Ring of Fear (1954)

With the success of Cecil B. DeMille's "The Greatest Show on Earth" in 1952, it was inevitable that another circus themed movie would be made. John Wayne's Batjac company did just that. They produced "Ring of Fear" in the newly introduced CimemaScope and glorious color.The Clyde Beatty Circus is at the forefront of the film showcasing not only Beatty's prowess in the lion cage but many of the acts in his show as well. The story is about a homicidal maniac Dublin O'Malley (Sean McClory) who escapes from a mental hospital. He murders a guard and then a railway worker whose clothes he takes before pushing the man's body in front of a train with the hope that he will be identified as O'Malley thus diverting attention away from himself.O'Malley heads for the Clyde Beatty Circus where he had been before "going away". He had been in love with aerialist Valerie St. Denis (Marian Carr) who has since married Armand St. Louis (John Bromfield) a fellow trapeze artist. O'Malley enlists the help of a drunken clown with a past, Twichy (Emmett Lynn) whom he blackmails into staging "accidents" within the circus.Beatty brings in crime novelist Mickey Spillane to find the source of the circus' problems. He in turn brings in Jack Stang a detective posing as a magazine writer to assist him. Circus manager Frank Wallace (Pat O'Brien) keeps the show running while coordinating the detective work (and acting).O'Malley has gotten back into the good graces of Beatty who hires him as the Ringmaster. All the while O'Malley is plotting his revenge on both Valerie and Beatty. When Twichy threatens to go to the police, O'Malley murders him. When Spillane and Wallace suspect O'Malley, the mad man is forced into the open. He unlooses a tiger and...............................................................................The circus sequences are entertaining and Beaaty's lion taming show is quite good. As actors, Beatty makes an excellent lion tamer and Spillane a great mystery writer. Acting cudos go to the veteran O'Brien ion one of his signature wise guy roles and "B" western sidekick Lynn as the boozy Twichy. McClory is also good but tends to go over the top at times. He was, by the way, a member of Ireland's Abby players and can be seen in John Ford's "The Quiet Man". Pedro Gonzoles-Gonzolez is along for comedy relief and watch for Ken Tobey as a circus worker.Long time John Wayne associates James Earl Grant directed and actor Paul Fix co-wrote the screenplay.And incidently, did anyone else see the resemblance between Clyde Beatty and TV star Don Adams (Get Smart)?

In some ways this is s standard "formula" mystery. Yet it's a very interesting and off beat film in other respects. A young Mickey Spillane; looking like a near clone of Sean Penn; plays himself as a rather inept detective. The action takes place in the real Clyde Beatty Circus, where a homicidal maniac is on the loose. Clyde Beatty, who also plays himself, was perhaps the most skilled animal trainer of all time and in the 40s and 50s ran his own circus, a serious competitor to Ringling Brothers and Barnum and Bailey. The best parts of the film (at least from my perspective) were closeups of him performing with lions and tigers, often several at a time. You can actually see the highly specific and technical body poses and behaviors he uses to control multiple animals that would love to tear him to pieces. A fascinating peek into the psyches of large carnivores.Entertaining and quite out of the ordinary.

Ring of Fear (1954) * 1/2 (out of 4) Weird blend of action and horror as a maniac gets loose in Clyde Beatty's circus and soon bodies are starting to pile up so the manager (Pat O'Brien) calls in writer Mickey Spillane to solve the case. Both Beatty and Spillane play themselves and both give an equally bad performance, which I guess is to be expected. Spillane is really, really bad but at least he gave us some great stories in his real job. The film's only real highlights are the scenes with Beatty trying to tame a wild lion. These scenes here are pretty exciting but they work against the so called mystery that's suppose to be going on and at times it seems the mystery is completely forgotten about. O'Brien comes off pretty good but he's not given a lot to do. The 2.55:1 aspect ratio makes for some good circus scenes but for the most part this thing is dead on arrival.

Well, say what you will about RING OF FEAR, it's certainly a novelty. First of all, the real "Star" is the Clyde Beatty Circus, which couldn't have purchased better advertising than this beautifully shot color and cinema-scope production, half of which must be the circus's best acts. A psycho is at loose in the circus, so the great crime writer Mickey Spillane, playing himself, is called in to investigate! Spillane himself calls in for a fellow investigator to help, and that guy poses as a magazine reporter. Pat O'Brien plays the manager of the circus, and Clyde Beatty himself also appears and does a number of lion and tiger-taming routines. Irish actor Sean McCrory, in an over-the-top performance, plays a one-time circus employee who became a stalker of a lady working at the circus and escapes from a mental institution to re-join the circus (and this is NOT a spoiler--all this is shown in the first few scenes), where he's accepted back as ringmaster. There's even comedy scenes with Batjac Productions regular Pedro Gonzalez-Gonzalez! My favorite scene is one where Mickey Spillane shows up at the circus and runs into the uncredited comic master Vince Barnett, who is reading Spillane novels on the job all day and explains to Spillane himself how his productivity has gone down so much due to Mick's novels! Mick then produces his newest one, hot of the press, and hands it to Barnett, who almost salivates over it! There's not much "mystery" here since we know exactly how each crime is committed, and we only get to know about a half dozen employees of the circus at all, so obviously the suspect pool from which Spillane and assistant have to choose isn't really that large. No, what makes the film entertaining is the circus setting, the idea of Mickey Spillane playing himself, and the colorful performances. Pat O'Brien (no relation to the bar or the TV gossip host) could play a role like this in his sleep, but he still has the gruff authenticity that makes him so watchable and loved by audiences for decades. Spillane comes off as an amiable and sarcastic yet tough guy. Sean McCrory, the "human star" of the film (the circus itself being the main star), chews the scenery and one wonders how ANYONE would not instantly think he was guilty of SOMETHING. This film will no doubt get a large audience through its being included in the new box set JOHN WAYNE'S SUSPENSE COLLECTION, which contains four Batjac Productions (see also my review of MAN IN THE VAULT, also in the package). It's a fascinating curio that's worth watching once, and may have some camp appeal for future viewings. As a Spillane fan, I'm happy to see the master in anything, so I may well watch it again. The transfer is superb on the DVD with rich colors and fine widescreen composition. One can only imagine how beautiful and awesome the circus scenes were on a large 1950's movie screen.