The Stripper (1963)

Joanne Woodward is the one reason this movie gratuitously called 'The Stripper' is worth a look. She comes across as genuine and sincere in a movie that for the most part is full of clichés, a fair of them quite dated.To me, it seemed the screenplay was based on much of the heartbreak that was Marilyn Monroe, with Woodward's character never having a real family as a child, much like Norma Jean Baker.She's hardly a 'stripper', as Joanne's character is basically a platinum blonde magician's assistant who is led into the striptease world by the very capable actor Robert Webber as her cruel and sadistic 'pimp'. This transformation occurs very late in the movie, so by this time the audience is well aware that the title of the film was false titillation.And Joanne is pretty much covered with many balloons when her strip act is revealed. Tack on a rather phony happy Hollywood ending, and there you have 'The Stripper'. I did enjoy seeing the very talented and original Louis Nye in a comic part. And the inclusion of Gypsy Rose Lee was a bit of inspired casting. As I say, Woodward somehow manages to rise above the rather unimaginative script. Like Beymer's character professes to Woodwad's character in the end: you do 'care' about this woman. Too bad the script didn't.

In a conversation several years ago, I asked Ms Woodward about this film. It receives short shrift by those who would discuss her career. The story has several interlocking plot lines: a woman caught in the struggle to survive, the men who use and abuse the situation toward their own ends and the teenager who falls for her. A teenager becoming enamored with an older woman was nothing new. The teenager having an affair with the older woman was a story somewhat ahead of it's time in 1963. The Women's Liberation Movement did not start until the late 1960s and the word 'cougar' referred to mountain lions. Ms. Woodward talked about the confused or disjointed impression this film gives and stated that the original director, whose name I cannot remember, died half way through filming. Mr. Schaffner, who finished the project, had a different point of view. Regardless, Ms Woodwards' acting is, in my opinion, remarkable. She provided each director with the desired performance expressing his vision. Unfortunately, the final cut is reflective of each and gives the film a sense of choppy disconnect.

The Woodward/Beymer team does not work very well because there are only eight years between them whereas the writers wanted us to believe that she could be his mother.Woodward plays some kind of Blanche Du Bois (a woman with a racy past) wearing an awful Monroe-like wig.They say that the movie was "remade" by the producer: the scenes Kenny/Miriam were imposed on Schaffner whereas the suicide of Lila was ruled out .It's not uninteresting though.Both Kenny and Lila are immature adults.His mother treats him like a kid -a handsome boy she is proud of ,but still a kid: do not forget your coat,you could catch a cold! - whereas Lila really strips bare -more than she will do later- in the marvelous scene in the old school when she talked about her first day in first grade.Woodward is so talented an actress we see the whole scene without any flashback.

At first glance, "The Stripper" looks like eye candy: a cute young sideshow woman gets dumped by her manager and takes up with a local woman and her son, thereby developing a relationship with the son. But I do think that there was more to the movie than just that (if only a little more). In the lead role, Joanne Woodward gravitates between insecure and self-standing, not about to take from anyone. She does as good a job here as she did in "The Three Faces of Eve". Claire Trevor also does quite well as the woman taking Woodward in, but many of the characters come across somewhat silly as teen rebels. It seemed to me like Richard Beymer was channeling his role as Tony from "West Side Story" (although Carol Lynley and Michael J. Pollard weren't bad).Anyway, "The Stripper" is a movie worth seeing. And if I may say so, Joanne Woodward was really hot in some of those clothes! Also starring Gypsy Rose Lee. I bet that no one imagined that director Franklin Schaffner would later direct the likes of "Planet of the Apes", "Patton", "Papillon" and "The Boys from Brazil".PS: Not that this really relates to anything, but right after I finished watching this movie last night, Joanne Woodward's husband Paul Newman was the guest on "The Late Show with David Letterman"!