Brocéliande (2003)

While watching this unexceptional little flicker, I decided to view it as a French version of a BUFFY episode, and in that light it's really not half bad.The characters totally mirror an American-style TV series, with a bit of oddball Gaelic perspective thrown into the mix. The production values are straight TV (the settings seem to consist of a municipal park, someone's grandmother's house, and a boarding school in the off-season), and the 'effects' are pretty lame. However, the cast is easy on the eyes; I can't say any of them are great actors or anything, but personally I found the Euro-styled appearance of all the characters amusing and diverting.If anyone's looking for a Godard-type 'un de film' this absolutely ain't it; but as a not-bad riff on BUFFY THE VAMPIRE SLAYER, and especially watching it as though it were a one-off pilot for a French TV ripoff of BUFFY, it works reasonably well. Seriously. If it were a TV series, and nothing else was on, I'd watch more of these.

What should i say? I only saw this flick for curiosity, and this is truly a shame... I grew up in Brittany with stories of celtic legends, and spent 5 years in Rennes, the town in which this film is said to take place... Shame that not any actor nor camera from this flick ever arrived in Rennes. They could at least have chosen a likely town, or a likely forest, but nothing even SEEM like Brittany nor Rennes... And calling it a film about celtic legends is really making a fool of the audience. Besides those details, it could have been a good film, but it's crap. Silly scenario, silly characters and no originality. Definitely to avoid.

Really!Here the French cinema hits rock bottom ,and compared to it, the least appealing of the American adolescent horror movies,the likes of "Friday the thirteenth" "Freddy" and co are masterpieces of the seventh art.It's all the more infuriating as there were exciting original elements :the forêt de Brocéliande and its legends ,the druids and King Arthur ,all were splendid assets for a dreamlike fantasy and horror film.Alas! Filmed ,as an user aptly pointed out in a fake forest,near Paris ,the movie is fake horror,fake Celtic history,fake vestiges -you should see the professor (Wilms who was a wonderful M.Le Quesnoy in "la vie est un long fleuve tranquille) scream for the "invaluable scrap" -which the production probably bought in a dime store-fake characters ,fake excavations...The boys disguised as druids are unintentionally very funny ;so are the girls who seem to be experts in martial arts.And what can we say of the professors? of the monster? A ten year old would write a better screenplay than this grotesque farce.To think that people can spend money for such drivel when artists are still waiting for a producer!Word to the wise:Maurice Leblanc wrote a marvelous story dealing with druids and old ceremonies in his Arsene Lupin saga called "l'île aux trente cercueils" .A miniseries was made 30 years ago.Avoid this "Broceliande" garbage and try to see it instead.

A rather enjoyable debut from a director who seems to have a sincere fondness for horror films of a bygone era. In this fairly simple storyline (a murder mystery that turns into a monster movie), film buffs will find a hodge-podge of references to many genre classics, like Dario Argento's thrillers of the 70s or English Hammer films (in particular John Gilling's Plague of the Zombies for its ritual scenes), and even to stranger oddities like Jack Arnold's "Monster on the Campus" or the Avengers British TV series. Add a bit of Celtic mythology for a background, some fight scenes, and stir well... Now mixing all this into a pleasant, if air-headed, B-movie makes for an interesting challenge! It doesn't always succeeds but is certainly better than other French genre efforts in the field. The direction is often stylish and the performers have fresh faces, the music score is quite good.Of course this is a low budget production (it probably didn't cost more than a couple million dollars), and does suffer from it: several scenes could have been helped by better production values. And there are a few plot holes and a couple of long stretches. But it finally wins the day by retaining its charm to the end just out of sheer unpretentiousness. Not so common a feat, these days.