Return of the Ape Man (1944)

How can I not like this film? Bela Lugosi, John Carradine, & George Zucco stars in this fun poverty row quickie. The film lasts around an hour and it's an enjoyable watch.We have Bela Lugosi as the mad scientist Prof. Dexter who is experimenting with a the frozen body of a prehistoric caveman (George Zucco) - that is thawed out and now living. Prof. John Gilmore (John Carradine) is right beside Dexter but Dexter has plans of his own! Everything becomes a fun romp as we usually expect from these films.Really a good way to enjoy and hour three classic horror favorites .7.5/10

Return Of The Ape Man which has nothing to do with the original Ape Man which was no Oscar winner either boasts in its cast three players who apparently had no standards by which they chose projects. Bela Lugosi, John Carradine, and to a lesser extent George Zucco probably in the aggregate can count on more dreadful films than any other three players you can name.Starting off with the fact that a product from Monogram Pictures ought to carry a warning label, Return Of The Ape Man is one horrid ripoff from the Frankenstein story. Lugosi and Carradine are a pair of scientists experimenting in cryogenics before its time and travel on an Arctic expedition to find hopefully a frozen caveman from prehistoric times to experiment on.What Carradine doesn't know is that eventually he winds up part of the experiment as a bit of his brain winds up in the caveman's body. After that it's George Zucco who takes over the caveman part from former boxer Frank Moran. Zucco gets to talk guttural monster talk like both Lugosi and Boris Karloff did playing the Frankenstein monster.Biggest hoot in the film is when the caveman with new enhanced intelligence breaks into Carradine's house plays Moonlight Sonata on the piano and then strangles Mary Currier who is Carradine's wife. I split a gut with that one.For a few laughs check out Return Of The Ape Man.

No matter how noble his scientist characters may seem, poor Lugosi always ends up on the wrong side of the Bunsen burner. He's studying the similarity between man and their Neanderthal ancestors, and along with partner John Carradine, ends up in the North Pole where they actually find one. This is the supposed "ape man" of the title, and back home, once the ancient being defrosts, he becomes the proud owner of a new brain thanks to Mr. Lugosi. Carradine is a noble family man who tries to stop Lugosi, only to receive his revenge in return. The absolutely dreadful Teala Loring plays Carradine's niece, whose fiancée (Tod Andrews) becomes the desired brain donor by Lugosi for his thousand year old man who looks absolutely hysterically funny playing the piano. While the Neanderthal does commit a few murders, one of them makes no sense considering the brain it ends up in. This is not a very scary movie, or very scientific with the laboratory even dumber looking than the one Lugosi had in "Bride of the Monster". Inappropriate marching music decorates the dramatic sequences. As a result, it is very boring and features some of the dumbest police officers on film. Even worse is the fact that George Zucco, billed as the ape man, doesn't appear at all, that honor going to Frank Moran. Cheap sets and horrid direction by Phil Rosen (best known for the Monogram Charlie Chan films) make one long for the skills of Monogram's busiest director, William Beaudine.

RETURN OF THE APE MAN was one of nine films Bela Lugosi appeared for the Poverty Row studio Monogram between 1941 and 1944. In this film, he plays mad scientist Professor Dexter who with the help of his colleague Professor John Gilmore (John Carradine) revives a prehistoric man (Frank Moran) from an ice block. Dexter schemes to kill a modern person to use part of his brain in the newly thawed brute. Thus, the savage ape man will not only become manageable, but he'll have the speech and intelligence to describe his prehistoric life. Why not a WHOLE brain? Because Dexter believes that if he removes all of his subject's old brain, the ape man won't have any knowledge of his former life.This synopsis suggests the film's silliness. The plot is more coherent than in most of Lugosi's other Monogram films, but it still has its share of inexplicabilities and inconsistencies. Monogram's typically poor production values further enhance the film's cheesiness. The sets are sparse and threadbare. An Arctic sequence where the scientists find the ape man is especially phony looking; one expects the curtain to come down when it ends. The music, consisting of randomly selected stock scores, is dull and often inappropriate, such as a marching band tune during action sequences.Still, one can derive legitimate pleasure from Bela Lugosi's performance. Ever the trouper, he acts as if he's in one of his Shakespeare productions in his native Hungary and the film is all the better because of it. Lugosi emotes his standard mad scientist part with passion and conviction. He delivers such lines as "Some people's brains would never be missed" in his sonorous Hungarian accented voice with an air of sinister elegance. Such a unique delivery elevates his dialogue from stale cliches to arcane parlance. Lugosi fans should savor RETURN OF THE APE MAN.It's a letdown for John Carradine's fans, however. As Dexter's sane and ethical partner, he just goes through the motions. His performance is so listless that one perversely roots for Lugosi's far more vibrant character when the scientists argue.Overall, RETURN OF THE APE MAN exemplifies the situation of an outstanding performer (in this case, Lugosi) rising above his unpromising material.