The Forgotten One (1989)

I picked up this cheap DVD knowing very little about it, other than it being a ghost story starring Terry O'Quinn who also made some other horror fables around this time; "The Stepfather" and "Pin". To my pleasant surprise, this rarely talked about (if not) enterprise actually turned to be a compelling and worthwhile dip. The word sleeper can get thrown around, but "The Forgotten One" is what you call a sleeper! More interesting than most. Novelist Bob Anderson packs up and moves to a new city buying an old creaky Victorian house, hoping to storm up ideas for his second novel and move on from the unexpected death of his wife. However he learns the house homes a long-dormant entity, which he discovers is the spirit of a murdered 19th century housewife Evelyn. Thinking that discovering the corpse and actually burying it would free the spirit, only seems to entice the spirit and Bob soon becomes obsessed with Evelyn who just won't let him go. While customary in its set-up, it actually managed to tell a complete, low-key ghost tale of harrowing heartbreak, haunting mystery and a certain amount of moody chills. Director / writer Phillip Badger's competent touch is atmospheric, sensual and suggestive in what is mature, slow-tempo storytelling with polished visuals, well-revealed twists, constant danger and respectably good performances from the likes Terry Quinn, Kristy McNichol and Blair Parker. Quinn gives such a strong performance with his neurotic presence really carrying it, but McNichol is not to be discarded in a very likable turn as the helpful neighbour. Then there's the striking beauty of Parker, who gracefully engages with a tormented, if sincere performance as the forlorn spirit trying to manipulate things to her own liking. Also popping up is Elisabeth Brooks as a steamy nightclub singer. The script is a character drama with its focus on haunted memories, love, and fate with the right balance of dry, witty humour. Subtle, slow-tempo and stylish low-budget horror chiller with the common theme of eternal love binning it all together."How do you kill something that's already dead."

The original story line was of a writer who moved into this supposed haunted house in hopes of sparking an idea for a new novel. He is haunted in his dreams by the ghost of a young girl who lures him into the cellar. Over a period of about a month and creative investigation on the houses history, he discovers that a young girl, who was 15 years old at the turn of the century, became pregnant by her boyfriend. The father was so ashamed and so enraged by his daughters behavior, that he walled her up alive down in the cellar. Nearly a hundred years goes by before her story is learned by our writer. He opens up the wall in the cellar and finds a cavity that has been exposed to the elements. The odd noises he heard during the previous month seems to have been coming from this cavity. He decides its all in his imagination, and that it could make a good book. What he doesn't see is that there is another room off to the side of the cavity that contains a skeleton of a young girl. This movie was based on a short story entitled "The Hidden Truth". And was written by yours truly in 1987.

This movie is a genuine sleeper. Not many know about this one, but it's definetely one of my favourites! Terry O'Quinn (from The Stepfather) is great as a writer who rents an old house, and is haunted by a strange presence in it. The movie is very atmospheric and at times hypnotic in it's handling of the ghost-theme, and has some genuine twists in the story and a great ending!

Writer Terry O'Quinn moves into a house haunted by the spirit of a beautiful woman; with help from brash neighbor Kristy McNichol, he gets to the bottom of the mystery. Straight-to-tape item is a stylish low-budget effort aimed at thinking adults. There are erotic undercurrents that are not explored (curious, since the apparition is mostly seen nude), and relationships that seem half-baked, but O'Quinn is excellent here (with no "Stepfather" overtones). It's also a chance to see McNichol do good work before her youthful retirement. Not especially memorable or thrilling, but patient viewers will find some subtle surprises. **1/2 from ****