Anchoress (1993)

A while back, there was a glowing review about this movie, saying that the choice of a soundtrack was brilliant, and every time whoever wrote the review watched the movie, he, or she learned something new.Well, I'll admit that it does have a sort of addicting pull about it, but I haven't learned anything new really. Maybe I'm just stupid, but I think the real reason is that the movie is not as great as that particular post made it out to be.I like the film, but mainly, I like it for it's peculiar sexual themes. The acting is pretty good, but without much soundtrack, there's a lot of dead air where you expect something fantastically important to happen... Then the actors do something totally inexplicable, like move a bunch of rocks, or apples, or kiss a statue.All said, it looks more like a work in progress than a movie, but there's something about that unfinished quality that really catches my attention, and sucks me in, whether I like it or not.

Newby's film is based on the true story of Christine Carpenter, who in the 14th century was renounced as dead to the living world by the church, and enclosed as an anchoress for the rest of her life in the wall of a village church in Shere in Surray. The inspiration for the film, according to screenwriter Judith Stanely-Smith, was a letter concerning Christine written by the Bishop of Winchester in 1324.In the film Christine, a 14-year old illiterate peasant girl, finds herself drawn to a statue of the Virgin Mary. Meanwhile the village priest and "reeve" (Sheriff) are increasingly drawn to the beautiful Christine. The reeve proposed marriage to the girl, but Christine refuses the offer to the dismay of her mother, Pauline. Instead at the urging of a priest Christine becomes an anchoress so she can live next to the statue she so adores (and escape the possibility of marriage to the reeve). Her mother Pauline does not like her decision and plots against the priest. When Pauline, the village doctor and midwife, delivers the illegitimate stillborn child of the priests lover, the priest begins to plot against her. He accuses her of witchcraft and Pauline is killed by a mob. Meanwhile Christine has escaped from her cell through a tunnel and flees with her lover to Winchester to seek release from her vows from the Bishop there. The Bishop refuses and she "escapes" to run away with her love (although the ending scene is ambiguous if she really found freedom or a new kind of prison).Historically, the film is very accurate and instructive to understanding on an emotional and personal level the idea of Christian sexual renunciation and asceticism in the Middle Ages. The film also portrays well the interactions between secular and ecclesiastical powers over the lives of peasants. The reeves French-like accent is very accurate as a Norman lord (although the bald head is questionable). The Bishops Mediteranian accent and Latin language is also accurate. This film will appeal to anyone with an interest in the Middle Ages and history.

"Anchoress" (English/Dutch): I've watched this one over and over. I don't own it yet, but I will. It is fascinating, beautiful, strange, and insightful. "Anchoress" takes place during the European Medieval period, when humans survived at the mud level. This story is about one young woman who tries to find comfort and beauty inside the church,with the 'Mother Mary'...or at least a poorly made icon. She hasn't the capability of deciphering her motives, and soon offers herself to the church as an "Anchoress" - a person devoted to God, relinquishing all worldly connections, and being voluntarily cemented into a small crawl space of her church's wall (!) - for the rest of her life. Strange times, those...except we see that the priest considers this a good marketing move for the church (to have such an "attraction"). Yet, things don't go the way anyone predicted... "Anchoress" is shot in some of the most powerful black & white film I've ever seen (equal to Bergman or Lynch), has an incredibly sensitive sound track (not music) attuned to the daily life of Earth, and, a camera that loves to be thoughtful and intimate. Each shot is a composed, artful image worthy of Rembrandt. If Rembrandt had used a movie camera, with b/w film, this could've been one of his films. Despite, or because of, the near total lack of dialog, there are scenes you will never forget. This is a very grounded film, while being mystical at the same time. Perhaps that's part of the attraction. It deals with our dual urges to rise above daily life, yet revel in it at the same time. I understand more upon each viewing of "Anchoress".

If this film appears sparse to some I would remind the viewer that agrarian life 500+ years ago was just that. What Anchoress may lack in dialogue is made up for in sound, texture, and detailed attention to lighting, mostly outdoor. Very few films (Seventh Seal) are able to capture the stark setting of the underpopulated reality that was Europe - not all historical scenarios need be drowned with battle sequences, lavishly dressed royals, and epic soundtracks aimed to fill empty spaces. No one lived like that except a small few. I would recommend this film to anyone who has an appreciation of women's history, and ancient Christian mysticism. The story of Christine's descent into the church, her rebirth, and eventual retreat into the earth is beautifully filmed and acted by all involved in this unique project. A scene not to be missed is Christine's fabulously angry mother pissing before the priest on his own church yard. Why all the pagans out there who frequent this site have not championed this movie is beyond me!