The Curse of Styria (2014)

Lots of potential but no PUNCH. It does not follow through. The actors seem to be sleep walking through their roles. Probably fault of the director. Completely unsatisfying ending. Filled with clichés and scenes that done better in other movies. I kept thinking the movie was finally going to make the viewer jump but did not. Ultimately not worth the time or effort.

Wow, I haven't seen a movie like this in a long time. This is a classical Gothic experience, set in the 1980s. In Hungary. Dang it. Long story time: It's beautifully shot, especially considering the relative newcomer status of the Directors (there's two by the way). The script really shows the work that was put into it, that they worked it until it was the best possible version of the story possible. The story, by the way is an adaptation of Carmilla by Sheridan Le Fanu. It's a vampire tale in the most classical of molds, though it's also a tale of modern youth (done so seamlessly that the fantastical elements could easily be the product of a troubled mind, though the mental illness aspect is still treated rather realistically). Actually it hands a certain problematic part of culture (cutting. I'll say it. The main character was a cutter) very well, not promoting it nor demonizing it. The acting is fantastic, Stephen Rea providing a decent performance as the distracted dad (ergo not in it very much but being focal to the resolution), Julia Pietrucha turns in a very decent performance as the seductive and mysterious Carmilla, but Eleanor Tomlinson is the eyes of the movie. She provides a character that is tortured, yet curious, enthralled, yet wishing for freedom. The location is one of a kind and provided a greater character to the scenes. This movie needs to be seen and supported, as film like this needs to be made. It's available on Amazon and Itunes as Angels of Darkness, so check it out if you have the chance.

Styria comprising all the elements of a renown film, and it will stay on the collective unconscious of those who know which are the real condiments so difficult to achieve, practically, its not only an excellent work of direction of Mauricio Chernovetzki and Mark Devendorf, its an impeccable work of production design, an exquisite photography, and the art work its nothing less than a luxury. With actors like Stephen Rea, Eleanor Tomlinson and Julia Petrucha make the shape for a classic work and one of the few that will stay on the memory of people that really appreciate art works like Styria. Its a shame that always be the movie dealers or business mans that chose the target, most of the time a commercial one. But nonetheless, its classic work

For shame!!! I can honestly say that if it wasn't for those two suspicious film "reviews" (who both seem to coincidentally promote Hulu) that were heaping unending words of praise and wonderment for this "film", I would have let this snooze-fest pass me by without allowing it to steal any more time from me than it already has; however, every time I see a fake review, I get so angry so as to allow that emotion to motivate to write my own. At least this way, people have access to at least one review not promulgated by a shill or anyone else with a pecuniary interest in promoting a film.So I felt as though the story was lacking in any substance which kept my interest. Characters underdeveloped, nothing in the plot which got me to care what happens next. In fact, the only redeeming part of this endeavour was Stephen Rea, although methinks that he is the type of actor who always shines no matter where he's put. Long story short, I quit watching about halfway through. So to be fair, it is possible that the last half of the film could have been the greatest cinematographic event of a lifetime, but I wasn't in the mood to stick around and find out.