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Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.

Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. (1999)

December. 29,1999
|
7.5
| Documentary

A portrait of the life and career of the infamous American execution device designer Fred A. Leuchter, Jr. Mr. Leuchter was an engineer who became an expert on execution devices and was later hired by holocaust revisionist historian Ernst Zundel to "prove" that there were no gas chambers at Auschwitz. Leuchter published a controversial report confirming Zundel's position, which ultimately ruined his own career. Most of the footage is of Leuchter, working in and around execution facilities or chipping away at the walls of Auschwitz, but Morris also interviews various historians, associates, and neighbors.

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Uwontlikemyopinion
1999/12/29

Errol Morris documents a cinematic portrait of timid eccentric Fred A. Leutcher, Jr. The rise of this man begins with his successful career as an American execution device and designer (the electric chair, lethal injection, and the gallows). And his fall, midway through designing a better way to use the noose, or "gallows," he's employed by Holocaust deniers to collect "proof" that the gas chambers in Auschwitz were intended for that purpose. Mostly through close up and dreamlike montages, Leutcher's personae becomes much of a lark. How is the audience supposed to view this character? Is he good or evil? That's where Errol Morris shines in this ambiguous documentary presenting the difficulty of simplistic moral values. Another takeaway from the documentary is the irony that eviscerates Leutcher's life. For instance (SPOILERS), the states that hire hime for these capital punishment devices later refuse to deal with him once he writes the "Leutcher Report" and makes connections with Neo-Nazis and Holocaust deniers. Much of this documentary depends on the individual's amusement with the character, which can be sometimes difficult because he is an oddball and his ramblings are quite dispiriting (there's a scene with an elephant being electrocuted). Also, one of my pet peeves in talking head documentaries consists of an edit being obvious to cut out extraneous dialogue or the scene cuts to black to reorientate the viewer back to the story, this happens several times. Although Mr. Death succumbs to some distressing moments, Errol Morris captivates his audience with irony and judgmental restraint to allow the audience to make our own impressions of this milquetoast.

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The_Film_Cricket
1999/12/30

I've been over and over, back and forth through my vocabulary and my thesaurus, trying to find just the right qualifying word to accurately describe what Fred Leuchter Jr. does for a living. He designs implements of execution: electric chairs, lethal injection machines etc. I find myself falling pathetically on the word "ghoulish." The documentary 'Mr. Death' gives consideration to something I never really thought about. When a person goes to be executed by the state, where does the execution machine come from? I admit that I never imagined anyone sitting over a drafting table working out the blueprints for such a device.Yet, having heard Fred Leuchter Jr. (pronounced "Look-Ter") speak about his job, I can say that if anyone must to build such a device, it might as well be him. He seems to know what he's talking about. His name is sort of legendary (I would guess so . . . is there another person who does this? When the State of New Jersey contacted him to be a consultant on the proposal of the design of a lethal injection machine, he agreed but admitted that he didn't have the first idea how to design one. The doctor's presentation to the deputy commissioner of the prison wasn't going well, until the doctor mentioned that Leuchter designed the cap for the prison's electric chair. The commissioner's eyes lit up and he was sold on the idea without another word. Most of us could only wish to have a reputation that solid.Leuchter looks a little peculiar but you wouldn't expect someone who holds such a position to look anything but out of place. He's short, with a round face, big glasses and a thick New England accent. He resembles a very dowdy cousin of Elton John. Even if you have no objection to his work, you have to admit that there is an heir about him that wouldn't make you eager to invite him to tea. He is a man, however, that you want to listen to. He has odd stories and anecdotes that either intrigue or repulse depending on your personal taste. I can only speculate that his circle of close friends is a bit small, especially when you consider that one of his bits of knowledge involves the ins and outs of how dangerous it is to be in the death chamber electrocuting someone with urine on the floor from the previous execution. With that nugget of information and his habit of drinking 40 cups of coffee a day and smoking 6 packs of cigarettes, I would imagine he isn't exactly a fun date. Based on that addiction, I wasn't too surprised to learn that he eventually married a waitress.'Mr. Death: The Rise and Fall of Fred A. Leuchter Jr.' not only examines Leuchter's work, but also the turning point that cost him his job and his reputation. That came with his association with Ernst Zundel, a neo-Nazi who went on trial for public slander after he published a report stating that the holocaust was a myth. In 1988, the two traveled to Auschwitz to collect concrete samples from the remains of the gas chamber to prove that no traces of Zychlon B (the lethal gas that was used to kill Jews in the gas chambers) was present. Those samples were going to be used in Zundel's case to prove that he was right about his claims. The science was flawed and the jury was biased. What happened to Leuchter's reputation was a full-frontal assault on very the idea of free speech. His views and his mere association in the Zundel case cost him everything. He became a pariah, a lamb to the slaughter just for speaking his newly acquired views against the holocaust. Whether he meant it or was just saying it to impress some new friends hardly matters. The fact that he said them was damning enough.'Mr. Death: The Rise and Fall of Fred A. Leuchter Jr.' comes from one of the most creative minds to ever to work in the arena of documentaries. Erroll Morris never plays it safe. His films are never about ordinary people doing ordinary things. He loves the circus freaks among us, people who do and are obsessed with odd things. He made: 'Gates of Heaven', about the owners of a pet cemetery in Southern California; 'Vernon, Florida' about various weirdos in the title town including a man who lives, breaths, eats and sleeps and dreams turkey hunting; 'The Thin Blue Line' a film about a murder in a small town that was so persuasive that it sparked a reopening of the case; 'A Brief History of Time' about the life and theories of Stephen Hawking who discusses his understanding of the vastness of the universe while suffering from a condition that renders him almost completely unable to move.Here again, Morris chooses someone out of the ordinary. Fred Leuchter Jr. is an odd little man with a ghoulish job, who takes up with the wrong side of the holocaust and doesn't resend it in order to save his reputation. Why? What happens to Leuchter's reputation once he takes the side of the Neo-Nazis is, I think, criminal. He chose the wrong friends, said the wrong things and made people believe what he was saying simply by saying it. Was he a Neo-Nazi? Who knows? Who cares? Leuchter is a product of our times, times in which verbal intolerance is put on the shelf with mass murder, when people are so outraged by the act of being offended that they commit a character assassination of a man just for publicly stating his opinion. What happened to him was a pitiful revelation that words and kill just has inhumanely as a botched electric chair.**** (of four)

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chedenberg
1999/12/31

Despite your political views on the topics of capital punishment and/or The Holocaust, this film is an interesting expose' into ONE man's intellectual, emotional and spiritual drives. An allusion to his upbringing and guidances was particularly fascinating, to me. One of the truest of documentaries I've seen. Thankfully, the filmmakers avoided dramatizing or projecting, to any great degree. It was, perhaps a bit conclusive. However, the film did not insult my intelligence. It left some things to the imagination, which I appreciate. It has led me to further study of the man, and the topics presented. It was also quite visually appealing. What more can you ask?

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talkstock2me-1
2000/01/01

This is a movie in which the protagonist appears to be little more than an eccentric and (at first) "humane" engineer of killing machines. By the end of the movie they are seen as much less - or much more. This is the story of a person who's aspiration for recognition get the better of them and the costs of those aspirations. Morris demonstrates better than in almost any of his other documentaries why he is a master of this form. Mr. Leuchter takes an abundance of rope with which to hang himself and insists he 'did the right thing'; though it seems amply obvious to almost anybody watching this fascinating movie that he had no business involving himself in the "project" in the first place. He had no idea that the stakes he was playing for were so large and his failure to accept his limited knowledge effectively ruins what was for him, a very lucrative hobby. Maybe a better name for this remarkable documentary would be *Hubris*, since Mr. Leuchter lacks it in spades...

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