Tales from the Gimli Hospital (1988)

I can't think of a better introduction to eccentric Canadian auteur Guy Maddin than "Tales from the Gimli Hospital". Maddin's feature debut is as ingeniously bizarre and surreal as many of his later followings and despite being a bit rough around the edges it is more than deserving of its devoted cult following which regard it as one of the best films of the 80's. I can't agree with that particular statement but it is unquestionably one of the most unique and interesting films of the decade, and certainly among the more memorable Canadian films to emerge during the time period.While two children are witnessing their mother's slow death in a modern-day hospital in Gimli, Manitoba, they are told a story by their grandmother set in Gimli many years before. The story is a fascinating and complex one, echoing a parable at times and at others simply bizarre. Often compared to David Lynch's "Eraserhead", "Tales from the Gimli Hospital" is a far more straightforward film, actually, and one with a narrative that requires interpretation but can be followed quite easily. It is an interesting parallel to Lynch's debut, however.As noted previously the film is rough around the edges in terms of budget and other constraints and Maddin isn't as comfortable and confident a director as he would later become, but the film works wonderfully as a whole and comes highly recommended.8/10

This is the first Maddin film I've seen, and it seems like a great introduction. The other reviewers have already touched on the plot and the mix of surrealism and silent film that Maddin brings together so I won't reiterate. I'll add though that Gimli actually *is* comparable to Eraserhead besides just being low budget and in B&W. (SPOILER AHEAD....) The "fish princess" that Einar sees can be compared to the "lady in the radiator" from Eraserhead, but different in appearance.So, to make this short, pick it up if you're a fan of Luis Bunuel and B&W era Lynch. This should also appeal to the silent film enthusiasts as Maddin is a big one himself.

The comments made above by "Spearin" express my own reaction to this film. I rented it on DVD because it sounded intriguing, but fully expected to yank the disc before it fairly got underway. To my pleased surprise, I was caught up in the story and captivated by the photography from the first seconds, and thoroughly enjoyed the experience--so much so, in fact, that I immediately replayed the movie with the director's often droll narration superimposed. Also on the DVD I rented was a short film by the same author, "The Dead Father," which is well worth watching. It, perhaps even more than "Tales from the Gimli Hospital," evokes early French surrealist film, but not in a slavish way. Both films gave me food for thought--about film and about human relationships. I guess this "nourishment" aspect of film-viewing is my basic criterion for judgment. On that basis, I voted an "eight" for "Tales from the Gimli Hospital."By the way, I was very interested to learn (from the director's commentary) some of the actual history of Gimli and its settlers. These were tough, courageous people.

Here's a movie that took its miniscule budget and really made the most of it.How? Well, take a look at the looping synchronization. It can't be done well without being expensive, so they do very little of it, and get around the problem by shooting characters from obtuse angles that hide the problem. Color's expensive too, so it's in black and white. And music? You can hear the needle drop on the record.But the money they spent went in the right areas. The visuals are so strong and the camera placement sometimes so unexpected that you find yourself wondering what it is you're looking at--and then something moves, and the tableau breaks apart into a conventional scene. The opening sequence, a long sfx pan down to the Gimli hospital, going through clouds and angels, evokes the 1940s so well that you halfway expect to see William Bendix in one of the beds. The costuming is strange and the plot seems totally unworkable, and yet it pulls you in and keeps you there, never seems to make a horrible misstep, and at times hits exactly what it's aiming for.Sure it's an amateur film. But look at the nice smooth camera work, the well-paced editing, the good choices in music for mood. While it's all too easy to cite Cocteau, Blood of a Poet comes to mind often while watching Tales from the Gimli Hospital, thanks to the surprising interruption of the narrative by little bits of surreal magic. You don't walk away from this one saying that it could have been done better--instead, you wonder how it was done so well for so little.