The Pool (2008)

One of those movies you come across when flicking through countless pages on the internet. You read the synopsis and you feel like it sounds mildly interesting. I would have loved for the movie to be in English cause sometimes I get a little tired of subtitles, but one way or another, I did enjoy it. It's one those ¨feels like reality¨ movies about a young man who wishes for a better life as he works selling plastic bags and as a member of staff in some cheap hotel. As he is out and about with a a friend who is also his ¨business partner¨, he discovers a luxury house where a man is cleaning up a big swimming pool. Our protagonist who comes from a very humble background, becomes fascinated and totally obsessed with it. He decides there and then that he will find a way to be invited into this villa. His obsession will lead to an unlikely and life-changing friendship

Beautiful movie. I am frankly really surprised at the high quality of every aspect of the filmmaking! Maybe the most 'authentic' look at people in India - and this is compared to the good (non-bollywood) movies made in India as well as movies made here about India. The sense of place is really strong. The story is completely 'real' without any tricks to make it sensational. The cinematography is really amazing, and the feel of the whole thing gentle and warm, without being hokey in any way. Using real people instead of actors is a very good idea - seeing this makes me wonder why we bother with real actors at all. :) I hope Smith paid all these people really well even though he obviously didn't make anything from it. I'm really glad that this movie is available on iTunes.

Venkatesh (Venkatesh Chavan) is a self-sufficient eighteen-year-old, working for the hotel Arcadia in the city of Panjim, India, whilst saving up as much money to give to his mother on his frequent visits back to his village.Venkatesh's best friend and business partner is 11-year old Jhangir (Jhangir Badshah), who spend their spare time selling plastic bags. Along his morning laundry-delivering route, Venkatesh sits high up a tree looking over at a gleaming swimming pool in a wealthy mans home. He dreams of swimming in the pure blue water, the pool becomes an obsession to him as a symbol of the wealth he has never known. The house is owned by Nana (Nana Patekar), who returns with his self-centred teenage daughter Ayesha (Ayesha Mohan) to tend to the garden. But neither father nor daughter use the swimming pool, which confuses Venkatesh who has by now managed to get some extra work helping Nana in his garden. He becomes even more intrigued by Ayesha, who spends her days reading books which help to "screw your head up". She strikes a friendship with Venkatesh and Jhangir, their educational, class and caste distinctions put to one side whilst they enjoy each others company.Venkatesh and Jhangir's friendship (both local non-actors) was endearing and thought- provoking, their 7-year age gap rendered meaningless since both have had to grow up at a young age to survive. Their lack of education is all too evident, shaped by what they see not what they read, especially when Jhangir thinks everything outside of India is America. Initially, Venkatesh appeared slack and selfish, he wasn't even bothered when he inadvertently got his hotel co-worker fired. But we learn more about him and his past when he starts to open up to both Ayesha and Nana especially, developing a father-son relationship with him. This bond culminates in Nana making Venkatesh an offer that could change his life. We learn a lot about everyone, including Nana and Ayesha's strained relationship, and it becomes clear that the disused pool was central to everyone's lives.'The Pool' seems initially to tread the familiar coming-of-age stories we have all seen, but it becomes something much more tender, much more contemplative than you could imagine. Beautifully directed by the American director Chris Smith, known for such documentaries as 'American Movie' and 'The Yes Men', he covers a lot of difficult themes with little melodrama or pretension. Complex subjects such as education, the caste system and poverty are treated deftly and with scant moralising. The characters are naturalistic, their insecurities are teased out of them through subtle and poignant observations which you cant help but be moved by.Will Venkatesh understand and accept the wisdom behind Nana's story of the 100 Rupees, will it enslave him or empower him? Nana's offer of salvation requires Venkatesh to grow up and take a terrifying leap of faith, and he knows it. By the end, he may well have surprised us all.

Going for a swim in a swimming pool is an everyday occurrence for most young people. For eighteen-year old Venkatesh (Venkatesh Chavan), however, it represents a life of privilege to which he has no hopes of attaining. Poor and illiterate, Venkatesh is a tall, wiry young man who works as a roomboy making beds, cleaning rooms, and scrubbing toilets in a hotel in Panjim in the Indian State of Goa, a former Portuguese colony. His spare time is taken up, not with cricket matches or sailing, but with selling plastic bags on the streets with his eleven-year-old friend Jhangir (Jhangir Badshah) who has no parents and also cannot read or write. Based on co-screenwriter Randy Russell's short story set in Iowa City, Iowa and transported to India by director Chris Smith, The Pool is thoroughly without condescension or efforting at multicultural "sensitivity".Reminiscent of the realism of the Italian masters and the quiet humanism of Satyajit Ray, Smith, a filmmaker from Milwaukee, best known for his 1999 documentary American Movie, uses mainly non-professional actors to tell a simple story about real people simply engaged in life. Many of the stories are taken directly from the boys' life and Smith wisely avoids imposing his preconceived notions of how life is there for them. That sense of balance and proportion is what gives The Pool a special resonance. Spoken in Hindi (a language Smith does not speak) with English subtitles, The Pool is rich in detail and feels completely natural, as if it is unfolding right before our eyes with the camera merely following the characters around to see what will happen next.On one of his walks into the more affluent suburbs, Venkatesh climbs a hillside and sees a swimming pool in the backyard of a neighbor's villa and becomes obsessed with the idea of swimming in it. What especially interests him is the fact that no one ever seems to swim in it which he longs to do. Climbing onto a mango tree near the property to get a better view, Venkatesh thinks of different ways of getting into the pool and shrugs off Jahangir who tells him "The closest you're going to get to that pool is cleaning it." Venkatesh, however, makes friends with the residents of the villa – an almost silent upper class man from Mumbai (Nana Patekar) who offers him work in their garden. Soon he becomes interested in the man's snooty daughter Ayesha (Ayesha Mohan), whose urban sophistication would make her at home in New York or Chicago.While the social and economic divide is too much to give Venkatesh much of a chance with Ayesha, they nevertheless develop a charming friendship and go on boat rides with Jahangir and visit an abandoned fort. When the three are just relaxing and being together, they are just kids enjoying themselves and there is no consciousness of class. The gap between them surfaces, however, when Ayesha refuses his offering of a cup of chai or some papadums at a vendor's stand. When the two boys bicker at the fort, Ayesha sullenly calls them children and stomps off. Eventually, Venkatesh is hired as a gardener by the owner who takes a paternal interest in him, leading to a surprising life altering choice and a new understanding of the world.