 years, starting from the age of 7. Of interesting note is the participant's differing social/ class divide; from the upper-middle class suburban homemakers to working class cabbies. (Note: 7up was originally only conceived as a television initiative if I'm not mistaken. But its underlying premise proved so intriguing, guess Apted just had to keep it going and see where it might end up. We are up to "42" now, nice....) My thoughts...These films might have shown mere glimpses of those ordinary lives, but I was still in awe of its premise no less. Like the flipping through of a moving photo album, we revisited the lives of these people. Within a two hour period, we saw these people grow up right before our eyes. We saw their physical and psychological transformation over the years. We saw how they charted their lives and lived it. We shared in their joys and tribulations. Of course, there were harmony, or discordance over those many long years. But this series was contented in just showing us simple truths. It captured vignettes of youth's idealistic beauty and inevitable follies. It revealed life's vaunted fulfillment and crushing regrets. Most importantly, it attempted to shed light on one's happiness barometer; how our pursuit of happiness and attaining contentment is directly corresponded with our expectations in the past, present, and probably beyond. We may not always tick like clockwork in this tragi-comedic mortal coil. But a rewind is often all it takes to get us back on track. This continuing Up series is thus IMO, a very worthy meditation on the meaning of our very own lives. I so wanna see what happens when those 7 year olds turn 49.

Although it might not be readily apparent to those who only know Michael Apted as the director of The World Is Not Enough, Michael Apted is in reality a skilled and experienced director. Here, Apted returns to his famous documentary series, in which he has followed London children from age 7 onward, returning every 7 years to chronicle where they are currently in their lives. Suffice it to say that even the world's worst filmmaker couldn't remove the inevitable fascination such a project automatically generates interest in anyone interested in either documentaries about people or the differences between the London social classes. This time around (as the title indicates) the subjects are 42 years old, and we find them settling down. They seem to be doing fine for the most part, as even the formerly homeless subject gets a job - albeit a low paying local government job. Yet the movie needs a more ruthless editor- 42 Up is 139 minutes long. It'll interest you, but you'll keep looking at your watch.

I've only seen "28 Up" and "35 Up". Those were fascinating interesting films, dealing with all types of people and all types of issues in their lives. At ages 28 and 35 people are trying to see where to go what to do, etc. By 42 they're all married or bringing up kids. So the whole movie is about dealing with marriage and kids. Fascinating if you're one of two--dull if you're not. It started off well enough, but it seemed to keep rehashing itself (if I had heard ONE more comment about how hard it is to make marriage work...). About half of it was interesting, and it always a kick seeing these people literally grow up, but it's run it's course. Let's hope there's not a 49 Up!

This film and its predecessors are the most fascinating documentaries released cinematically, not because of their breathtaking cinematography, whiz-bang special effects or even revelation of secret or unknown information. What it does offer is a look straight into the personal lives of a group of people with nothing much in common except this series of extraordinary films which every 7 years throw their experiences open to the world. For the most part they are ordinary lives but they are engrossing as only reality can be. There is no gloss applied, no smoothing over of rough edges. Apted has become a friend to many of his 'subjects' and the warmth of their relationship with him comes into the film. In this program, even the effect of the film series on the people in it is examined, so in some ways it is a film about itself. Like a classic serial cliffhanger, at the end one is impatient to see the next instalment, but it will be seven years in production...