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Annie Oakley

Annie Oakley (1894)

November. 01,1894
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6.3
| Documentary

Annie Oakley was probably the most famous marksman/woman in the world when this short clip was produced in Edison's Black Maria studio in West Orange, New Jersey. Barely five feet tall, Annie was always associated with the wild west, although she was born in 1860 as Phoebe Ann Oakley Mozee (or Moses)in Darke County, Ohio. Nevertheless, she was a staple in the Buffalo Bill Wild West Show and similar wild west companies. Because of her diminutive stature, she was billed as "Little Sure Shot." The man assisting her is this appearance is probably her husband, Frank E. Butler. Annie had outshot Butler (a famous dead-eye marksman himself) in a shooting contest in the 1880's. Instead of nursing his bruised ego because he had been throughly outgunned by a woman, Butler fell in love, married Little Sure Shot, and became her manager.

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SimonJack
1894/11/01

What an interesting little piece of very early film by Thomas Edison's Kinetoscope studio. From the start, even the inventors in the communications field had savvy for marketing. What better way to tout the new motion picture camera than to show a legendary person of the time, Annie Oakley, doing what made her famous? Another reviewer noted that Oakley appeared to miss all the glass balls tossed in the air. Indeed, this short shows most of them dropping back down and no splattering fragments from hits. I wonder if that wasn't intentional here. The guy who was tossing them was looking right at them and no more than a few feet from where they would be hit and shattered. He wasn't wearing any kind of eye protection and surely would have been pelted with glass splinters had Oakley hit any of the balls. This studio was a single room building that rotated on tracks to follow the sun. The "Black Maria," as it was called, was a very small space, which made it more dangerous for scenes of rifle shooting. In any event, this was a successful venture for Edison's company. And Annie Oakley continued to entertain the throngs with her dead-eye shooting skills. She performed for crowds that included royalty around the world. For many years, she was a leading draw for Buffalo Bill's Wild West show that performed from 1883 to 1913. Two very good movies have been made about her. "Annie Oakley" of 1935 stars Barbara Stanwyck with a fine cast and a good portrayal of what Buffalo Bill's show must have been like. A 1950 musical comedy biography, "Annie Get Your Gun," stars Betty Hutton and Howard Keel. For those interested in the technical development of the movies, here's how this little short film came about. Thomas Edison's phonograph, invented in 1877, became so popular that he wanted a way to put music with pictures. Of course, it would take more time to perfect that process (the late 1920s), but in 1988 Edison charged his assistant, William Dickson, with the task of creating a motion picture camera. Dickson pulled together the research and technology of British, French and American scientists and researchers, and used the new American technology of celluloid film to make the first motion picture camera.

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Horst in Translation ([email protected])
1894/11/02

"Annie Oakley" is a very early silent short film and back in 1894 films became more and more popular, even if they were still black-and-white, still running only a few seconds and still silent obviously. Here we see a young woman who shows us how gifted she is with the gun. She has some pretty good precision and hits basically every non-moving target and later on even everything that her assistant throws up in the air. Good job from her. And one big exception for this short film is that the title character is actually still really famous today. Annie got her gun. The director of this film, which is over 120 years old, is William K. Dickson again, a film pioneer. This is not a great film by any means, but thanks to the title character actually a pretty interesting watch. Only for its time though.

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Snow Leopard
1894/11/03

Like many of the earliest Edison Kinetoscope movies, this one showed a popular entertainment figure performing one of her specialties. It's an interesting attempt, and it's nice to have something preserved on film of Annie Oakley, one of the legends of her day. But the footage that resulted is clearly limited by the constraints of the studio.Like most of the earliest Edison movies, this was filmed inside their 'Black Maria' studio. That setting worked very well in producing movies of various dancers, vaudeville acts, and the like. But with Annie Oakley, it forces her to squeeze her routine into an area much smaller than normal, and while she does a pretty good job anyway, it's clear that under the conditions to which she was more accustomed, she would have done much better.It was not long at all before the Edison film-makers began to film subjects outdoors when it better suited the material. Even then, though, the scale and speed of Oakley's regular act would probably have created an insurmountable challenge to film with the equipment available in the 1890s. All the same, it's nice to be able to see moving footage of her, so as to be able to flesh out this legendary figure just a little bit better.

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MrCritical1
1894/11/04

As the commercial exploitation of the kinetoscope grew, filmmakers realized they needed to produce films that appealed to an audience that included middle-class women. This film was produced with this audience in mind where Oakley demonstrated her awesome marksmanship.Great short film of what is possibly the first film featuring a firearm. Annie Oakley shows off her stuff and looks very good doing it.10* (10* Rating System)

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