Passionada (2003)

It's been seven years since Celia Amonte (Sofia Milos) lost her fisherman husband Joseph at sea. She's a Portuguese immigrant in New Bedford, Massachusetts. She and her daughter Vicky (Emmy Rossum) live with her mother-in-law Angelica Amonte (Lupe Ontiveros). Vicky goes out to the casino and encounters professional gambler Charles Beck (Jason Isaacs). He has been brought in by the respectable Vargases (Theresa Russell, Seymour Cassel). Vicky wants to join him as a gambling team. He falls for Celia who is singing in a dinner club. With Vicky's help, he pretends to be a fisherman to woo Celia while he teaches her to count cards.For symmetry, Vicky needs a young guy to play with. Emmy Rossum was around 15 but she looked 20ish especially dolled up to get into the casino. Rossum has more presence than Milos. This leads to the uncomfortable prospects of pairing her up with Charles. To concentrate on the budding romance with Celia, Charles needs more screen time with her and less with Vicky. The central romance is lacking real heat. This has more in common with an average Lifetime romance except this is supposed to be better. There is a Portuguese aspect to the characters which is not fully exploited. There is food but the movie fails in making food porn. It feels superficial like an ethnic food fair festival. There are ways to make more out of the situation but the movie fails to excel.

Emmy is #2 in my pantheon, thanks to Minnie Driver and her appearance in "the Phantom of the Opera". For me, Emmy is the best young actress but she is also the most underrated: Jessica got praises, smiles for magazines only and does stinker after stinker. Natalie wins awards. And Emmy is just empty-handed, albeit she is cool with everybody and has true talent! Here, she is only sixteen and she plays a wonderful witty daughter! If the movie is the classic (unsurprising) romance with the love/hate/love/hate stages, it has some original sparks as well: the Portuguese culture, a modest unknown town, and a solid cast that put on the spotlight people usually cast to guest-star! So it's rather enjoyable, and more when Emmy appears. And if you really want to have fun, look for the alternative ending which was indeed totally disastrous!

"Passionada" is a very light and enjoyable film. But the story has been done a million times over by Hollywood and on TV. It's the typical tale of a worldly, WASPy guy who meets and romances an ethnic, family-devoted girl. You just knew that there would be a clash of cultures and an eventual break-up. She would undoubtedly tempt her guy with ethnic food, dance and song, and even sensual sex. And he would tempt her with excitement, luxuries, and new adventures that only a man from outside her world could promise her. Sound familiar? Some people here complained about the lack of authenticity due to the director using non-Portuguese actors and Brazilian music. I don't think it made any difference. The acting and music and shots of the locale were very authentic and first-rate. The only thing that I couldn't figure out was all the casino scenes, since there are no casinos in New Bedford, Mass. The nearest ones are Mohegan Sun and Foxwoods in Conn., over an hour away. And Vicky, the young daughter, drove her scooter all the way over there and back on school nights? And if Charlie was such a professional card counter at Blackjack, banned from every casino, why was he broke? I must've missed something during a bathroom break. Other than that, "Passionada" is a fun film and a good insight into Portuguese-American culture, if that's your thing.

When I saw PASSIONADA the first time (it have been recommended by someone I truly admire) I was very put off. I didn't like it, I thought it was, well, nothing. The person who had recommended it in the first place, urged me, to see two other Dan Ireland movies. The Whole Wide World, which I loved and "The Velocity Of Gary" which I thought it was hard to sit through, the first time, but, I must say, I felt compelled to see it a second time and by my third viewing I was in love with the movie. Then I went back to Passionada. What a different movie it was, within the context of Ireland's other work. It is the perfect piece of the puzzle that unveils the total work of an artist's life work. Ireland's theme is LOVE, AS AN IMPOSSIBLE OBJECT. In the Whole Wide World, is intellectual and tragic in Velocity of Gary, is sexual and pathetic in Passionada, he allows the characters to have a future. It is, after all, Ireland's romantic comedy. But even then, we don't really know, if we listen carefully to a throw away line by Theresa Russell "Once a liar, always a liar" (Or words worth that effect) To all film fans, I suggest to see the films in order, one after the other and you'll discover something to look forward to.