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She's Working Her Way Through College

She's Working Her Way Through College (1952)

July. 12,1952
|
6.1
|
NR
| Comedy Music

Shapely burlesque dancer Hot Garters Gertie aka Angela Gardner meets her future drama professor. Her new landlady proves to be the professor's wife. Angela helps breath life into the annual school stage show...but someone has discovered her secret past.

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terrygaffney
1952/07/12

I agree with the many who feel this remake of 'The Male Animal' falls far short of the original- but- Gene Nelson's dancing is worth suffering through the rest.

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wes-connors
1952/07/13

Billed as "42nd Street's Secret Weapon," pretty blonde burlesque dancer Virginia Mayo (as Angela Gardner) arouses male patrons as "Hot-Garters Gertie". She shows off a beautifully proportioned body (with legs up to there). Claiming he wants to obtain "theatrical data," cold-stricken college professor Ronald Reagan (as John Palmer) stops in to admire Mayo and her leggy dancers. When he sneezes, Mayo recognizes Mr. Reagan as a former high school teacher. He helps her educational aspirations with room and board...College men greet Mayo with wolf whistles. While Reagan suffers a little friction in his marriage, Mayo hoofs it up with dancing football player Gene Nelson (as Don Weston). Mr. Nelson excels in the gymnastic dance "Am I in Love?" Surprisingly, Reagan's marital discord stems not from Mayo's presence, but by pretty wife Phyllis Thaxter (as Helen) associating with former sweetheart Don DeFore (as Shep Slade). Reagan has a prolonged "drunk scene" over the matter. The film's "Technicolor" is a vibrant highlight.**** She's Working Her Way Through College (7/9/52) Bruce Humberstone ~ Virginia Mayo, Ronald Reagan, Gene Nelson

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JohnHowardReid
1952/07/14

Whilst Miss Mayo's singing voice is obviously dubbed, her first appearance as Hot Garters Gertie signals an exuberance and promise the movie doesn't quite fulfill. This opening production number emerges as the film's best, despite a very bland, mechanical orchestra which manages to become even more limpid as the action progresses, undermining what would otherwise have emerged as reasonably lively and diverting musical interludes. Nonetheless, the emphasis is definitely on the songs—both old and new—rather than the action and dialogue of the original stage play. The movie certainly packs in plenty of "color" and lots of legs.Ronald Reagan gives a credible account of the Henry Fonda role and even comes over convincingly in his "Male Animal" speech, even if it is allowed to run a little too long. The other players are way outclassed. Don DeFore, upgraded to the Jack Carson character, in particular proves no match at all.Credits are slick but squeaky clean. Although Gene Nelson dances up a storm, the musical orchestrations, as noted above, lack pizazz. In fact, the new songs are totally unmemorable. A pity the producer failed to use more of the old standards like "As Time Goes By" which is given a very appealing rendition here by the gifted vocalist, Bonnie Lou Williams.

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EIGHTMAYS24
1952/07/15

This is a horrible apolitical McCarthy Era remake of "The Male Animal" starring Henry Fonda and Olivia DeHavilland. The original had Fonda as a professor standing up to regent Eugene Palette to read a letter by Sacco of Sacco and Vanzetti while simultaneously battling Jack Carson as the faded college football star for the affections of DeHavilland. This is mindless fluff. Reagan is to Fonda as an actor what Reagan was to Roosevelt as a President, a cheap imitation. The only interesting thing is that Dan Defore ("Hazel") is in both films. He is the half-witted football player suitor for the affections of DeHavilland's sister in the original, and the half-witted former football player suitor for Thaxter's affections in this film, reprising Jack Carson's role.

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