Deer Woman (2005)

I guess some didn't like the fact, that this entry into the Masters of Horror series is so tongue in cheek. Some have even written, that Mr. Landis is not that much of a "master" (of Horror), having only done "Werewolf in London". The thing is, that with "only" that one movie, he has proved, that he can handle horror and comedy really well. I had the pleasure of watching Werewolf in London last year and it the movie hasn't dated.The tone is similar here, with supporting characters, that aren't really necessary (story-wise), but add to the whole weird world Landis creates. The actors are really great and the idea of a spin off to this, sounds awesome (though I don't think that is likely to happen, ever). On the DVD there is also a commentary track, which by only a few bits that I've listened to so far, is as entertaining as this episode.If you can cope with the humor and some nice references, you will like this. It has some very crazy ideas. Plus the woman in the lead role, is just stunning. If not for anything else, watch it for her! ;o)

John Landis's skill for being able to mix horror and comedy is absolutely unmatched in the genre. 1981's An American Werewolf in London was a great macabre gallows humor, the kind which the Nightmare on Elm Street series frequently reached for and almost always failed at. 1992's Innocent Blood was full of hilarious visual gags and character mash-ups. With this kind of talent behind the camera, and with the formulaic and uninteresting stories most of the Masters of Horror entries had been delivering as the series first debuted on Showtime, Deer Woman was the "episode" I was dying to see the most. Especially since whoever was in charge of editing trailers for each of the entries was making them look like "Must See" events. Deer Woman probably had the best trailer of the series. With amusing caps on all their humorous conceits, but also making the title woman look mysterious and creepy, and looking like it had a lot of dark scenes. This one seemed to have "winner" written all over it. Then, I watched it. And I have to say- talk about disappointment.Though this entry still keeps the levels of visual style and production quality very high, the writing and characterization are so shallow and bland, it was pitiful. It's not as boring as Landis's Season 2 entry, Family, but it's not nearly as well-written. Everything here is just a set up for an awful joke or one-liner. The characters are not funny or interesting. And many scenes are stretched out, in the hope of cashing in on the new "quirky humor" of any number of current TV shows. Sort of like the lost episode of Dream On. It even has a fantasy scene, like Dream On. And it's truly the only good sequence in the movie. A trucker and some random girl he met go into his truck in three separate scenarios, all ending with some kind of bizarre (and admittedly very funny) deer-related attack. The best of which being the one where of them are actually hurt in any way. She hears a noise from outside, they both look out the window to investigate, and scream in terror... as they see a deer blink its' eyes. The main character (the still stunning and drop-dead gorgeous Brian Benben) comments- "retarded." NO, John! That's funny!Other routines that attempt to be funny and sink like the Titanic include: Benben questioning a bartender about the mysterious woman and asks him a question where he gets confused by the answer and makes the man say the "F" word (hugely shocking and outrageous in 2005 - I'm being sarcastic). A string of crime scene investigations where a bumbling detective starts a back and forth chain of insults (none of them the slightest bit clever). A drunk trucker who gets mad and shouts loud in a bar. A scene where a heart-broken pet owner whose cherished friend has been killed being verbally bashed and lashed out upon by a woman whose dog she thinks was traumatized by it (as a pet owner myself, animal cruelty and death is never funny- ever! ...expect maybe in 1989's UHF). At least two scenes where the title woman goes topless (why not get a cheap shot in?). And completely inexplicable and head-scratching moment where Benben's character is stopped by a stranger (played by another gorgeously schlubby actor, Andy Thompson) who insists they know each other from somewhere.Apparently, John Landis has just been away from the horror genre for so long that he's very rusty. And none of the horror projects he's tried so far this decade have done anything to restore his good name. Deer Woman takes an interesting myth and some good mystery story ties and wastes them on lead-ups to crime scenes with one-foot-hopping detectives and morgue discussions about severed penises. Why does the monster do that? Why is the monster stalking and killing the men? Even if the comedy was dumb, I liked the concept. It could have been a much better piece if they had at least given some kind of creepy clues as to why a succubus creature is luring men away (one of them the smoking-hot Steve Archer as a business man, keep an eye out for him!). All Landis seems to have is some kind of "God works in mysterious ways" mumbo-jumbo. A native-American character later on says, "why does everything always have to have a Why with you people?" Why do I want to know? Because I have to have something to distract me from the terrible humor. Anything at all would be preferable.There are so many things that could have been done to capitalize on the intrigue and mystery of this old folklore legend. Even some of the dialogue lends itself to making this mystery terrifying and dark. But Landis only seems to see the sexual motivation or result of the situation and focuses in on that. Since if you're completely immature, you could sit around for hours and come up with a ton of jokes about genital mutilation and women messing around with animals. It seems like John's son, Max Landis, did exactly that. The Masters of Horror just do not have the best track record with mysterious women. Argento's Jenifer (who was never really a mystery) was great. And I'm starting to get the impression that Mick Garris and John Landis got the idea to do their entries based on what they thought Argento would focus on. Sure, all the women show their tits. But Jenifer was the only one who did something with her animalistic sexuality. Deer Woman just flashes and runs back into the forest. I'm not really into watching women flash... but if I were, wouldn't I want a better storyline and jokes to warrant the tease?

From John Landis, director of An American Werewolf in London and Innocent Blood, comes Deer Woman.A severely mutilated body has just been found, a victim of a seemingly vicious animal attack, which brings Dwight, a detective, to the case. Stubborn and burnt out, it doesn't take long for Dwight to get caught up in the mystery as well as a rookie cop.But neither of them are prepared for the wrath of a deer woman scorned as they track down the Native American legend.The films casual style, tongue-in-cheek horror, and wonderful performance make this one of the highlights of Masters of Horror. This reviewer's favorite.

I was interested in this series from when I read about it being in its planning stages... since it didn't air on TV on a network available to me, I didn't get a chance to watch until just recently, where I discovered DVDs with singular episodes, as well as some special features for the episode. Not wanting to wind up with a bunch of episodes that I didn't like, I asked a friend of mine who has watched the series for recommendations. He named this and John Carpenter's effort, Cigarette Burns. In that this is the first episode that I've seen, I can't really draw any comparisons to the others... nor to Landis' earlier horror effort, An American Werewolf in London, as I've yet to find a copy of it. The plot is quite good, if not terribly deep. The mystery is slowly unraveled, if it is fairly simple. The pacing is very good... I was never bored while watching this. I was surprised to find few scares in this... there's gore enough, and several genuine "ick" moments(including a brief but unpleasant close-up of an autopsy in progress), but there's very little to jump at. The film makes up for this with humor... and lots of it. There's a smart-alecky sense of humor throughout, and almost every single laugh works. If you've liked any comedy effort by Landis, and you can take the black nature of many of the jokes, you'll definitely find this funny. Among the jokes is the running gag of the one police officer who irritates *everyone* around him to the point of them telling him to shut up. Brian Benben yet again displays his comedic talent(as he also did on the show named after him and on Dream On, where he also worked with Landis), and proves his depth as an actor. He carries the film perfectly. The actress portraying the title monster also does really well... with no lines of dialog, she uses facial expressions and gesturing to convey the emotions, and does so flawlessly. Also, she manages to shift between a sweetly-natured feminine character and a creature of pure evil from one moment to another. The effects are very well-done. The characters are well-written and interesting. Among them, the character of Dana, who seems to be mainly inspired by Abby Sciuto of NCIS(hey, it may not be original, but still). The cinematography shows signs of not being shot as a feature, theatrically-released project... it looks and feels somewhat "TV", and it works really well. For anyone bothered by such... this has a little female nudity, a bit of swearing in the dialog and, as mentioned earlier, some graphic stuff. All in all, this is just a funny film with a horror feel to it, a dark comedy with some gore and scares. I recommend this to any fan of John Landis, Brian Benben, horror and black humor. 7/10