The Stratton Story (1949)

I saw this movie many years ago with my father on television. He told me about his experience with Monty Stratton.My father wanted to be a big league pitcher. He tried his luck with the White Sox in the late l930's. He only got as far as spring training before being sent down to the minors leagues. He liked to say that in the minors he made as much money as a soda jerk, but girls at parties were a lot more impressed with someone who played baseball than with some who made root beer floats. As a rookie in spring training, My dad was too shy to walk with the veteran ball players to the field. He always walked a distance behind them. One day, Monty Stratton turned back to him and said that if he wanted to be a big league ball player he had to walk with them. My dad got to know Mr. Stratton very well that Spring. Years later, after WWII and marriage, my dad met Monty again at a ballgame. They talked and Mr. Stratton told him that Hollywood was going to make a movie about him. My dad said they couldn't have picked a better man to make a film about.

Supposedly Jimmy Stewart did not really want to do this film. However, he changed his mind when it was pointed out to him by the bosses at MGM that it would inspire veterans of World War II who had limited mobility. One inspirational scene that occurs is the one where he and his son walk together for the first time. It is complemented nicely by June Allyson who is exceptional and perfectly cast as Stewart's wife (this was the first of three films they made together).The supporting roles are worth noting, too. Agnes Moorhead refrains from chewing the scenery, in a performance that is very understated as the mother. And this is another film where Frank Morgan plays a paternal role to one of Stewart's characters. Morgan seems very lively in this offering. The game scenes are equally lively, and the film continues to remain uplifting with each viewing.

Stratton Story, The (1949) *** (out of 4) True story of Monty Stratton (James Stewart), a star baseball player who loses a leg during a hunting accident but makes a comeback. Here's another film I've been meaning to catch for a while since I've heard about it from my father since I was very young. He loves baseball and Stewart so I'm not sure why it took me so long to see this. This certainly isn't in the same league as The Pride of the Yankees but it remains entertaining throughout. I know the story was changed around for the movie but it still works pretty well. The one thing that hampered the film was during the pre-accident scenes you have Stewart just being Stewart and I never really felt he was playing Stratton. After the accident is when Stewart really begins to shine, especially during the depression part of the film. June Allyson steals the show as Stratton's wife.

Baseball means little to me, living in Scotland, so it was with some ignorance of the sport's finer points that I approached this lesser known James Stewart vehicle. Whilst ball-game live-action, with some real-life baseball personalities in the cast, does play a major part in the movie, the underlying story is simply a true tale of overcoming unexpected adversity, a prototype role Stewart delivered time and again in his distinguished career. Following on from the above, Monty Stratton as a sporting hero means nothing to me so I have no idea how far Hollywood bowdlerised the story, so I'll take the narrative at face value and give kudos where they are due to a well-paced film, with natural dialogue and well-crafted scenes, even the baseball match recreations. Stewart's "pitching action" looks natural and he acts his disability convincingly. The Stewart/Allyson pairing gets its first outing here and their natural playing and obvious simpatico from the start has you rooting for them both all the way through. The support is equally strongly played, particularly Agnes Moorehead playing her stock-in-trade "Whistler's Mother" come to life. The direction by Sam Wood is sure and I particularly appreciated the sensitivity shown in the lengthy scenes where Stewart initially broods and gives in to the loss of his leg before Allyson, in a memorable scene, encourages him to fight his disability and helps him achieve his self-respect as well as his place back at the pitching mound. In the main though, as ever, it's Stewart in all his drawling, winking, glory who garners your sympathy from the "Play ball" of a very entertaining family film. It's interesting too, to see his playing of the Stratton part as the unwitting precursor to his more celebrated part as an invalid in the later classic "Rear Window".