Abigail's Party (1977)

Entertaining but sometimes uncomfortable to watch. None of the characters are particularly likable - both the husbands are jumped up little bullies, the host is a wannabe social climber, the neighbour is a cold fish and the other woman is simply irritating All in all a though a nice snapshot of 1970 Britain Worth a watch

Mike Leigh's jet black comedy of manners shouldn't be reviewed as a film; strictly speaking, it's a video document of his own stage play, performed as theater. The play itself is an often brilliant one-act satire, charting the total disintegration of an intimate cocktail party controlled by an aggressively bourgeois hostess (Alison Steadman) and her ineffective husband. The escalating tensions between each guest (one of them exiled from her daughter Abigail's punk rock party, heard but never seen offstage) suggest a clever parody of 'Who's Afraid of Virginia Woolf?', blending acute social embarrassment with moments of absurd but often hilarious tragedy. Middle class envy and pretensions have rarely been savaged with such glee, and on a purely technical level it offers a fine example of how to film a play as a play, with the camera intruding only far enough onto the stage to capture every nuance of the performances.

i was an avid watcher of 'play for today' because the next day at work everybody would talk about it.in the case of abigail's party people still talk about it now.when the wonderful alison steadman created the social climbing hostess beverly,she created a monster.as she strutted her stuff we cringed.her awful taste in music,her walking all over her husband,her unsubtle attempts to seduce tony,her thanking sue for the bottle of red wine and putting it in the fridge. when the play was re-screened two years later it captured an audience of 16 million.it has since become a favourite for brave amateur drama groups.my favourite story concerning this is the group that decided to stage the play and use real alcoholic drinks-they never made it to act 2.

Beverly.. what a woman. This is 1977 and she is one of a kind. I feel as if she lives on today, because the nuances of her character continue to echo into countless present day screen icons. We see shades of Marjorie Doors (Little Britain) borrowing her patronising vocal confirmations and put downs, shards of Jill (Nighty Night) continuing her friendly bullying regime, and a few spoonfuls of the self centred hedonistic Edina (Ab Fab) trying to get the most out of every situation, for herself.So thats Beverly. As for the play itself, it starts off very amusingly. There is an absolutely CLASSIC scene you will be playing again and again where Beverly takes Angela to one side for some criticism about her lipstick application technique. You will possibly find yourself in stitches, mimicking her sultry application action. As the play progresses (and Beverly gets more drunk) I found myself getting as irritated as the characters themselves, until I wanted to shout SHUT UP BEVERLY and throw the TV out of my window. I didn't understand why Tony was so miserable throughout.. or why Angela spoke as if she was a few pennies short of a fiver (maybe she in fact was?). A delicious snapshot of a feasible suburban nightmare none-the-less! I shudder to think what my neighbours get up to..