The Love Butcher (1975)

Out of all the cheesy, godawful, low budget exploitation thrillers that hit grindhouse cinemas in the US in the 1970s, THE LOVE BUTCHER has to be one of the funniest – albeit unintentionally. This laugh riot offers an unusual spin on the PSYCHO storyline, which is no surprise: the Hitchcock thriller enjoyed something of a renaissance during the decade, with filmmaker after filmmaker riffing on its plot when making their own sleazy versions of the story. I've seen a fair few of these now and THE LOVE BUTCHER stands head and shoulders above the rest purely because it's so entertainingly bad.In an outstanding performance, Erik Stern essays a dual performance as Caleb the gardener and Lester the lady killer. Caleb is a self-confessed, self-loathing gimp, crippled and half-blind; he's scorned by the women whose gardens he tends throughout the day. By night, Caleb turns into the smooth, suave and physically perfect Lester, a man who beds beautiful women before offing them with a series of deadly garden implements. Yes, this is a story of schizophrenia packed with scenes of somebody talking to himself, very effective scenes I might add and years before Peter Jackson got the same idea when he turned Gollum into a split-personality psychopath in his LORD OF THE RINGS trilogy. The finger-twirling musical interlude in the mirror is hands-down the funniest thing I've seen in years.The theme is over done and the film itself far from boring, indeed it's actually very well paced with good interplay between time spent with the murderer and his victims and the traditional police procedural investigation. There are some shocks and surprises along the way, along with a little gore and nudity, although the film has surprisingly little of the latter two qualities that are usually plentiful in such films. While Stern is scene-stealing unforgettable in one of the most over-the-top performances of all time as the titular psychopath, he's assisted by some other fine talent: the unknown Kay Neer in her single screen appearance as a lovely, warm-heated potential victim; B-movie veteran Robin Sherwood (DEATH WISH II) as a man-hater and character actor Richard Kennedy as the cop hot on Stern's heels.Director Donald Jones made something of a career out of quickly forgotten exploitation quickies. His first film was ABDUCTED, also known as SCHOOLGIRLS IN CHAINS, which explored very similar territory to this one: in essence it was another PSYCHO type film about insanity and women getting murdered. He later made THE FOREST, another insanely rare movie, this time a backwoods slasher that has a certain atmosphere to it. His career ended with the 1993 softcore comedy HOUSEWIFE FROM HELL, which is a shame, as although his films may not be exactly high quality, they're certainly fun to watch.

Erik Stern earns himself a place in the annals of cult cinema with his deliciously demented performances in this somewhat obscure mid-70s exploitation-horror film. He plays Caleb, physically impaired gardener-for-hire who is dominated by his "brother" Lester, a smooth ladies man. Lester is also a lady killer, and detectives are stumped as to figuring out who is behind the murders. Annoying, schmucky reporter Russell (Jeremiah Beecher), who's somehow scored himself a hot girlfriend, Flo (Kay Neer), gives the detectives a hard time while doing some investigating of his own.Essentially, Sterns' performances ARE the movie, which is, for the most part, not that distinguished. There's the requisite gore and titillation, but not that much of it. Directors Don Jones and Mikel Angel do get some credit for their canny choice of soundtrack music. There are some familiar exploitation genre faces among the cast, such as Richard Kennedy ("Ilsa: She Wolf of the SS") as a cop and John Parker ("Schoolgirls in Chains") as a minister. Lovely Robin Sherwood ("Tourist Trap", "Death Wish II") is set up as one of a number of potential victims.Stern, who went on to do a fair amount of TV work, is a fun guy to watch do his thing, especially when he's trying to adopt different ethnic identities. Kennedy is good, and the ladies are all quite attractive. At approximately 85 minutes long, "The Love Butcher" doesn't overstay its welcome, and offers ample entertainment for drive-in movie lovers who want something they don't want to take all that seriously.Eight out of 10.

Someone is killing young women with gardening tools.The police are baffled.Eric Stern,the star of "The Love Butcher" displays a dual personality which is truly fascinating.One character is Caleb,a crippled,bald and ugly gardener whom his women customers pick on.The other character is Lester,Caleb's handsome dead brother.When a woman puts down Caleb,Lester pays her a lethal visit."The Love Butcher" is perhaps the best horror film made by Donald M.Jones,the man behind watchable exploitation flick "Schoolgirls in Chains" and worthless slasher "The Forest".It certainly offers some twists and turns plus a little bit of violence.Eric Stern is quite believable in the dual role and the script is refreshing.Give it a chance.

I've seen this movie many times, and I still like to watch it. This movie is beyond bad. I love it.The plot is a sad mutation of a very very popular thriller. The acting is so bad at times The "action" in this movie is awesome. The "Love Butcher" kills all of his victims (all female, of course) with garden implements. Accomplishing this modus operandi could take quite a bit of doing, particularly if the urge to murder comes while indoors. This is not a problem for our killer, though. In his world, people keep hoes and rakes near the fireplace.There are some great lines, atrocious dub-ins, and druken edits. Add to this a deliciously lame disco-era feel, and you've got a winner.If you're a connesieur of bad films, you have to see this one.