New Orleans (1947)

Do not watch this movie in real time. Rather, tape it or get the DVD so you can fast forward through every scene with just white people in it. That will leave you with about 15 minutes or so of performances by Louis Armstrong and his combo and Billie Holiday. Although heavily lip-synched, they are still worth watching at least for historical interest, especially the scenes with Billie and Louie performing together. Also, Louie's personality and joy of performance still shine through and are genuine pleasures. The only other point of interest is Billie Holiday's 'performance' (to be generous) as an obsequious maid! It is the saddest spectacle ever offered up by American popular culture!!! True, many great black performers had to humble themselves to get into the movies but Billie didn't need the movies and she was otherwise quite vocal about being nobody's fool (except, tragically, her own). Watching her in these scenes, I couldn't help but think about her criticism of Louie Armstrong ("Louie 'Tom's from the heart"). Sad, sad, sad. I watched it as if it were a road-side accident...I felt guilty for gawking but I couldn't look away, either. Everything else is just filler (much like 'Cuban Pete', a turgid little romantic comedy whose only excuse for existence is to showcase the hot, new (1946) Cuban sensation, Desi Arnaz and his Orchestra. For that reason, I recommend it highly with the same caveat...skip everything that isn't music).

This is a corny movie lets get that straight right off the bat. It is redeemed when Billie opens her mouth. If you never heard Billie Talk then this is the movie for you. She looks as if shes bored to death but what a job she does on, "Do you know what it means to miss New Orleans, The Blues Are Brewing and my favorite, Goodbye to storyville" Pops is pops and hes good as gold. But how this movie drags on! You will find yourself waiting for the scenes with Billie or Louis or the other jazz folk. The actress, Dorthy Patrick, I swear she never made another movie after this. At least i hope so! If you get this on DVD you luck up you get Billie and dukes symphony in black 1935 and a short with Louis. I guess that makes up for the awful film!

I just saw this in January, 2005 so this is a different view. It's difficult to know how professional movie people wouldn't know this is a terribly acted movie. DeCordova reprises his previously cardboard acting although he has something, but it doesn't come out. But the music of Armstrong, Holliday, and Herman etc. is magnificent. It surely is worth the time just to revel in the 1947 jazz. Bad acting doesn't destroy the movie. Wonder what happened to all those actors. It must have been the directing for all to be so bland. I think the attempt is to make this an epic picture showing the intrusion of jazz into classical music. The voice sync with the singer is also poor enough to be disturbing to the viewer. Dorothy Patrick is lovely but apparently not a singer. It's fun to see many old character actors that I knew by looks but couldn't remember their names. I'm sorry DeCordova didn't work out because I liked him in "Frenchman's Creek."

Just the musicians alone make this a worthwhile movie...jazz musicians like Louis Armstrong, Billie Holiday, Kid Ory, Barney Bigard, Meade 'Lux' Lewis, Woody Herman, Zutty Singleton, and others have close-ups, and a number of them have speaking parts. There are nine musical numbers featured in the movie also.