The Weeping Meadow (2004)
The first part of an incomplete trilogy telling the story of the greek people. The film begins in 1919, with Greek immigrants from Odessa arriving near Thessaloniki. Led by the charismatic Spyros, they establish a new settlement in the delta of a river. The youngest of the settlers are Spyros' son Alexis and an orphan from Odessa, Eleni. A strong, almost incestuous affection develops between the teenagers, resulting in twins who are given to a foster family. Also standing in the way of love is Spyros, determined to take his foster daughter as his wife. The lovers then decide to flee the village, persecuted by their father, leading a life of exile. As Alexis joins a group of musicians planning to go to the United States, Eleni regains custody of the twins. Angelopoulos, as in previous films, looks at the sacrifice of civilians confronted by the workers' demonstrations of 1935, the rule of Metaxas' fascist junta and forced emigration to America, and finally the civil war of 1944-1949.
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Perhaps the most emotional of Angelopoulos' films so far. While it occasionally flirts with melodrama, it's ultimately heartbreaking while losing none of the film-maker's usual formal rigor and visual beauty.A couple try to find a way to stay together in the face of wars, both civil and international, as well as fighting small town prejudice and rejection. Not an easy film, and some of the history may be confusing unless you happen to be up on the history of Greece in the 20th century (I'll admit I'm not), but very worth the time and effort.Re the DVD: As with most of Angelopoulos' films, the edition you want to find if you can is the Greek 'New Star' release (it has English subtitles). This line was supervised by Angelopoulos personally, and the image is definitely a step up from the US release. The sad things is, inexplicably, those editions were only released for a short while, and they've become very hard to find.
This must be one of the most annoying, arrogant, poser films I've ever seen. What a waste of budget and actors. Angelopoulos has reached new levels of pretentiousness. It is clear there is virtually no plot, even if this part of Greek history is material for great movies. He simply had some supposedly symbolic (actually shambolic) scenes in his mind and he built a whole movie around them. Death is the main theme and is repeated ad nauseam, along with litanies, processions and the like, which should only be a vehicle for the movie but unfortunately it is the movie itself. A totally incoherent result, which can only leave you saying "huh?" or "oh dear" every two minutes. There is no character development at all, nada, zilch. I'm usually complaining about some movies having two-dimensional characters, but oh boy, he managed to create one-dimensional characters. This is irritating for us and degrading for some of the actors. He even managed to make one of my favourite Greek actors, Giorgos Armenis, seem wooden. And going to the core of Angelopoulos film-making: No we're not idiots. We do not want chewed food. Please someone tell this guy symbolism has to be subtle. Theo do you really underestimate your audience so much or you're simply incompetent? Personally, I think he tried to make a Greek "Underground". No matter how he tries, he can't reach Kusturica.Only saving grace: Photography, costumes and the music.
I have just finished watching this great movie....fortunately with the English Subtitles. I think its a masterpiece by Theo. Beautiful story, strong characters, captivating scenery, breath taking music and ultimately of cource great production.Its a long movie and the start might be a bit boring but as the story progresses it will hold your attentionI recommend this movie if you are looking for some sensitive piece of art. Though there is quite a lot of tragedy in it but it does give a glimpse of the life of Greek immigrants of that time and the horrors of war.Two Thumbs Up...........
What a spectacular film. If you don't have a good 162min free of your time, then make it a priority to change it. This movie was full of sensational scenery and the director had taken a photographer's approach in catching the atmosphere at hand. Coming from a Greek background and taking my 65 year old father to see this film, as he was resorted to tears, I came to realise that this is not just a fictional film, but that reality was close to home and to the heart for many Greek refugees who were forced to flee their country. It was full of nostalgia, music (inspiration by each instrument) and dedicated actors (Eleni as a mother, weeping from the loss of her children). The only thing I didn't like, was that the film was too long to fit on a tape and the movie was interrupted when the tape ran out, half way through. A 5min interval was then in place, as which many lost their passion and thought the movie was finished. However, once again, this movie made me so emotional, and gave me lots of empathy to humanity. It is so unfortunate that we were only shown the film as a "ONE OFF" in Australia at the world film festival. (both sessions sold out before time) Well done Angelopoulos!! Can't wait till it hits our shores, so it can be bought on DVD (that's if it ever gets here). I recommend it, go on, I dare you too to!