The Making of a Legend: Gone with the Wind (1988)

This is perhaps the best 'making of' documentary I have ever seen. This is incredibly impressive considering the gap of almost 50 years between the debut of "Gone With The Wind" and this documentary. Usually, the longer the interval between films, the less thorough the making of film is--but this is not the case here, as the film is approximately two hours long. Now most of the actors involved in making the original were either dead or declined to participate, yet this didn't hurt the film because there was so much tremendous background material that kept it all interesting from start to finish. The narration by Christopher Plummer was lovely, the few guest appearances were very nice and the gobs of wonderful hidden gems (such as showing the scenes with and without the matte paintings) make this come alive. If you love "Gone With The Wind", then you must see this film made for Turner Classic Movies---it will keep your interest from start to finish and have you marvel at how all the pieces actually came together. See this film!

The Making Of A Legend: Gone With The Wind (1989): Starring the narrator Christopher Plummer, the voices of L. Jeffrey Selznick, Arthur E. Arling, Katherine Brown, Arthur Fellows, Ann Rutherford, Evelyn Keyes, Butterfly McQueen, Raymond A. Klune, James E. Newcom, Marcella Rabwin, Harry L. Wolf and the Archive Footage of Margaret Mitchell, David O. Selznick, Vivien Leigh, Clark Gable, Olivia De Havilland, Leslie Howard, Hattie McDaniel, Oscar Polk, Carole Lombard, Paulette Goddard, Susan Hayward, Jean Arthur, Tallulah Bankhead, Joan Bennett, George Cukor, Victor Fleming......Director David Hinton.This is director David Hinton's magnificent 1989 documentary about the making of the 1939 Oscar winning epic "Gone With The Wind", still considered by many to be the greatest film of the 20th century. Hinton's documentary first aired on PBS/KCET around 1990 and is now a bonus feature in the new Gone With The Wind 4-disc DVD Collector's Edition. This is a long, wonderfully detailed documentary that takes the viewers back to late 30's Hollywood for a step-by-step look at the making of this beloved American movie classic. For the most devote "Wind" fan, this is a huge treat. Veteran actor Christopher Plummer (The Sound of Music) provides the narration and Max Steiner's enchanting score for the film plays in the background. The film was the product of ambitious director David O. Selznick, who bought the rights from Atlanta author Margaret Mitchell, whose Pulitzer prize winning novel had sold millions. We see into the lives of the prominent forces behind the film- Selznick, Mitchell, the principal actors, namely Vivien Leigh and Clark Gable, as well as the buzz around the film. Selznick pulled one of the greatest publicity stunts of the time. He had cast Hollywood newcomer Vivien Leigh as Scarlett but still continued to deceive the public into thinking the perfect Scarlett had not yet been found. Because Scarlett O'Hara was the most coveted movie role for an actress in the late 30's, several brand name and no-name actresses were considered for the role and auditioned, including top choices Bette Davis (who received her second Oscar for the '38 film "Jezebel" in a similar role to Scarlett), Paulette Goddard who was chummy with the director, Katherine Hepburn, Southern-born Tallulah Bankhead, Miriam Hopkins (who had performed the Broadway play Jezebel) Joan Bennett, Susan Hayward, Lana Turner, Jean Arthur, even Lucille Ball. We watch as Vivien Leigh and her soon-to-be husband Laurence Olivier journey from England to Hollywood, hoping to land the role she was born to play. We watch as production is besieged with several problems including the chaotic use of three different-minded directors (Cukor, Wood and Fleming), difficulties with actors and directors including Gable's clash with Cukor, censorship and Hay's Code problems with Gable's infamous use of the word "damn" in the final scene and faulty, early Technicolor process. Finally, after two long years of filming, "The Wind" sweeps Atlanta for its December premiere in the grandest spectacle the town had ever seen, never mind the onset of World War II just around the corner. It swept the Oscars in 1940, earning Selznick, Leigh and Hattie McDaniel their Oscars. Selznick would never make a greater film. His tomb reads "Director of Gone With The Wind". We see interviews with actresses Evelyn Keyes and Ann Rutherford (Suellen and Careen, Scarlett's sisters) and Butterfly McQueen (Prissy) who was still alive to comment on the film but who would die tragically in 1995. We watch as the film remains popular years afterward and when the remaining cast attends the 1961 Civil War Centennial and we learn about the tragic deaths of Leslie Howard, Clark Gable and Margaret Mitchell. America would see re-releases of the movie throughout the years, even well into the late 90's. This documentary strips the romantic glamor of the film to reveal it was just as difficult to make as any expensive film then and now. But the documentary honors the great film as a work of art, a film that will be loved for years to come. Gone With The Wind fans will cherish this priceless documentary. It is a film that represented the zenith of old Hollywood movie-making, a film based on a great American novel which still captures the imagination of modern-day audiences. Return to Tara with Vivien Leigh and Clark Gable, watch as we learn how Atlanta fell in a studio back lot which was once the set of "King Kong", watch as an obscure English girl reaches film immortality, watch the first black actress win her Oscar, learn the cold facts about the movie, look behind the scenes to discover beauty born out of madness and mayhem and watch as a legendary movie comes to glorious life. Enjoy!!

David O. Selznik, one of the most successful producers in the Hollywood of the 1930s, probably never considered what he was getting into, when he decided to bring Margaret Mitchell's massive novel, "Gone with the Wind", to the movies. The monumental task to recreate the book, which was a favorite among the American public of the era, was not an easy, or a happy undertaking by Mr. Selznik, or the people that were involved in the project.David Hinton's documentary, which was shown by TCM recently, is a gem of a film because it gives a fantastic account of all that went on to make the film. "Gone with the Wind" stories have been told forever, or so it seems, yet, in the documentary they are examined thoroughly again by a lot of Mr. Selznik's collaborators who were still around in 1989 to tell the story.The best thing in "Making of a Legend: Gone with the Wind" is the footage where many stars were tested for the leading roles. The characters of the book were coveted by most of the actors of the time because they realized the importance about appearing in it would mean to their careers. We see actors of the stature of Jean Arthur, Joan Bennett, Tallulah Bankhead, among the ones that wanted to contribute to the movie, yet, they were not chosen.David O. Selznik comes across as a disorganized genius who had no idea about what he was doing. His memos to the cast and crew were something not to be believed. Some people resented this way of communication. His battle with George Cukor is also told and how Victor Fleming, who by all accounts was not the perfect candidate, came to be the one that was able to complete the picture.There are some excellent comments, especially from Ann Rutherford and Evelyn Keyes, who explain what they saw while the film was in production. Some others also come on to tell us their view about what the film changed their lives and the experience of having worked with a mad man who was so intent in getting the movie done. It's a good thing this film was done during the 1930s because it would probably had cost more than 200 million in today's dollars! Thanks to director David Hinton this epic movie is examined and put in its proper context to help the viewer understand the way Hollywood worked during the time it decided to convert the book into a movie.

The great ingenuity and care taken in the preparation of this documentary (over 2 hours in length) reveals the love that the people involved had for this project. It is filled with detail from valuable primary sources: letters, memoes, telegrams, production records, story boards, photographs, voice recordings, film (including home-movies and screen tests, as well as the more usual news footage, outtakes, and movie clips), interviews with those still living, and even employs the actual typewriter Margaret Mitchel used to write her novel. It is unusually well written and edited, and offers many interesting parallels between sentiments expressed by characters in the film and the feelings and motivations of the people who worked on it, via the judicious juxtaposition of clips from the movie with the documentary material. The VHS videotape may not be readily available. I got it from the NY Public Library. Hopefully, this production will be reissued on DVD.