Opal Dream (2006)

A hauntingly beautiful Australian film about the power of belief, and of the love between siblings. Rex Williamson (Vince Colosimo) is an opal miner prospecting in the outback town of Cooper Pedy. When his daughter Kellyanne's (Sapphire Boyce) imaginary friends go missing after a visit to the family's mine claim, he searches for them, and gets accused of attempted theft from a neighbouring claim in the process. Faced with his father being charged with attempting to steal from someone else's claim, and the family being shunned by the community as a result, as well as his young sister becoming ill through grief for her imaginary friends, Rex's son Ashmol (Christian Byers) sets out to put things right. This review really doesn't do justice to this heart warming and unusual tale. This is an Australian co-production with the BBC, so watch out for some familiar faces in atypical roles.

The Australian film industry has over the last few decades produced a number of haunting, poetic films, quite different from the standard Hollywood output. Examples include "Walkabout", "Picnic at Hanging Rock", the lesser-known but excellent "Celia" and the more recent "Ten Canoes". "Opal Dream" is another in this tradition; as in "Celia" the main character is a nine-year-old girl.The film is set in the opal mining town of Coober Pedy, here disguised under the fictitious name of Lightning Ridge, and centres on the family of opal miner Rex Williamson. Some on this board have labelled the family "dysfunctional", but this does not seem an accurate description. Rex and his wife Annie are loving and affectionate parents to their children Ashmol and Kellyanne, and Ashmol seems a normal, likable eleven-year-old lad. The problem lies with his younger sister Kellyanne, a shy, withdrawn child who finds it difficult to make friends. To compensate for her lack of playmates she has invented two imaginary friends, Pobby (male) and Dingan (female).Many children go through a phase of having an imaginary friend- I remember my younger sister inventing a boy called John Ted- but Kellyanne's case is rather different. Even at the age of five or six my sister was well aware in her heart of hearts that John Ted was a fantasy rather than a real person, and by the time she was nine he had long been forgotten. Kellyanne, however, has quite convinced herself that Pobby and Dingan are real, and has retained her belief in the reality of their existence long after most children have waved their imaginary friends goodbye.Rex and Annie are concerned about their daughter's fantasies, but pretend to believe in the existence of Pobby and Dingan to humour her, and one day Rex pretends to take them to his opal diggings. When he returns, however, Kellyanne becomes convinced that he has left them behind and insists that he take her back to look for them. Rex does so, but while looking for the imaginary pair he inadvertently strays onto another miner's claim, which leads to him being arrested by the police and charged with "ratting" (illegal mining). As ratting is regarded as the most heinous sin an opal miner can commit, this leads to Rex and his family being ostracised by their neighbours. Kellyanne falls ill, partly because of stress caused by the family's situation and partly because of grief over the loss of her friends.There are parallels between Kellyanne's situation and that of her parents and the wider community of Lightning Ridge. She is living in a world of make-believe and so, in a sense, are they. The opal miners are not employed by a big mining corporation, but are self-employed prospectors. Each miner has his own jealously guarded individual claim, which explains why "ratters" are regarded with such contempt. They have been lured to the town by dreams of wealth, but in most cases these prove to be as illusory as Pobby and Dingan. (Hence the title "Opal Dream"). Until about a year previously, Rex and Annie ran a pub in Melbourne, but abandoned that life to try their luck in the opal fields. The fact that the Williamsons are outsiders makes many of their neighbours ill-disposed to them even before the "ratting" allegations, and there is a suggestion that Kellyanne's emotional problems may be connected to her sudden uprooting from one environment to another.I did not like the ending, which I felt amounted to a retreat into tear-jerking sentimentality and avoided, rather than resolving, the tensions and conflicts inherent in the plot. That, however, would be my only complaint. The adults all play their parts well, and the two child actors, Christian Byers and Sapphire Boyce, were excellent. Sapphire (interesting that the leading actress in a film about jewel mining should herself be named after a jewel) deserves a special mention. Most excellent performances from child actors come in films where they are required to play lively, outgoing youngsters- a good recent example is Anna Sophia Robb's performance in "Bridge to Terabithia", a film I did not otherwise much care for. To have played an introverted, withdrawn child like Kellyanne must have been more difficult. The film's haunting atmosphere is also heightened by the photography of the South Australian desert landscapes, made to seem even more barren and otherworldly by the slagheaps from the mineral workings. "Opal Dream" is very enjoyable as a sensitive and poetic exploration of a difficult childhood. 7/10

This is quite a good film about a sun-scorched prospector town and family members whose dreams and imaginary worlds drive each other nuts. It's deeper than the director's best-known film, The Full Monty, though the topic is similar: the struggles of working-class folks to stay closer to their dreams than they are to their failures. The depiction of the town dynamics seemed to me as flawless as the individual performances, and as someone who comes from a family with shall we say a non-standard member, I was impressed with the film's ability to produce a familiar emotional mix of exasperation, devotion, and desire for a truly imaginative cure for the main problem. The movie delivers on this last point. It would be wrong to see this as a chick flick, because as in The Full Monty the cast and crew are interested in men who try to figure out how to resolve conflicts and fix disasters without using anger and force, and who pretty much succeed. British and Commonwealth film is generally better than American at avoiding stereotypes of blue-collar masculinity and this is a particularly good and heart- warming example. The boy in the picture, who has to figure out what to do about his dad and his sister, is one of the great kids of recent film history.

I saw this movie at the 2006 International Film Festival of Rotterdam.Heartwarming family movie about imaginary friends.The 9 year old daughter of a family in an opal mining town enjoys company of two imaginary friends. She becomes ill after something happens to them. The father is suspected of theft, making his household outcasts in the rough Australian mining community. The older brother has always felt embarrassed of his sister's behavior, but decides to help her anyway.Movie manages to make the audience both laugh and care about its subject "imaginary friends". Very entertaining, Excellent performances from the child actors. Recommended.9/10Credits Trivia: The story is based on the book "Pobby and Dingan" (2000) by UK-based author Ben Rice. Pobby and Dingan are the names of the imaginary friends. I just happened to run into this little 100 page book a week after seeing the movie.