Pan-Americana (1945)

Director John H. Auer also produced and gets a story credit for this lame Good Neighbor Policy musical with a superfluous plot--about the search for the prettiest girl from every nation by the editors of an American magazine--used merely as the pretext for another boy-meets-girl reluctant romance. Phillip Terry is a photographer (a womanizing "coyote") and Audrey Long is a gal-reporter with no-no on her lips and sí-sí in her eyes. As the secondary couple, politely squabbling Robert Benchley and Eve Arden liven things up, but the dire, padded screenplay isn't clever enough to hold interest. The song interludes (but not the Mexican stereotypes) may be of interest to historians of Latin-Americans depicted in the cinema, but this low-budget travelogue is strictly stock shots, rear projection and studio interiors. *1/2 from ****

As a music presenter and a Latin-music radio host of 20 years, I was compelled to correct a couple of misstatements in previous postings about the musical artists featured in this film. While "Pan-Americana" is not exactly "An American in Paris" (...or even Manhattan), viewers should be more cognizant of what they're actually seeing and hearing.In the post titled "Just Doesn't Cut It", the writer commented: "The contrived plot is a boy-meets-girl story, interrupted by musical performances of Latin American artists, some of which were Carmen Miranda wannabees, and none of which were memorable or even particularly good." Um... amazingly inaccurate! If only for his presence alone, Miguelito Valdes is one of the LEGENDARY vocalists and band leaders of the Latin-American popular/tropical music genre. You could think of him as a combination of two notable U.S. artists: r&b legend Jackie Wilson (from a stylistic standpoint), and crooner Tony Bennett (as far as his 'stature' within the Latin pop music genre). So... to It was actually Mr. Valdes who popularized the song "Babalu" throughout Latin-America and the U.S. in the late 1930's. Likely because of Mr. Valdes obvious African blood, he was denied the opportunity to perform it in the Broadway show "Too Many Girls." The role ultimately was given to white-Cuban actor Desi Arnaz, a more 'traditionally handsome' man (to 1940's North American eyes) who parlayed the Broadway success into an MGM contract. While Desi Arnaz was himself a charismatic performer (a decent actor and visionary television producer), he had nowhere near the vocal presence of Miguelito Valdes (Arnaz himself would have laughed at the mere notion of a comparison...).Sprinkled throughout the film are also rare appearances by folks like the legendary Brazilian composer and band leader Nestor Amaral - the musician who accompanied Carmen Miranda to the U.S. in 1940(!). Antonio and Rosario performed to great acclaim internationally, and performed in a number of Hollywood musicals. After their breakup, their careers continued with success. Antonio would eventually become the Director of the Nacional Ballet de Espana! Chuy Reyes, who led the 'house' Latin band at Hollywood's glamorous Mocambo for years.The point is, while they may not be major "cross-over" names like Xavier Cugat, this film is an important document of some very influential Hispanic performers. To 'dismiss' them as cut-rate is simply wrong.

I would have to wholeheartedly agree with the previous writer. This movie is a refreshing musical from the 40's - even Robert Benchley, one of my least favorite actors, subdues his normal corny performance here. There is a nice cast of Latin American singers and dancers included. Eve Arden is excellent in her role. Phillip Terry brings in a creditable performance playing his part well, and Audrey Long is absolutely outstanding (and gorgeous) as usual.Again, a very well directed and acted 40's musical! Must be - I have it on DVD and play it a least once a month. In summary, if you get a chance to catch this movie on one of the movie channels do so, you won't regret it.

this movie is a romantic romp. eve Arden, Audrey long, Robert benchley and Phillip terry (joan Crawford's 4th husband) star in this romance set in various tropical settings. the best part is discovering b movie actress Audrey long. Audrey married Leslie charteris (author of the Simon templar "the saint" novels) in the early 1950's and evidently retired after a successful, approximately 10 year, career as a lead in mostly b movies. Audrey really shines in this movie and it really gives pause as to why she did not prosper in the film industry. like most actors and actresses, never getting the one great breakout role prevents them from stardom. she was a total babe. the rest of the cast is doing a very good job and the movie has a nice and varied Latin setting to complement the stars of the film. also look for Jane Greer in her first film role, in a small part.